• Complain

Nicole von Germeten - Violent Delights, Violent Ends

Here you can read online Nicole von Germeten - Violent Delights, Violent Ends full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2013, publisher: UNM Press, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover

Violent Delights, Violent Ends: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Violent Delights, Violent Ends" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Nicole von Germeten: author's other books


Who wrote Violent Delights, Violent Ends? Find out the surname, the name of the author of the book and a list of all author's works by series.

Violent Delights, Violent Ends — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Violent Delights, Violent Ends" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Violent Delights, Violent Ends
VIOLENT
Delights,
VIOLENT
Ends
SEX, RACE, & HONOR IN
COLONIAL CARTAGENA
DE INDIAS
Nicole von Germeten
2013 by the University of New Mexico Press All rights reserved Published 2013 - photo 1
2013 by the University of New Mexico Press
All rights reserved. Published 2013
Printed in the United States of America
18 17 16 15 14 13 1 2 3 4 5 6
The Library of Congress has Cataloged the printed edition as follows:
Germeten, Nicole von.
Violent delights, violent ends : sex, race, and honor in colonial Cartagena de Indias /
Nicole von Germeten.
pages cm
Includes bibliographical references and index.
ISBN 978-0-8263-5395-5 (pbk. : alk. paper) ISBN 978-0-8263-5396-2 (electronic) 1. SexColombiaCartagenaHistory. 2. Cartagena (Colombia)Race relationsHistory. 3. ViolenceColombiaCartagenaHistory. 4. HonorColombiaCartagenaHistory.
I. Title.
HQ18.C65G47 2013
303.609861dc23
2013019963
For my friends and mentors, Robert and Mary Jo Nye.
CONTENTS
ACKNOWLEDGMENTS
THE RESEARCH FOR THIS BOOK WAS ORIGINALLY FUNDED BY A COLLEGE of Liberal Arts Research Grant from Oregon State University. Thank you to the History Department chair at that time, Paul Farber, for supporting my application and my sabbatical time off from teaching, which I used to begin this project. The American Philosophical Society also supported my research with a small grant in 2011. I made great progress in my research while in residence as a visiting scholar at the Center for Latin American Studies at Stanford University on and off from 2008 to 2010. Thank you to Herbert Klein and Megan Gorman for your hospitality there and to Ben Vinson for initially introducing me to the Center faculty.
I appreciate the assistance of the staff at the Archivo General de la Nacin in Bogota, the Archivo General de Indias in Seville, and the Archivo Nacional in Madrid. I offer my warmest gratitude and affection to the distinguished historian padre Tulio Aristizbal of the San Pedro Claver Church and Museum in Cartagena, as well as to the other kind, learned, and hospitable padres of the Society of Jesus who reside there.
Many thanks to Kristen Block, Rebecca Earle, and Linda Curcio Nagy for their scholarly support and collegial input on this project. Kristen encouraged this book idea in its infancy at the Latin American Studies Association conference in Rio in 2009. Linda participated with me in panels at Rocky Mountain Conference of Latin American Studies and LASA while I worked on the project. Rebecca kindly read a chapter in one of her many areas of expertise, the history of clothing in the Viceroyalties. Thanks to Karen Melvin for inviting me to air some initial ideas on this project to the History Department at Bates College. Michelle McKinley also gave me two opportunities to present at the University of Oregon at conferences supported by the Center for Latino and Latin American Studies, as well as included me in panels at RMCLAS. I appreciate her superb scholarship and personal warmth and kindness. Rachel Moore quickly provided a great translation for a difficult eighteenth-century note. Dain Borges, George Reid Andrews, and Ramon Gutierrez kindly hosted my presentation of early analysis of this material at an event on Race and Sexuality in Latin America at the University of Chicago. Frank Proctor helped me organize my ideas by offering me the opportunity to write an article on sexuality and witchcraft for History Compass.
