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Eric Csapo (editor) - Theatre and Autocracy in the Ancient World

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Theatre and Autocracy in the Ancient World: summary, description and annotation

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Why did ancient autocrats patronise theatre? How could ancient theatre rightly supposed to be an artform that developed and flourished under democracy serve their needs?

Plato claimed that poets of tragic drama drag states into tyranny and democracy. The word order is very deliberate: he goes on to say that tragic poets are honoured especially by the tyrants, and secondly by the democracies (Republic 568c).

For more than forty years scholars have explored the political, ideological, structural and economic links between democracy and theatre in ancient Greece. By contrast, the links between autocracy and theatre are virtually ignored, despite the fact that for the first 200 years of theatres existence more than a third of all theatre-states were autocratic.

For the next 600 years, theatre flourished almost exclusively under autocratic regimes. The volume brings together experts in ancient theatre to undertake the first systematic study of the patterns of use made of the theatre by tyrants, regents, kings and emperors.

Theatre and Autocracy in the Ancient World is the first comprehensive study of the historical circumstances and means by which autocrats turned a medium of mass communication into an instrument of mass control.

Eric Csapo (editor): author's other books


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ISBN 9783110795967 e-ISBN PDF 9783110980356 e-ISBN EPUB 9783110980387 - photo 1

ISBN 9783110795967

e-ISBN (PDF) 9783110980356

e-ISBN (EPUB) 9783110980387

Bibliographic information published by the Deutsche Nationalbibliothek

The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de.

2022 Walter de Gruyter GmbH, Berlin/Boston

List of Abbreviations

The abbreviations we use for Greek and Latin authors follow those found in The Oxford Classical Dictionary, fourth edition 2012 by S. Hornblower, A. Spawforth and E. Eidinow. Journal abbreviations are those used by the American Journal of Archaeology 104 (2000) 1024, supplemented where necessary by the abbreviations used in LAnne Philologique. Other abbreviations are listed below.

AV

Aneziri, Sophia 2003: Die Vereine der dionysischen Techniten im Kontext des hellenistischen Gesellschaft, 2003, Stuttgart.

CDL

Michel, Anas 2020: Chypre lpreuve de la domination lagide. Testimonia pigraphiques sur la socit et les institutions chypriotes lpoque hellnistique, Athens.

CEG

Hansen, Peter A. 19831989: Carmina epigraphica graeca, 2 vols., Berlin and New York.

CID

Rougemont, Georges, Bousquet, Jean, Blis, Annie and Lefvre, Franois 1977: Corpus des inscriptions de Delphes, Paris.

CIG

Boeckh, August 18281877: Corpus inscriptionum graecarum, 4 vols., Berlin.

CIIP

Corpus inscriptionum Iudaeae/Palaestinae, 2010-, Berlin.

CIL

Corpus inscriptionum latinarum, 1861-, Berlin.

Corinth VIII 1

Meritt, Benjamin D. 1931: Corinth VIII.1: The Greek Inscriptions, 18961926, Cambridge MA.

Corinth VIII 3

Kent, John H. 1966: Corinth VIII.3: The Inscriptions, 19261950, Princeton.

DK

Diels, Hermann and Kranz, Walther 19511952: Die Fragmente der Vorsokratiker, 3 vols., Berlin.

FD III

Bourguet, mile, Colin, Gaston, Daux, Georges, Sala, Antoine, Flacelire, Robert, Plassart, Andr, Pouilloux, Jean and Valmin, Natan 1929- : Fouilles de Delphes III: pigraphie, Paris.

FGE

Page, Denys L. 1981: Further Greek Epigrams, Cambridge.

FGrH

Jacoby, Felix et al. 1923- : Die Fragmente der griechischen Historiker, Berlin and Leiden.

IAph2007

Reynolds, Joyce, Rouech, Charlotte and Bodard, Gabriel 2007: Inscriptions of Aphrodisias, http://insaph.kcl.ac.uk/.

ID

Durrbach, Flix, Roussel, Pierre, Launey, Marcel, Plassart, Andr and Coupry, Jacques 19261972: Inscriptions de Dlos, 7 vols., Paris.

I.Didyma

Rehm, Albert 1958: Didyma, II. Die Inschriften, Berlin.

I.Ephesos

Wankel, Hermann, Brker, Christoph, Merkelbach, Reinhold, Engelmann, Helmut, Knibbe, Dieter, Noll, Johannes, Meri, Recep and ahin, Sencer 19791984: Die Inschriften von Ephesos (Inschriften griechischer Stdte aus Kleinasien 1117), 8 vols., Bonn.

IG

Inscriptiones Graecae, 1873-, Berlin.

IGR III

Cagnat, Ren, Toutain, Jules, Lafaye, Georges and Henry, Victor 19011927: Inscriptiones graecae ad res romanas pertinentes, 3 vols., Paris.

