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Irene Gómez-Castellano - Dissonances of Modernity: Music, Text, and Performance in Modern Spain

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Irene Gómez-Castellano Dissonances of Modernity: Music, Text, and Performance in Modern Spain
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    Dissonances of Modernity: Music, Text, and Performance in Modern Spain
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Dissonances of Modernity illuminates the ways in which music, as an artifact, a practice, and a discourse redefines established political, social, gender, and cultural conventions in Modern Spain. Using the notion of dissonance as a point of departure, the volume builds on the insightful approaches to the study of music and society offered by previous analyses in regards to the central position they give to identity as a socially and historically constructed concept, and continues their investigation on the interdependence of music and society in the Iberian Peninsula. While other serious studies of the intersections of music and literature in Spain have focused on contemporary usage, Dissonances of Modernity looks back across the centuries, seeking the role of music in the very formation of identity in the peninsula. The volumes historical horizon reaches from the nineteenth-century War of Africa to the Catalan working class revolutions and Enric Granados central role in Catalan identity; from Francisco Barbieris Madrid to the Wagnerians influence in Benito Perez Galdos prose; and from the predicaments surrounding national anthems to the use of the figure of Carmen in Francoist cinema. This volume is a timely scholarly addition that contemplates not only a broad corpus that innovatively comprises popular and high culturezarzuelas, choruses of industrial workers, opera, national anthemsbut also their inter-dependence in the artists creativity.

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Contents
UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL DEPARTMENT OF ROMANCE STUDIES - photo 1

UNIVERSITY OF NORTH CAROLINA AT CHAPEL HILL

DEPARTMENT OF ROMANCE STUDIES

Dissonances of Modernity Music Text and Performance in Modern Spain - image 2

NORTH CAROLINA STUDIES
IN THE ROMANCE LANGUAGES AND LITERATURES

Dissonances of Modernity Music Text and Performance in Modern Spain - image 3

Founder: URBAN TIGNER HOLMES

Editor: JUAN CARLOS GONZLEZ ESPITIA

Distributed by:

UNIVERSITY OF NORTH CAROLINA PRESS

CHAPEL HILL

North Carolina 27515-2288

U.S.A.

NORTH CAROLINA STUDIES IN THE
ROMANCE LANGUAGES AND LITERATURES
Number 318

DISSONANCES OF MODERNITY:

MUSIC, TEXT, AND PERFORMANCE IN MODERN SPAIN

NORTH CAROLINA SERIES ON ROMANCE LANGUAGES AND LITERATURES

EDITORIAL COMMITTEE

Juan Carlos Gonzlez Espitia, Editor-in-Chief

Frank A. Domnguez

Oswaldo Estrada

Irene Gmez Castellano

Rosa Perelmuter

Monica Rector

Heather Minchew, Managing Editor

EDITORIAL BOARDS

French

Francis Assaf

Janet Beizer

Kevin Brownlee

Elisabeth Cardonne-Arlyck

Linda Clemente

William F. Edmiston

Dominique Fisher

Perry Gethner

Stirling Haig

Nancy Lane

Peggy McCracken

Warren Motte

Marshall Olds

Franois Rigolot

Ruth Thomas

Ronald W. Tobin

Colette H. Winn

Luso-Brazilian

Severino Albuquerque

Paul Dixon

Earl E. Fitz

Jos Ornelas

Darlene Sadlier

Ronald W. Sousa

Jon M. Tolman

Spanish & Spanish-American

Debra Castillo

Sara Castro-Klaren

Cecelia J. Cavanaugh

Stuart A. Day

Malva E. Filer

Candelas Gala

E. Michael Gerli

David T. Gies

Roberto Gonzlez Echevarra

Alejandro Mejas-Lpez

Sylvia Molloy

scar Montero

Julio Ortega

Jos M. Regueiro

scar Rivera-Rodas

Mara Salgado

Margarita Zamora

Italian

Daniela Bini

Antonio Illiano

Ennio Rao

Rebecca West

DISSONANCES OF MODERNITY:

MUSIC, TEXT, AND PERFORMANCE IN MODERN SPAIN

EDITED BY
IRENE GMEZ-CASTELLANO
AURLIE VIALETTE

CHAPEL HILL

NORTH CAROLINA STUDIES IN THE ROMANCE LANGUAGES AND LITERATURES

U.N.C. DEPARTMENT OF ROMANCE STUDIES

2021

Library of Congress Cataloging-in-Publication Data

Names: Gmez-Castellano, Irene, editor. | Vialette, Aurlie, editor.

Title: Dissonances of modernity : music, text, and performance in modern Spain / edited by Irene Gmez-Castellano, Aurlie Vialette.

Other titles: North Carolina studies in the Romance languages and literatures ; no. 318.

Description: Chapel Hill : U.N.C. Department of Romance Studies, [2021] |Series: North Carolina studies in the Romance languages and literatures | Includes bibliographical references.

