• Complain

Emma Smith - Shakespeares First Folio: Four Centuries of an Iconic Book

Here you can read online Emma Smith - Shakespeares First Folio: Four Centuries of an Iconic Book full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 2016, publisher: OUP Oxford, genre: Romance novel. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Emma Smith Shakespeares First Folio: Four Centuries of an Iconic Book
  • Book:
    Shakespeares First Folio: Four Centuries of an Iconic Book
  • Author:
  • Publisher:
    OUP Oxford
  • Genre:
  • Year:
    2016
  • Rating:
    3 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 60
    • 1
    • 2
    • 3
    • 4
    • 5

Shakespeares First Folio: Four Centuries of an Iconic Book: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Shakespeares First Folio: Four Centuries of an Iconic Book" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

This is a biography of a book: the first collected edition of Shakespeares plays printed in 1623 and known as the First Folio. It begins with the story of its first purchaser in London in December 1623, and goes on to explore the ways people have interacted with this iconic book over the four hundred years of its history. Throughout the stress is on what we can learn from individual copies now spread around the world about their eventful lives. From ink blots to petpaws, from annotations to wineglass rings, First Folios teem with evidence of its place in different contexts with different priorities. This study offers new ways to understand Shakespeares reception and the history of the book. Unlike previous scholarly investigations of the First Folio, it isnot concerned with the discussions of how the book came into being, the provenance of its texts, or the technicalities of its production. Instead, it reanimates, in narrative style, the histories of this book, paying close attention to the details of individual copies now located around the world - their bindings, marginalia, general condition, sales history, and location - to discuss five major themes: owning, reading, decoding, performing, and perfecting. This is a history of the book thatconsolidated Shakespeares posthumous reputation: a reception history and a study of interactions between owners, readers, forgers, collectors, actors, scholars, booksellers, and the book through which we understand and recognise Shakespeare.

Emma Smith: author's other books


Who wrote Shakespeares First Folio: Four Centuries of an Iconic Book? Find out the surname, the name of the author of the book and a list of all author's works by series.

Shakespeares First Folio: Four Centuries of an Iconic Book — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Shakespeares First Folio: Four Centuries of an Iconic Book" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Shakespeares First Folio Four Centuries of an Iconic Book - image 1
Shakespeares First Folio

Shakespeares First Folio Four Centuries of an Iconic Book - image 2

Great Clarendon Street, Oxford, ox 2 6 dp , United Kingdom

Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries

Emma Smith 2016

The moral rights of the author have been asserted

First Edition published in 2016

Impression: 1

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer

Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America

British Library Cataloguing in Publication Data

Data available

Library of Congress Control Number: 2015945824

ISBN 9780198754367

ebook ISBN 9780191069284

Printed in Great Britain by Clays Ltd, St Ives plc

Links to third party websites are provided by Oxford in good faith and for information only. Oxford disclaims any responsibility for the materials contained in any third party website referenced in this work.