I.Iasos

Blmel, Wolfgang 1985: Die Inschriften von Iasos (Inschriften griechischer Stdte aus Kleinasien 28), 2 vols., Bonn.

ILS

Dessau, Hermann 18921916: Inscriptiones latinae selectae, 3 vols., Berlin.

I.Magnesia

Kern, Otto 1900: Die Inschriften von Magnesia am Maeander, Berlin.

I.Mylasa

Blmel, Wolfgang 19871988: Die Inschriften von Mylasa (Inschriften griechischer Stdte aus Kleinasien 3435), 2 vols., Bonn.

I.Napoli

Miranda, Elena 19901995: Iscrizioni greche dItalia, Napoli, 2 vols., Rome.

I.Olympia

Dittenberger, Wilhelm and Purgold, Karl 1896: Die Inschriften von Olympia, Berlin.

I.Oropos

Petrakos, Vasilios C. 1997: , Athens.

I.Paphos

Cayla, Jean-Baptiste 2018: Les Inscriptions de Paphos. La cit chypriote sous la domination lagide et lpoque impriale, Lyon.

I.Salamis

Pouilloux, Jean, Roesch, Paul, Marcillet-Jaubert, Jean 1987: Salamine de Chypre XIII, Testimonia Salaminia 2. Corpus pigraphique, Lyon.

I.Sicily

Inscriptions of Sicily, Oxford. http://sicily.classics.ox.ac.uk/

I.Smyrna

Petzl, Georg 19821990: Die Inschriften von Smyrna (Inschriften griechischer Stdte aus Kleinasien 2324), 2 vols., Bonn.

I.Thespiae

Roesch, Paul 20072009: Les Inscriptions de Thespies, Lyon.

LBW

Le Bas, Philippe and Waddington, William H. 18511870: Voyage archologique en Grce et en Asie Mineure, 3 vols., Paris.

LIMC

Lexicon iconographicum mythologiae classicae, 19811999, Zurich and Munich.

OGIS

Dittenberger, Wilhelm 19031905: Orientis graeci inscriptiones selectae. Supplementum sylloges inscriptionum graecarum, 2 vols., Leipzig.

PCG

Kassel, Rudolf and Austin, Colin 19832001: Poetae comici graeci, 8 vols., Berlin and New York.

PIR2

Groag, Edmund, Stein, Arthur, Petersen, Leiva, Wachtel, Klaus, Heil, Matthus, Eck, Werner, Heinrichs, Johannes 19332015 (2nd ed.): Prosopographia imperii romani saec. I. II. III., Berlin.

RC

Welles, C. Bradford 1934: Royal Correspondence in the Hellenistic Period. A study in Greek Epigraphy, New Haven.

RE

Wissowa, Georg et al. 18931980: Paulys Realencyclopdie der classischen Altertumswissenschaft, Stuttgart.

R-O

Rhodes, Peter J. and Osborne, Robin G. 2003: Greek Historical Inscriptions, 404323 BC, Oxford.

SEG

Supplementum epigraphicum graecum, 1923-, Leiden.

Syll.3

Dittenberger, Wilhelm 19151924 (3rd ed.): Sylloge inscriptionum graecarum, 4 vols., Leipzig.

TAM II

Kalinka, Ernst 19201944: Tituli Asiae Minoris, II. Tituli Lyciae linguis graeca et latina conscripti, 3 fasc., Vienna.

TE

Le Guen, Brigitte 2001:Les Associations de Technites dionysiaques lpoque hellnistique,vol. 1, Corpus documentaire, Nancy.

Tit. Cam.

Segre, Mario and Pugliese Carratelli, Giovanni 19491951: Tituli Camirenses, ASAtene 2729, N.S. 1113, 141318.

TrGF

Kannicht, Richard et al. 19712004: Tragicorum graecorum fragmenta, 5 vols., Gttingen.

Theatre and Autocracy: A Paradox for Theatre History
Eric Csapo
Elodie Paillard
Peter Wilson

Autocracy in this volume means one-man rule. It brings kings, tyrants, generalissimos, and emperors under a single rubric. The category is more modern than ancient, but not for that reason unhelpful to think with. We avoid the closest ancient term monarchia because its English derivative monarchy imports too many anachronistic connotations from modern history. Besides, monarchia appears in this comprehensive sense only in more abstract political discourse. In ordinary speech monarchia seems a far less coherent category than demokratia or oligarchia. It is not just technical but ethical differences that separate the varieties of monarchia,above all questions of constitutional legitimacy, and for this reason the category is too abstract for most normal political discourse, whereas kings, tyrants, generalissimos and emperors rarely mix in the same conceptual space. For theatre history, however, there is one thing that unites all varieties of autocrat: a keen enthusiasm for theatre and, often, a deft management of its resources for the consolidation of personal power. Often there is an inverse relation between an autocrats legitimacy and his support for theatre.

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