Identifiers: LCCN 2021000313 | ISBN 9781469651927 (paperback)

Subjects: LCSH: Music--Social aspects--Spain--History. | National characteristics, Spanish. | Music and literature--Spain. | Dissonance (Music)

Classification: LCC ML3917.S73 D57 2021 | DDC 306.4/84240946--dc23

LC record available at https://lccn.loc.gov/2021000313

Cover design: Ana Cristina Juan Gmez

Cover image: Einsteins Instrument by Johanna Vogt via Unsplash

2021. Department of Romance Studies. The University of North Carolina at Chapel Hill.

ISBN 978-1-4696-5192-7

Layout and copyediting by CJV Publicidad y Edicin de Libros , Cel.: (57) 3045698330 (Colombia)

A Jos Gmez Rubio por contagiarme su pasin por las buenas canciones. Gracias, pap!
Ce livre est ddi ma grand-mre Odette Vialette, qui je dois ma passion pour lenseignement

CONTENTS
ILLUSTRATIONS

A na Rueda, Orchestrating War: Burlesque Musical Pieces on the War of Africa (18591860)

Nelson R. Orringer, Fallas Harpsichord Concerto and Lorcas Don Perlimpln

Lou Charnon-Deutsch, The Mute Muse

Vernon Chamberlin, The Blind Street Singer in the Novels of Galds and the Short Stories of His Contemporaries

SOUND FILES

Readers will find the reference to these files in the body of the text as they would in the case of an illustration or a table. Sound files may be easily accessed by reading the QR code in this page with a smart phone or by entering into the following electronic link: romlpub.unc.edu/dissonances-of-modernity-playlist/.

Ana Rueda Orchestrating War Burlesque Musical Pieces on the War of Africa - photo 4

Ana Rueda, Orchestrating War: Burlesque Musical Pieces on the War of Africa (18591860)

Sound file 1. La Marcha Real, also known as La Marcha Granadera, composed by Manuel de Espinosa de los Monteros in 1761. Performance by the United States Navy Band in 2000. Public domain.

Sound file 2. Himno de Riego composed by Jos Melchor Gomis with lyrics by Evaristo Fernndez de San Miguel in 1820. Performance by Miguel Fleta in 1932. Public domain.

Sound file 3. Turkish March, Op. 113 composed by Ludwig van Beethoven in 1811. Performance by Sergey Vasilyevich Rachmaninov in 1999. Excerpted for educational, non-commercial use.

Aurlie Vialette, Massive Harmonies

Sound file 1. Slaves chorus in Nabucco , composed by Giuseppe Verdi in 1841. Performance by the Metropolitan Opera House Choir and Orchestra and conducted by James Levine in 2001. Excerpted from a larger opera for educational, non-commercial use.

Sound file 2. Pilgrim chorus in Tannhuser , composed by Richard Wagner in 1845. Performance by Radio Symphony Orchestra and Choir Ljubljana, conducted by Marko Munih in 2005. Excerpted from a larger opera for educational, non-commercial use.

Sound file 3. Peasants chorus in Eugene Onegin , composed by Pyotr Ilyich Tchaikovsky in 1879. Performance by Donetsk National Academic Opera & Ballet Theatre and conducted by Vasyl Vasylenko in 2010. Excerpted from a larger opera for educational, non-commercial use.

Sound file 4. La Maquinista composed by Josep Anselm Clav. Performance by Coral del Baix Llobregat, Coral de lAnoia, and Banda Municipal de Barcelona in 1998. Excerpted for educational, non-commercial use.

Jorge Mar: Lands Without a Song: Autonomous Communities Quest for an Anthem

Sound file 1. Canto de Esperanza with lyrics by Luis Lpez lvarez in 1972. Performance by Nuevo Mester de Juglara in 1976. Excerpted for educational, non-commercial use.

Sound file 2. Performance of Levntate, Morenita by Candeal on April 23, 2012. Excerpted for educational, non-commercial use.

Sound file 3. Madre Castilla composed by Antonio Jos Martnez Palacios in 1929. Performance by Orfen Burgals. Excerpted for educational, non-commercial use.

Sound file 4. Performance of Despierta, Castilla by Trovadores de Castilla in 1982. Excerpted for educational, non-commercial use.

Sound file 5. Himno a Len composed by Odn Alonso in 1934 with lyrics by Jos Pinto Maestro from 1932. Performance by Aldaba in 1989. Excerpted for educational, non-commercial use.

Sound file 6. 9 Provincias, 1 Comunidad as produced for television by the Junta of Castile and Len. Excerpted for educational, non-commercial use.

Jos Colmeiro: Remaking the Ready-Made Espagnolade : Carmen in Spanish Cinema

Sound file 1. Los piconeros composed by Juan Mostazo with lyrics by Ramn Perell. Performance by Imperio Argentina in 1938. Public domain.

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