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Lina Duff Gordon - The Story of Assisi

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Transcribers Note Obvious typographical errors have been corrected - photo 1
Transcriber's Note:
Obvious typographical errors have been corrected. Inconsistent spelling and hyphenation in the original document have been preserved.
The illustration on page 310, labeled "East Front of San Francesco" is titled "Church of Sta. Maria Maggiore" in the List of Illustrations.
The picture listed as "Umbrian Oxen" in the List of Illustrations does not appear in the book. (Several copies of this and surrounding editions were checked.)
The Story of Assisi
"Between Tupino, and the wave that falls
From blest Ubaldo's chosen hill, there hangs
Rich slope of mountain high, whence heat and cold
Are wafted through Perugia's eastern gate:
And Nocera with Gualdo, in its rear,
Mourn for their heavy yoke. Upon that side,
Where it doth break its steepness most, arose
A sun upon the world, as duly this
From Ganges doth: therefore let none who speak
Of that place, say Ascesi; for its name
Were lamely so deliver'd; but the East,
To call things rightly, be it henceforth styled."
Dante , Paradiso, xi. (Cary's translation).
Statue of St. Francis.
P. Lunghi. Photo.
Statue of St. Francis.
by Andrea della Robbia in Sta. Maria degli Angeli.
Title Page
The Story of Assisi
by Lina Duff Gordon
Illustrated by Nelly Erichsen
and M. Helen James
London: J. M. Dent & Co.
Aldine House, 29 and 30 Bedford Street
Covent Garden W.C. * * 1901
First Edition, December 1900
Second Edition, October 1901
All rights reserved
To
Margaret Vaughan
this small book is affectionately dedicated
in remembrance of days spent together
in the Umbrian country
NOTE
M y sincerest thanks are due to my aunt Mrs Ross, to Mrs Vaughan, Dr E. Percival Wright, M. Paul Sabatier, Mr Sidney Colvin, Sir William Markby and Mr Pearsall Smith, for the help rendered me in various ways during the writing of this book. I wish further to acknowledge the kindness of Mr Roger Fry who allowed me to quote from his lectures on Art delivered this year in London, before they were published in the New Monthly Review; and also the generous permission of Mr Anderson (Rome), and Signor Lunghi (Assisi), for allowing me to use their photographs. For the loan of old Italian books I am indebted to Cav. Bruschi, Librarian of the Marucelliana at Florence, to Professor Bellucci, Professor of the University of Perugia, and to Signor Rossi, proprietor of the Hotel Subasio at Assisi, whose intimate knowledge of his native town has been of great service to me.
L. D. G.
Poggio Gherardo ,
Florence , October 1900.
CONTENTS
CHAPTER I
PAGE
War and Strife
CHAPTER II
The Umbrian Prophet
CHAPTER III
The Carceri, Rivo-Torto and Life at the Portiuncula
CHAPTER IV
The building of the Basilica and Convent of San Francesco. The Story of Brother Elias
CHAPTER V
Cimabue and his School at San Francesco
CHAPTER VI
The Paintings of Giotto and his School in the Lower Church
CHAPTER VII
The Sienese Masters in the Lower Church. The Convent
CHAPTER VIII
Giotto's Legend of St. Francis in the Upper Church
CHAPTER IX
St. Clare at San Damiano. The Church of Santa Chiara
CHAPTER X
Other Buildings in the Town
CHAPTER XI
The Church of Santa Maria degli Angeli. The Feast of the Pardon of St. Francis or the "Perdono d'Assisi"
ILLUSTRATIONS
Statue of St. Francis by Andrea della Robbia in Sta. Maria degli Angeli (P. Lunghiphoto)
PAGE
The Temple of Minerva
The Eastern Slope of Assisi with the Castle, from the Porta Cappucini
The Guelph Lion of Assisi
The Arms of Assisi
Assisi in the time of St. Francis
Via di S. Maria delle Rose
The Arms of the Franciscans
Hermitage of the Carceri
The Carceri with a View of the Bridge
Side Door of the Portiuncula built by St. Benedict
The Portiuncula in the time of St. Francis, from the "Collis Paradisi"
Assisi from the Plain
Church and Convent of San Francesco
San Francesco from the Plain
The Lower Church
Looking through the doors of the Upper Church towards the Porta S. Giacomo and the Castle
Plan of the Lower Church and Monastery of San Francesco at Assisi
Choir and Transepts of the Lower Church
The Marriage of St. Francis with Poverty (D. Andersonphoto)
The Old Cemetery of San Francesco
The Knighthood of St. Martin by Simone Martini (D. Andersonphoto)
Bird's Eye View of the Basilica and Convent of San Francesco, from a drawing made in 1820
San Francesco from the Tescio
Staircase leading from the Upper to the Lower Piazza of San Francesco
San Francesco from the Ponte S. Vittorino
A Friar of the Minor Conventual Order of St. Francis
St. Francis Renounces the World (D. Andersonphoto)
Death of the Knight of Celano (D. Andersonphoto)
Arms of the Franciscans from the Intarsia of the Stalls
Door through which St. Clare left the Palazzo Scifi
San Damiano, showing the Window with the Ledge whence St. Claire routed the Saracens
Santa Chiara
Santa Chiara from near the Porta Mojano
Campanile of San Rufino
Door of San Rufino
The Dome and Apse of San Rufino from the Canon's Garden
Campanile of Sta. Maria Maggiore
Church of Sta. Maria Maggiore
Church of S. Pietro
Confraternity of San Francescuccio in Via Garibaldi
Monte Frumentorio in the Via Principe di Napoli
House of the Comacine Builders in the Via Principe di Napole
Looking across the Assisan roofs towards the East
View of San Francesco from beneath the Castle Walls
The Garden of the Roses at Sta. Maria degli Angeli
The Fonte Marcella by Galeazzo Alessi
An Assisan Garden in Via Garibaldi
Umbrian Oxen349
Women from the Basilicata
San Francesco
Plan of Assisi
The Story of Assisi

CHAPTER I
War and Strife
"C'tait le temps des guerres sans piti et des inimitis mortelles." H. Taine. Voyage en Italie.Perouse et Assise.
A ll who ascend the hill of the Seraphic City must feel its indescribable charmintangible, mysterious, and quite distinct from the beauty of the Umbrian valley. "Why," we ask ourselves, "this stillness and sense of marvellous peace in every church and every street?" And, as though conscious of our thoughts, a young Assisan, with a gesture of infinite sadness towards the large, desolate palaces and broad deserted streets, said, as we lingered on our way: "Ah! Signore mie, our city is a city of the deadof memories only." As he spoke a long procession of a grey-clothed confraternity, bearing on their breasts the franciscan badge, preceded by a priest who walked beneath a baldachino, streamed out of a small church. Slowly they passed down the road, and then the priest turned into a wayside cottage where lay a dying woman, while the others waited outside under the olive trees. But the sound of their chanting and the tinkling of the small bell came to us as we leaned over the city walls. Of a truth we felt the religious life of the town was not dead: perchance, down those streets, now so still, men had passed along to battle during the sad turmoil of the middle ages, had hated and loved as well as prayed, with all the fervour of their southern nature. We must turn to the early chroniclers to find in their fascinating pages that Assisi has had her passionate past and her hours of deepest trial.
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