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John Flaxman - Flaxmans Illustrations for Dantes Divine Comedy

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John Flaxman Flaxmans Illustrations for Dantes Divine Comedy
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Since its creation at the beginning of the fourteenth century, Dantes Divine Comedy-a masterpiece of European literature-has moved legendary artists such as William Blake and Gustave Dor to illustrate the famed poem. John Flaxman, English sculptor, draughtsman, and renowned Wedgwood designer, was no exception. Commissioned at the end of the eighteenth century by famed art collector and author Thomas Hope, Flaxmans 110 illustrations of the Divine Comedy are known as his greatest achievement. Deceptively simple, awash in pathos, and recalling antique imagery in a classically Greek style, they themselves became an inspiration for such artists as Goya and Ingres, and were used as an academic source for nineteenth-century art students. This magnificent edition of Flaxmans Illustrations for Dantes Divine Comedy includes the complete series of drawings created by Flaxman for all 99 cantos of the literary masterwork. A glorious collection of lively outlines that captures the very spirit of Dantes poem, it is an essential addition to the bookshelves of art, literature, and history enthusiasts. Captions are included from the Henry Wadsworth Longfellow translation of the original text.

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Table of Contents DOVER BOOKS ON FINE ART THE COMPLETE MASTERS OF THE - photo 1
Table of Contents

DOVER BOOKS ON FINE ART

THE COMPLETE MASTERS OF THE POSTER, Stanley Appelbaum (ed.). (0-486-26309-6)

SONGS OF INNOCENCE AND EXPERIENCE: TWO COMPLETE BOOKS, William Blake. (0-486-25264-7)

DRAWINGS OF WILLIAM BLAKE, William Blake. (0-486-22303-5)

FABLES OF AESOP, Illustrated by Alexander Calder. (0-486-21780-9)

VIEWS OF VENICE, Antonio Canaletto. (0-486-22705-7)

DRAWINGS FOR THE BIBLE, Marc Chagall. (0-486-28575-8)

THE BOOK OF KELLS: SELECTED PLATES IN FULL COLOR, Blanche Cirker (ed.). (Available in U.S. only.) (0-486-24345-1)

50 SECRETS OF MAGIC CRAFTSMANSHIP, Salvador Dal. (Available in U.S. only.) (0-486-27132-3)

DAUMIER: 120 GREAT LITHOGRAPHS, Honor Daumier. (0-486-23512-2)

LEONARDO ON THE HUMAN BODY, Leonardo da Vinci. (0-486-24483-0)

DRAWINGS, Hilaire Degas. (0-486-21233-5)

THE CODEX BORGIA, Gisele Diaz and Alan Rodgers. (0-486-27569-8)

THE DOR BIBLE ILLUSTRATIONS, Gustave Dor. (0-486-23004-X)

THE HUMAN FIGURE, Albrecht Drer, (0-486-21042-1)

UNE SEMAINE DE BONT: A SURREALISTIC NOVEL IN COLLAGE, Max Ernst. (0-486-23252-2)

DESIGNS BY ERTE: FASHION DRAWINGS AND ILLUSTRATIONS FROM HARPERS BAZAAR, Ert, (0-486-23397-9)

DRAWINGS OF HEINRICH KLEY, H. Kley. (0-486-20024-8)

DRAWINGS OF MUCHA, Alphonse Mucha. (0-486-23672-2)

GRAPHIC WORKS OF EDVARD MUNCH, Edvard Munch. (0-486-23765-6)

THE COMPLETE ETCHINGS OF REMBRANDT, Rembrandt van Rijn. (0-486-28181-7)

THE GRAPHIC WORKS OF ODILON REDON, Odilon Redon. (0-486-44659-X)

A GUIDE TO JAPANESE PRINTS AND THEIR SUBJECT MATTER, Basil Stewart. (0-486-23809-1)

GRAPHIC WORKS OF GEORGE CRUIKSHANK, Richard A. Vogler (ed.). (0-486-23438-X)


Paperbound unless otherwise indicated. Available at your book dealer, online at www.doverpublications.com , or by writing to Dept. 23, Dover Publications, Inc., 31 East 2nd Street, Mineola, NY 11501. For current price information or for free catalogs (please indicate field of interest), write to Dover Publications or log on to www.doverpublications.com and see every Dover book in print. Each year Dover publishes over 500 books on fine art, music, crafts and needlework, antiques, languages, literature, childrens books, chess, cookery, nature, anthropology, science, mathematics, and other areas.

