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Jessie Ann Foley - You Know Im No Good

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Jessie Ann Foley You Know Im No Good

You Know Im No Good: summary, description and annotation

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This razor-sharp novel fromPrintz Honor winner and Morris Award finalist Jessie Ann Foley will appeal to fans of Rory Power and Mindy McGinnis.

Mia is officially a Troubled Teen she gets bad grades, drinks too much, and has probably gone too far with too many guys.

But she doesnt realize how out of control she seems until she is taken from her home in the middle of the night and sent away to Red Oak Academy, a therapeutic girls boarding school in the middle of nowhere.

While there, Mia is forced to confront her painful past at the same time she questions why shes at Red Oak. If she were a boy, would her behavior be considered wild enough to get sent away? But what happens when circumstances outside of her control compel Mia to make herself vulnerable enough to be truly seen?

Challenging and thought-provoking, this stunning contemporary YA novel examines the ways society is stacked against teen girls and what one young woman will do to even the odds.

A Chicago Public Library Best Teen Fiction Selection

A Banks Street Best Childrens Book of the Year

Jessie Ann Foley: author's other books


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Contents

Guide
Photo by Joe MazzaBrave Lux JESSIE ANN FOLEYs debut novel The Carnival at - photo 1

Photo by Joe MazzaBrave Lux JESSIE ANN FOLEYs debut novel The Carnival at - photo 2

Photo by Joe MazzaBrave Lux

JESSIE ANN FOLEYs debut novel, The Carnival at Bray, was a Printz Honor Book, a Kirkus Reviews Best Book, a YALSA Top Ten Best Fiction for Young Adults title, and a William C. Morris Award finalist. Her second novel, Neighborhood Girls, was an ALA Booklist Editors Choice and a YALSA Best Fiction for Young Adults title. Sorry for Your Loss, her third novel, was an Illinois Reads selection and a YALSA Best Fiction for Young Adults book. You Know Im No Good is her fourth novel. Jessie lives with her husband and three daughters in Chicago, where she was born and raised. To learn more about Jessie, visit her online at www.jessieannfoley.com.

Discover great authors, exclusive offers, and more at hc.com.

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For Beth,

in loving memory

The Carnival at Bray

Neighborhood Girls

Sorry for Your Loss

You Know Im No Good

Contents

I TOLD YOU I WAS TROUBLE

YOU KNOW THAT IM NO GOOD.

AMY WINEHOUSE, YOU KNOW IM NO GOOD

I FUCKED UP, I KNOW THAT, BUT JESUS,

CANT A GIRL JUST DO THE BEST SHE CAN?

LANA DEL REY, MARINERS APARTMENT COMPLEX

THESE ARE THE ONES WHO ESCAPE

AFTER THE LAST HURT IS TURNED INWARD;

THEY ARE THE MOST DANGEROUS ONES.

THESE ARE THE ONES WHO LOVED YOU.

THEY ARE THE HORSES WHO HAVE HELD YOU

SO CLOSE THAT YOU HAVE BECOME

A PART OF THEM,

AN ICE HORSE

GALLOPING

INTO FIRE.

JOY HARJO, SHE HAD SOME HORSES

MY NAME IS MIA DEMPSEY , and I am a troubled teen.

Im a sleep-with-random-boys-I-meet-in-the-Fullerton-underpass kind of troubled.

A 1.7-grade-point-average kind of troubled.

A stick-and-poke-heart-on-my-upper-left-boob kind of troubled.

A peppermint-schnapps-in-my-water-bottle-during-first-period-American-history kind of troubled.

A punch-my-stepmom kind of troubled.

Of all the ways that I am troubled, its this last one, so far as I can tell, that has landed me in here.

Maybe if I had just apologized to Alanna, Id still be in my own room at home, surrounded by my books and journals, my laptop and my closetful of shoplifted clothes, instead of lying on this creaky aluminum bunk bed, staring up at rusty springs while, above me, some weird stranger whimpers in her sleep.

But I am not good at apologizing.

For me, every time I try to say Im sorry or I love you, the words dissolve on my tongue like tabs of emotional acid.

Still, in my defense, how could I apologize after what she said to me?

That day, as Alanna held the bag of frozen corn over her face, her lap piled high with bloody Kleenex, my dadcalled home from work in the middle of the day once again to deal with a Mia Crisiskept asking: Why, Mia? Why? Why would you do this?

I knew why, and so did Alanna, but I couldnt tell him. I couldnt repeat the words that had come out of her mouth and had triggered my fist, because I knew there was a chance he might agree with those words. And if he did, it would slice into me so deep I wasnt sure Id be able to keep acting like I didnt care.

TROUBLED TEEN . What a stupid phrase. First of all, youll never catch any self-respecting human between the ages of thirteen and nineteen referring to herself as a teen. Kid, girl, person: those are all fine. Teen, however, is a social construct, a word that should never be used to describe actual people but instead reserved for all those not-too-childish but also not-too-sophisticated products that adults in marketing meetings are always trying to convince us we cant live without: Fuzzy, utterly functionless beanbag chairs. Glittery phone cases. Rainbow-striped scrunchies. Crop tops that claim to be a size six but are actually the size of a Post-it note. Pretty much anything with pom-poms on it.

And troubled? To me, this is a word that brings to mind someone sitting in a library, staring off into space, thoughtfully stroking her chin as she ponders a difficulta troublingalgebraic equation. I wish I were troubled. Instead, what I am is enraged.

At what, exactly, I couldnt tell you. The world, my place in it, and everyone who populates itdoes that narrow it down? Anyway, it doesnt matter, since Red Oak Academy: A Therapeutic Girls Boarding School for Chronically Pissed-Off Humans Between the Ages of Thirteen and Nineteen doesnt flow off the tongue nearly as well as Red Oak Academy: A Therapeutic Girls Boarding School for Troubled Teens.

Seriously, what is it with adults and their euphemisms? Why are they so terrified of calling things what they actually are? For example, why does Alanna get all bent out of shape when I call Lauren and Lola my half sisters? Why cant you drop the half? she asks. Theyre just your sisters. But that isnt true. Its not like I dont love the twins, but the fact is, they came out of Alannas vagina, and I didnt. End of story.

And why have all my teachers insisted, since I was six years old, in calling me gifted? Im not gifted. Im just smart. I read a ton, I test well, and I like writing almost as much as I like cutting class to smoke weed in the parking lot behind the bankrupt Sears at Six Corners. So what? What does gifted even mean? How is it a gift, being bored as fuck at school my whole life, having to pretend to fumble over words like prodigious and irrelevant when Im asked to read aloud so the other kids wont think Im a freak? Feeling like my brain is always cranking, like it can never shut off, like the only thing that can calm it down is to inhale a book or a drug or a boy?

Perhaps Mia is troubled because shes so gifted.

This was Mr. Cullertons brilliant assessment of me when I had my last suspension hearing.

Or maybe, Alanna had said, because she just couldnt help herself, its because of what happened to her mother.

And thats the thing. Alanna gets all butthurt that I wont drop the half from half sisters when I talk about Lauren and Lola. But she has never once asked me to call her Mom. She loves bringing up the stuff with my real mom, because for her, it ties everything up in a nice little package. It gives an explanation for why I am the way I am, because if theres one thing adults love, even more than euphemisms, its the concept of cause and effect. If Alanna and my dad can believe that what happened to my mother is the cause, and my being a Troubled Teen is the effect, then they can avoid the two alternative explanations: (1) that people like me are just born bad for no reason at all; or (2) that

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