Contents

Picture 3

Picture 4

I have been working on this book for a long time and gathered many debts. The Sprint for Shakespeare campaign at the Bodleian Libraries in 2012 was a real boost to my thinking about one particular First Folios past and present. It was a project involving fundraising, conservation, imaging, and digital services, and thanks are due to Nicole Gilroy, Christine Madsen, Margaret Czepiel, Sarah Thomas, and especially to Pip Willcox, as well as all the other people, including the many donors, who made it possible to put the book online. Colleagues in the Bodleian, particularly Sarah Wheale and the staff of the reserve in the Upper Reading Room, have been unfailingly helpful during a time of enormous and stressful change at the library. Other library colleagues elsewhere who particularly have helped me with access to this awkwardly valuable book and to related material in different contexts include Jocelyn English, Alice Ford-Smith, Susan Killoran, Tim Kirtley, Calista Lucy, Janet McMullan, Bryan Maggs, Martin Maw, Jun Ota, John Pollack, Georgia Prince, Alice Roques, Amanda Saville, Niall Sheekey, Sue Usher, Betsy Walsh, Martin Wills, and Georgianna Ziegler. Clare Asquith, Helen Barr, Judy Beckett, Giles Bergel, Claire L. Bourn, Karen Collis, Derek Dunne, Sascha Frster, Arthur Green, Tracey Hill, Kevin Hilliard, Peter Holland, Andrew Honey, Adam Hooks, Ian Jackson, Andy Kesson, Zachary Lesser, Sjoerd Levelt, Robert Lloyd George, Samuel Horsley, Katherine Lunn-Rockliffe, Elizabeth Macfarlane, Laurie Maguire, Peter Marx, Jean-Christophe Mayer, Barry Murnane, Catherine Richardson, Shef Rogers, Viv Smith, Lyn Tribble, Kate and Rupert Wallace, Sarah Werner, Anthony James West, Abigail Williams, Henry Woudhuysen, and Akihiro Yamada have all asked, or answered, questions, helped me find materials, and read parts of the book. Without Noriko Sumimotos patience, kindness, and expertise I could not have made a trip to Meisei; without Tom Bishop, the generosity of the Alice Griffin trustees, and colleagues at Auckland, I would not have got to New Zealand; without Missing Bean I would not have got to work at all. I am grateful to university and general audiences at Sussex, Birkbeck, Cambridge, Auckland, the Wells Literary Festival, Londons Guildhall, the West Sussex Oxford Society, and the Friends of the Bodleian Library for the chance to try out parts of this material. I have disagreed on many points of detail and occasionally of substance with Eric Rasmussen and Anthony James Wests The Shakespeare Folios: A Descriptive Catalogue (2012), but I could not have developed this project without their invaluable work.

I have consulted a large number of Folio copies and have tried particularly to shift the Folger-centrism of previous studies of this fascinating book. I am grateful to the staff and trustees of the Shakespeare Birthplace Trust, the New York Public Library, the Morgan Library New York, the Furness Library at the University of Pennsylvania, Senate House Library University of London, the British Library, the Victoria and Albert Museum, Trinity College Cambridge, the University Library Cambridge, Kings College Cambridge, Queens College Oxford, Wadham College Oxford, Birmingham City Library, Auckland City Libraries, Meisei University Tokyo, Eton College, Winchester College, Glasgow University Library, National Library of Scotland, Dulwich College, Sir John Soane Museum, Folger Shakespeare Library, Universitt zu Kln, University of New South Wales, London Guildhall Library, The Craven Museum Skipton, Universitt Stuttgart, John Rylands Library Manchester, Brotherton Library Leeds, The Getty Library at Wormsley, the Quaritch archive, Oxford University Press archives, and La Bibliothque de lAglommeration at St-Omer.

The Principal and Fellows of Hertford College, Oxford, our English students over many years, and my closest colleagues Charlotte Brewer and David Dwan, have all made my work more collegial and enjoyable: I am lucky to be there.

This book is for Elizabeth Macfarlane, with thanks for the Norton, and for everything else too.

Picture 5

In quoting from the First Folio I have used the copy I discuss at length in When citing Shakespeare lines or scenes, I have provided the act, scene, and where appropriate, line reference from the Oxford Shakespeare, ed. Stanley Wells and Gary Taylor (1986). For ease of reference I have used Anthony James Wests numbering system for individual Folio copiesWest 1, West 2 etcas developed in his The Shakespeare First Folio: The History of the Book: Volume 2. A New Worldwide Census of Folios (2001) and expanded in Eric Rasmussen and Anthony James West, The Shakespeare First Folios: A Descriptive Catalogue (2012). Unless otherwise stated my account of these copies is based on my own work with them.

Picture 6

(information about copyright ownership is in brackets)

I.1
I.2
1.1
1.2
1.3
1.4
1.5
1.6
1.7
2.1
2.2
2.3
2.4
2.5
2.6
3.1
4.1
4.2
4.3
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Shakespeares First Folio: Four Centuries of an Iconic Book»

Look at similar books to Shakespeares First Folio: Four Centuries of an Iconic Book. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Shakespeares First Folio: Four Centuries of an Iconic Book»

Discussion, reviews of the book Shakespeares First Folio: Four Centuries of an Iconic Book and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.