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Tania Friedel - Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing

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STUDIES IN AFRICAN AMERICAN HISTORY AND CULTURE Edited by Graham Hodges - photo 1
STUDIES IN AFRICAN AMERICAN
HISTORY AND CULTURE
Edited by
Graham Hodges
Colgate University
A ROUTLEDGE SERIES

STUDIES IN AFRICAN AMERICAN
HISTORY AND CULTURE
GRAHAM HODGES, General Editor

THE MYSTERIOUS VOODOO QUEEN, MARIE LAVEAUX
A Study of Powerful Female Leadership
in Nineteenth-Century New Orleans
Ina Johanna Fandrich

RACE AND MASCULINITY IN CONTEMPORARY AMERICAN PRISON NARRATIVES
Auli Ek

SWINGING THE VERNACULAR
Jazz and African American ModernistLiterature
Michael Borshuk

BOYS, BOYZ, BOIS
An Ethics of Black Masculinity inFilm and Popular Media
Keith M. Harris

MOVEMENT MATTERS
American Antiapartheid Activism andthe Rise of Multicultural Politics
David L. Hostetter

SLAVERY, SOUTHERN CULTURE, AND EDUCATION IN LITTLE DIXIE, MISSOURI, 18201860
Jeffrey C. Stone

COURTING COMMUNITIES
Black Female Nationalism andSyncre-Nationalism in theNineteenth-Century North
Kathy L. Glass

THE SELLING OF CIVIL RIGHTS
The Student Nonviolent CoordinatingCommittee and the Use of PublicRelations
Vanessa Murphree

BLACK LIBERATION IN THE MIDWEST
The Struggle in St. Louis, Missouri,19641970
Kenneth S. Jolly

WHEN TO STOP THE CHEERING?
The Black Press, the BlackCommunity, and the Integrationof Professional Baseball
Brian Carroll

THE RISE AND FALL OF THE GARVEY MOVEMENT IN THE URBAN SOUTH, 19181942
Claudrena N. Harold

THE BLACK PANTHERS IN THE MIDWEST
The Community Programs and
Services of the Black Panther Party in
Milwaukee, 19661977
Andrew Witt

WORDS AND SONGS OF BESSIE SMITH, BILLIE HOLIDAY, AND NINA SIMONE
Sound Motion, Blues Spirit, andAfrican Memory
Melanie E. Bratcher

BLAXPLOITATION FILMS OF THE 1970S
Blackness and Genre
Novotny Lawrence

WOMANISM, LITERATURE, AND THE TRANSFORMATION OF THE BLACK COMMUNITY, 19651980
Kalenda Eaton

RACIAL DISCOURSE AND COSMOPOLITANISM IN TWENTIETH-CENTURY AFRICAN AMERICAN WRITING
Tania Friedel
RACIAL DISCOURSE AND
COSMOPOLITANISM IN
TWENTIETH-CENTURY AFRICAN
AMERICAN WRITING
Tania Friedel
Racial Discourse and Cosmopolitanism in Twentieth-Century African American Writing - image 2
First published 2008
by Routledge
270 Madison Ave, New York, NY 10016
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
This edition published in the Taylor & Francis e-Library, 2007.
To purchase your own copy of this or any of Taylor & Francis or Routledges
collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.
2008 Taylor & Francis
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Friedel, Tania, 1973
Racial discourse and cosmopolitanism in twentieth-century African American writing / by Tania Friedel.
p. cm. (Studies in African American history and culture)
Includes bibliographical references and index.
ISBN 978-0-415-96355-8
1. American literatureAfrican American authorsHistory and criticism. 2. American literature20th centuryHistory and criticism. 3. Cosmopolitanism in literature. 4. Race in literature. 5. African AmericansIntellectual life20th century. 6. African Americans in literature. I. Title.
PS153.N5F75 2007
810.9355--dc22
2007036116
ISBN 0-203-93038-X Master e-book ISBN
ISBN 10: 0-415-96355-9 (hbk)
ISBN 10: 0-203-93038-X (ebk)
ISBN 13: 978-0-415-96355-8 (hbk)
ISBN 13: 978-0-203-93038-0 (ebk)
To my parents, whose love is the strongest encouragement.
And to Jack, who never ceases to bring me joy.

The story of the Negro in America
is the story of Americaor more precisely,
it is the story of Americans.
James Baldwin, Many Thousands Gone
Credit Lines

Selections from the correspondence of Jean Toomer and manuscript materials from the Jean Toomer Papers are quoted by permission of the Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library, Yale University.

Selections from CANE by Jean Toomer. Copyright 1923 by Boni & Liveright, renewed 1951 by Jean Toomer. Used by permission of Liveright Publishing Corporation.

Selections from THERE IS CONFUSION by Jessie Redmon Fauset. Copyright 1924 by Boni & Liveright, Inc., renewed 1951 by Jessie Redmon Fauset. Used by permission of Liveright Publishing Corporation.

Selections from COMEDY: AMERICAN STYLE, (African-American Women Writers, 19101940) by Fauset, Jessie Redmon (Author). 1995. Reprinted with permission of Gale, a division of Thomson Learning: www.thomsonrights.com. Fax 8007302215.

Selections from THE WAYS OF WHITE FOLKS by Langston Hughes, copyright 1934 and renewed 1962 by Langston Hughes. Used by permission of Alfred A. Knopf, a division of Random House, Inc.

Selections from Good Morning Revolution, Negro, Goodbye Christ, Peace Conference in an American Town, Evenin Air Blues, Merry-Go-Round, Graduation, Ballad of the Seven Songs, Second Generation: New York, The Kids in School with Me, Were All In the Telephone Book, from THE COLLECTED POEMS OF LANGSTON HUGHES by Langston Hughes, edited by Arnold Rampersad with David Roessel, Associate Editor, copyright 1994 by The Estate of Langston Hughes. Used by permission of Alfred A. Knopf, a division of Random House, Inc.

Selections from the correspondence of Langston Hughes are quoted by permission of Harold Ober Associates.

Selections from the correspondence of Mrs. Charlotte Osgood Mason are quoted on behalf of Prof. Edmund R. Biddle (son of Katherine Garrison Chapin Biddle).

Selections from the correspondence of Carl Van Vechten are quoted by permission of the Carl Van Vechten Trust.

Selections from The Omni-Americans, The Seven League Boots, and BriarPatch File by Albert Murray. Copyright 1970, 1995, and 2001 Albert Murray, reprinted with the permission of the Wylie Agency Inc.
Acknowledgments
I wish to thank Elizabeth McHenry, for her words of encouragement and criticism; without her guidance and support this book would not have come to fruition. I am also indebted to Ross Posnock who inspired this project and whose intellectual example continues to guide my work. I would like to thank George Shulman, Cyrus Patell, Megan Obourn and the other participants in the 20th Century American Literature and Political Theory seminar for their inspiring conversation and lively debate; this groups ongoing dedication to exploring the intersections of aesthetics and politics has been an indispensable source of insight and reflection. Thanks are also in order to the participants and organizers of the Critical Race Analysis and Literary Studies group and the Modern Colloquium at New York University. These diverse and rigorous intellectual circles have provided a critical space for discussion and debate, as well as a sense of intellectual community amidst what is often the solitary work of researching, writing and revising.
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