Manufactured in the U.S.A.

Entering the Dark Wood

Canto I, lines 124


B ecause that Emperor, who reigns above,
In that I was rebellious to his law,
Wills that through me none come into his city.

He governs everywhere, and there he reigns;
There is his city and his lofty throne;
O happy he whom thereto he elects!

And I to him: Poet, I thee entreat,
By that same God whom thou didst never know,
So that I may escape this woe and worse,

Thou wouldst conduct me there where thou hast said,
That I may see the portal of Saint Peter,
And those thou makest so disconsolate.

Then he moved on, and I behind him followed.

Then he moved on and I behind him followed Virgil and Beatrice Meeting - photo 2

Then he moved on, and I behind him followed.

Virgil and Beatrice Meeting

Canto II, lines 52


A mong those was I who are in suspense,
And a fair, saintly Lady called to me
In such wise, I besought her to command me.

Her eyes were shining brighter than the Star;
And she began to say, gentle and low,
With voice angelical, in her own language:

O spirit courteous of Mantua,
Of whom the fame still in the world endures,
And shall endure, long-lasting as the world

And a fair saintly Lady called to me Charons Boat Canto III lines 109 - photo 3

And a fair, saintly Lady called to me

Charons Boat

Canto III, lines 109


C haron the demon, with the eyes of glede,
Beckoning to them, collects them all together,
Beats with his oar whoever lags behind.

As in the autumn-time the leaves fall off,
First one and then another, till the branch
Unto the earth surrenders all its spoils;

In similar wise the evil seed of Adam
Throw themselves from that margin one by one,
At signals, as a bird unto its lure.

So they depart across the dusky wave,
And ere upon the other side they land,
Again on this side a new troop assembles.

So they depart across the dusky wave Christs Descent to Limbo Canto IV - photo 4

So they depart across the dusky wave

Christs Descent to Limbo

Canto IV, lines 46


T ell me, my Master, tell me, thou my Lord,
Began I, with desire of being certain
Of that Faith which oercometh every error,

Came any one by his own merit hence,
Or by anothers, who was blessed thereafter?
And he, who understood my covert speech,

Replied: I was a novice in this state,
When I saw hither come a Mighty One,
With sign of victory incoronate.

With sign of victory incoronate The Lovers Surprised Canto I lines 127 - photo 5

With sign of victory incoronate

The Lovers Surprised

Canto I; lines 127


O ne day we reading were for our delight
Of Launcelot, how Love did him enthral.
Alone we were and without any fear.

Full many a time our eyes together drew
That reading, and drove the colour from our faces;
But one point only was it that oercame us.

When as we read of the much-longed-for smile
Being by such a noble lover kissed,
This one, who neer from me shall be divided,

Kissed me upon the mouth all palpitating.

Kissed me upon the mouth all palpitating The Lovers Punished Canto V - photo 6

Kissed me upon the mouth all palpitating

The Lovers Punished

Canto V, lines 139


A nd all the while one spirit uttered this,
The other one did weep so, that, for pity,

I swooned away as I had been dying,
And fell, even as a dead body falls.

And fell even as a dead body falls Cerberus Canto VI lines 13 C - photo 7

And fell, even as a dead body falls

Cerberus

Canto VI, lines 13


C erberus, monster cruel and uncouth,
With his three gullets like a dog is barking
Over the people that are there submerged.

Red eyes he has, and unctuous beard and black,
And belly large, and armed with claws his hands;
He rends the spirits, flays, and quarters them.

He rends the spirits flays and quarters them The Region of Pluto Canto - photo 8

He rends the spirits, flays, and quarters them

The Region of Pluto

Canto VII, lines 1


P ap Satn, Pap Satn, Alepp!
Thus Plutus with his clucking voice began;
And that benignant Sage, who all things knew,
Said, to encourage me: Let not thy fear

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