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Charles Barber - Comfortably Numb: How Psychiatry Medicated a Nation

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Comfortably Numb: How Psychiatry Medicated a Nation: summary, description and annotation

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American doctors dispense approximately 230 million antidepressant prescriptions every year, more than any other class of medication. Charles Barber explores this disturbing phenomenon, examining the ways in which pharmaceutical companies first create the need for a drug and then rush to fill it. Most importantly, he convincingly argues that, without an industry to promote them, non-pharmaceutical approaches are tragically overlooked in favor of an instant cure for all emotional difficulties.Compulsively readable and urgently relevant, Comfortably Numb is an unprecedented account of the impact of psychiatric medications on American culture and on Americans themselves.

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Contents PART ONE Neurons Incorporated PART TWO A Series of Alternative - photo 1

Contents PART ONE Neurons Incorporated PART TWO A Series of Alternative - photo 2

Contents


PART ONE
Neurons, Incorporated


PART TWO
A Series of Alternative Approaches


For Robert Coles, writer and teacher, and
for William J. Barber, scholar and father

A great part of both the strength and weakness of our national existence lies in the fact that Americans do not abide very quietly the evils of life. We are forever restlessly pitting ourselves against them, demanding changes, improvements, remedies, but not often with sufficient sense of the limits that the human condition will in the end insistently impose on us.

RICHARD HOFSTADTER, The Age of Reform, 1955

There is always a well-known solution to every human problemneat, plausible, and wrong.

H. L. MENCKEN, Prejudices: Second Series, 1920

Foreword

So Hip, So Quickly

In 1988, almost by accident, I began working with homeless people suffering from mental illness in New York City. This was meant to be a short-term vocation, a year at most. But for the next fourteen years, I worked with the homeless mentally ill in Manhattan in a variety of settingsfirst on the streets, then in shelters, then in supportive residential programs. All of my clients suffered from, as the psychiatric textbooks put it, severe and persistent mental illness. That is, they were diagnosed with various forms of schizophrenia, extreme mood complications such as bipolar disorder and major depression, and a range of personality disorders. Most of my clients had been or were addicted to some combination or other of alcohol, heroin, crack, cocaine, benzodiazepines, and PCP. A very large percentage had chronic physical ailments like diabetes, HIV, and hepatitis. Despite the rather remarkable burden of their collective afflictions, my clients were also often engaging, interesting, and without exception astonishingly resilient.

To quell their unruly moods and their troublesome delusions and hallucinations, my patients were taking all manner of psychiatric medications. Some of these medications had been around since the 1950s and 1960smood stabilizers like lithium, antipsychotics such as Haldol and Thorazinewhile others, at the time, were brand-new, with strange and exotic names like Prozac, Paxil, and Zoloft. Each year over the course of the 1990s, new psychiatric medications were introduced and consumed en masse by my clients. Some of these new medications arrived with great fanfare and extremely high expectations. In particular, a class of agents called atypical antipsychoticsRisperdal, Clozaril, and Zyprexa are the best knownhad been shown in early clinical studies to be far superior to the Haldols and the Thorazines. Overnight, it seemed, almost all patients were converted to these new drugs, as well as new-generation antidepressants and mood stabilizers. It was not at all unusual for my clients to be taking three, four, five, or six different types of psychiatric drugs in a given daya combination not unlike the number of street drugs many of them had once been addicted to.

I am not a psychiatrist. My job was first as a counselor at, and then director of, a number of clinical and residential programs, and finally as a senior administrator at social services agencies and a researcher at medical schools. But I became oddly enthralled by the ongoing parade of medications that entered my clients mouths (and sometimes their arms, via injection). I became deeply immersed in the sheer zeitgeist of all that was involved in their ever more complex pharmacological regimens: from the monthly filling of their multiple prescriptions (which would have cost hundreds and hundreds of dollars if not paid for by Medicaid); to the cheerful colors and happy-sounding, near-poetic names of the drugs (and the colors become more vibrant and the names more poetic as the 1990s wore on); to the regular visits of perky drug reps ready to hand out free meals, pens, calendars, and coffee cups to anybody who would listen; and, not least, to the complicated and broadly variable impact of the drugs on my clients symptoms, personalities, and physical health. The influence of the drugs ranged greatly: from near-miraculous apparent cures to therapeutic numbing, to no effects whatsoever; to, in one case, a near-fatal attack.

In the late 1980s, when I told people outside the field about my worksay, friends at cocktail parties in suburban, upper-middle-class Connecticut, where I grew upno one seemed to quite comprehend what I did for a living. The prevailing tenor of these conversations was one of confusion. It would require real effort on my part to explain to these highly educated, eminently bourgeois people the nature of the problems which my clients faced. Sipping white wine, my friends and the friends of my parents struggled to grasp terms like bipolar disorder and schizophrenia. If I happened to mention the medications my clients were taking, the names fell upon barely comprehending ears. (Or I would be asked, in so many words: Those are those zombie meds that they gave out in the old mental hospitals, arent they?) It was also evident that these professors and lawyers and businesspeople, while not lacking in compassion, suspected my clients of having taken way too many drugs and/or being possessed of a seedy moral shiftlessness. The consensus was that while my clients were no doubt victims of multiple forms of injustice, their own characterological defects or weakness was the primary cause of their problems. I was sure that I was suspected of slummingof immersing myself in a noble but deeply unsuitable venture for someone of my background and education. Returning to my work on the streets and in the shelters of New York City, I felt that what I was doing was at the very margins of American society.

But by the end of the 1990s, at these same cocktail parties, not only did people enthusiastically appreciate what I did, they were likely to share with me in no longer hushed tones that their friend or son or someone very close to me was suffering from depression or some other major psychiatric illness, and many were taking a number of the same drugs my clients were. Words like Prozac and Paxil and lithium were tossed around along with the salted peanuts and the shrimp. Upon learning the nature of my work, people would gather around, and I would be solicited for advice on various technical questions, like how long it took for Zoloft to fully enter the bloodstream and the advantages of Depakote as compared to lithium, or whether a neighbors behavior was classically bipolar or merely hypomanic. Everyone seemed to be filled with a new and abrupt compassion for my clients, who, it was now universally agreed, wereof course! how could it be otherwise!suffering from chemical imbalances and inner torments that, while unseen, were as physiological and real as diabetes or cancer. My career choice was to be applauded, and it was universally agreed that I was engaged in something important and meaningful. Even the terminology had changed: I no longer worked in shelters with psychotic people but in the brand-new shiny field of Mental Health.

There was of course nothing unique about the cocktail parties I was attending. These same discussions and attitudinal changes were flowing vigorously through the popular culture. During the 1990s, mental illness became highly visible and quite suddenly almost chic. One celebrity after another confessed to their long-secret psychiatric anguishes. A movie about a genius with paranoid schizophrenia,

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