Thank you to my Oregon State University students in HST 350, HST 310, and HST 407 for reading and commenting on the rough drafts of these chapters. Members of the History Faculty at Oregon State University, including Anita Guerrini, Chris Nichols, Ben Mutschler, Paul Kopperman, and Marisa Chappell, were kind enough to read and closely critique a chapter of this book in the fall of 2012. My colleague William Husband provided an especially helpful analysis, although all of the history faculty in attendance offered useful and challenging advice on improving . Thank you to Robert Peckyno for your encouraging marketing ideas. Robert and Mary Jo Nye carefully read and edited several chapters. I would not have written this book or known anything about honor and violence if it had not been for Bob Nyes outstanding mentorship over the last ten years. I hope that my scholarly and generous colleagues can take some pride in their contributions to the finished product.
Kris Lane, Kathryn Sloane, and two anonymous readers provided insightful, helpful comments and close readings of very rough drafts of this book. Kris Lane made an extra effort to reread the introduction and greatly increased my confidence in the final result. Although their input significantly improved the final product, I am responsible for any remaining errors.
I gratefully acknowledge the amazing patience and fantastic support I enjoyed from University of New Mexico Presss editor-in-chief, W. Clark Whitehorn.
I remain grateful to Sarah Cline and William B. Taylor for their guidance during my time as a graduate student in history. James Lockhart has also been a scholarly inspiration and provided specific advice regarding personal letters quoted in this book.
Kasia Cichowicz, I appreciate your humor, irrepressible enthusiasm, and positive predictions for this book. Collin English, I hope there will be many more intellectually stimulating discussions to come. I am so grateful to Ricardo Raul Salazar Rey for his unstinting friendship, constant advice, and humor over the past few years. Martin Nesvig has also extended his welcome friendship and perceptive historical expertise. Brent Ayrey helped me find the records of the criminal cases at the heart of this book in Bogota almost a decade ago. Thank you to my parents, Joan and Jim von Germeten, and my sister, Ann von Germeten, for tolerantly reading early chapter drafts. I appreciate how Matthew Stinger took an interest in the topic of love magic and lessened my anxiety in the final phases of this project.
To the sweetest, kindest, funniest lady I know, Inez: I am looking forward to our conversations about history, life, and scholarship in the future.
Doa Lorenzana, doa Manuela, Paula, and doa Luisa have become my intellectual and emotional comadres. Although William Shakespeare never visited the sixteenth-century Caribbean, his works communicate an understanding of violent passions, like the ones that Cartagena provoked in the seventeenth century, and continue to inspire in the present day. Whenever you are in this city, you forget at your peril that:
These violent delights have violent ends
And in their triumph die, like fire and powder,
Which as they kiss consume. The sweetest honey
Is loathsome in its own deliciousness
And in the taste confounds the appetite.
Therefore love moderately; long love doth so;
Too swift arrives as tardy as too slow.
(Romeo and Juliet, act 2, scene 6)
INTRODUCTION
Picture 2
PERHAPS THE MOST USEFUL WAY TO INTRODUCE THE THEMES EXplored in this book is to plunge directly into a case in the historical record that illustrates them in a succinct way. In the 1640s, Cartagena de Indias authorities were not only dealing with the tail end of dozens of witch trials and extended attacks on the local Portuguese slave traders, but they also faced a scandal involving a young doa who used sex to manipulate a lustful, corrupt inquisitor. In 1643, Lorenzo Martinez de Castro presented a complaint before the Holy Office against the inquisitor Juan Ortiz, calling him a bad administrator of the tribunal, with an evil conscience and no fear of god who committed acts against the holy sacraments of the church, especially matrimony. It was publicly known that Castros wife doa Rufina de Rojas, a seventeen-year-old
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Violent Delights, Violent Ends»

Look at similar books to Violent Delights, Violent Ends. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Violent Delights, Violent Ends»

Discussion, reviews of the book Violent Delights, Violent Ends and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.