THE EVERYTHING FILMMAKING BOOK
From script to premiere a complete guide to putting your vision on the screen
Barb Karg, Jim Van Over, and Rick Sutherland
Copyright 2007, F+W Publications, Inc. All rights reserved.
This book, or parts thereof, may not be reproduced in any form without permission from the publisher; exceptions are made for brief excerpts used in published reviews.
An Everything Series Book.
Everything and everything.com are registered trademarks of F+W Publications, Inc.
Published by Adams Media, an F+W Publications Company 57 Littlefield Street, Avon, MA 02322 U.S.A.
www.adamsmedia.com
ISBN 10: 1-59869-092-2
ISBN 13: 978-1-59869-092-7 (paperback)
ISBN 13: 978-1-60550-289-2 (EPUB)
Printed in the United States of America.
J I H G F E D C B A
Library of Congress Cataloging-in-Publication Data
Karg, Barbara.
The everything filmmaking book / by Barb Karg, Jim Van Over, and Rick Sutherland.
p. cm. (An everything series book.)
Includes bibliographical references.
ISBN-13: 978-1-59869-092-7
ISBN-10: 1-59869-092-2 (paperback)
ISBN 13: 978-1-60550-289-2 (EPUB)
1. Motion pictures Production and direction. 2. Motion picture authorship. I. Van Over, Jim. II. Sutherland, Rick. III. Title.
PN1995.9.P7K35 2007
791.4302'3 dc22
2006028438
This publication is designed to provide accurate and authoritative information with regard to the subject matter covered. It is sold with the understanding that the publisher is not engaged in rendering legal, accounting, or other professional advice. If legal advice or other expert assistance is required, the services of a competent professional person should be sought.
From a Declaration of Principles jointly adopted by a Committee of the American Bar Association and a Committee of Publishers and Associations
Many of the designations used by manufacturers and sellers to distinguish their products are claimed as trademarks. Where those designations appear in this book and Adams Media was aware of a trademark claim, the designations have been printed with initial capital letters.
This book is available at quantity discounts for bulk purchases.
For information, please call 1-800-289-0963.
The Series
Editorial
Publisher | Gary M. Krebs |
Director of Product Development | Paula Munier |
Managing Editor | Laura M. Daly |
Associate Copy Chief | Sheila Zwiebel |
Acquisitions Editor | Lisa Laing |
Development Editor | Rachel Engelson |
Associate Production Editor | Casey Ebert |
Production
Director of Manufacturing | Susan Beale |
Associate Director of Production | Michelle Roy Kelly |
Prepress | Erick DaCostaMatt LeBlanc |
Design and Layout | Heather BarrettBrewster BrownvilleColleen CunninghamJennifer Oliveira |
Series Cover Artist | Barry Littmann |
Visit the entire Everything Series at www.everything.com
Filmmaking Book
Dear Reader,
Anyone who knows the three of us knows that we've been film nuts for all our combined years. We rabidly discuss any and all things movie-related, and are, in fact, so completely full of useless trivia that it's frightening. Our typical conversations begin with You remember that one flick we saw where the guy was crawling under that place and he found that thing? Who was the guy who was crawling behind him?
No matter the extent of our trivia overload, we are and will always be huge fans of all things shown on the silver screen. Our admiration of celluloid extends to everyone in the film industry, from writers and directors to producers and technicians. We marvel at the innovative methods these hardworking folks employ, and applaud their tenacity in constantly reinventing ways for us to see the world with better eyes. For that, we thank them and everyone who has made or will someday grace us with their own movie masterpiece.
For all our touchstones Ma, Pop, Dale, Chrissy, Glen, Anne, Terry, Kathy, Jimmy, Jason, Ellen and Jim, Jim S., Karla, the Scribe Tribe, the Blonde Bombshell, and especially Jeans. And to all filmmakers who bring their visions to life and in doing so make us laugh, cry, think, and boldly go where we've never gone before.
Acknowledgments
Many individuals worked hard to bring The EverythingFilmmaking Book to fruition. As always we thank our friends and family for their never-ending love and support, and we'd like to thank the fine folks at Adams Media for their encouragement. A heartfelt thanks to editor Lisa Laing, whose quick wit and utter professionalism were greatly revered during the writing process. We'd also like to thank Paula Munier, whom we eternally admire for her exquisite taste in wine, chocolate, and friends, and Rachel Engelson for her tireless work and exceptional humor during the developmental process. Thanks go out as well to Laura Daly, Brett Palana-Shanahan, Andrea Norville, Sue Beale, and copy editor Suzanne Goraj for their hard work and expertise. And a hearty thanks to publisher Gary Krebs for giving us the opportunity to do this book.
A big thanks to Heather Hale for providing a jumping-off point, as well as signposts along the way. And for all her hard work and dedication to The Everything Filmmaking Book we offer our unending praise to Arjean Spaite, without whom this book could never have been done. And thanks, as always, to Buckaroo Banzai, Charlton Heston, John Carpenter, Gandhi, and the entire population of South Park for keeping all of us sane on a daily basis.
Top Ten Things You'll Learn About Filmmaking
- That filmmaking is one of the largest collaborative commercial and artistic media in history.
- That anyone can make a movie with just a hand-held video camera and a few friends.
- The ins and outs of all phases of production from script to screen.
- What every crew member does, and who you'll need to hire to make your film.
- How to present yourself and your concept to potential investors and the innovative ways you can find funding for your project.
- The science and art of sound, lighting, editing, and musical accompaniment that can take your film from dull to dazzling.
- The amazing innovations in digital technology that allow you to make movies on your home computer, limited only by your own imagination.
- That having a great script can make or break your film, no matter whether it's no-budget, low-budget, independent, or blockbuster scale.
- How the major studios got started, and how they operate and strategize the release of their films.
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