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Tasha Alexander - A Poisoned Season

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Tasha Alexander A Poisoned Season

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Blending romance and historical mystery, Alexander has delightful fun with both genres. Rich, young widow Lady Emily Ashton occasionally has tea with the queen, but she isnt exactly a perfect Victorian lady. Pretty and poised though she may be, her preference for port and cigars, her devotion to both popular novels and classic Greek literature (which she reads in Greek), and her involvement in solving the mystery of her husbands death ( , 2005) have made her the subject of plenty of gossip. Her forthright opinions stir up chitchat once again when she becomes curious about the theft of several items once owned by Marie Antoinette and about a new gentleman on the social scene, who claims to be an heir to the throne of France. Alexanders witty treatment of the trivial pursuits of the aristocracy, coupled with an engaging mystery and a deliciously flirtatious romance between Emily and handsome Colin Hargreaves, makes for entertaining reading for those who like historical mysteries that dont take themselves all that seriously.

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Tasha Alexander

A Poisoned Season

For Xander, who prefers

his books read aloud

At last the secret is out

At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell to the intimate friend;
Over the teacups and in the square the tongue has its desire;
Still waters run deep, my dear, there's never smoke without fire.

Behind the corpse in the reservoir, behind the ghost on the links,
Behind the lady who dances and the man who madly drinks,
Under the look of fatigue, the attack of migraine and the sigh
There is always another story, there is more than meets the eye.

For the clear voice suddenly singing, high up in the convent wall,

The scent of elder bushes, the sporting prints in the hall,
The croquet matches in summer, the handshake, the cough, the kiss,
There is always a wicked secret, a private reason for this.

-W. H. Auden

Cast of characters

Lady Emily Ashton ("Kallista") Daughter of Earl Bromley, widow of the Viscount Ashton (Philip), and a scholar of Greek language and art

Colin Hargreaves A gentleman of independent means who is frequently called upon by Buckingham Palace to investigate matters requiring discretion

Ccile du Lac A French woman of a certain age, an iconoclast and patron of the arts

Ivy Brandon Emily's childhood friend, a perfect English rose

Robert Brandon Ivy's husband, an up-and-coming politician and very traditional gentleman

Margaret Seward Daughter of an American railroad tycoon, a Bryn Mawr-educated Latinist with little tolerance for society's rules

Lady Catherine Bromley Emily's mother, wife of Earl Bromley, former lady-in-waiting to Queen Victoria

Charles Berry A gentleman newly arrived in London who claims to be a direct descendant of Marie Antoinette and Louis XVI

Jeremy Sheffield, Duke of Bainbridge Childhood friend of Emily's whose twin goals are to avoid marriage and to be the most useless man in England

David Francis A gentleman and patron of the arts

Beatrice Francis David Francis's wife

Lady Frideswide A terrifying society matron bent on seeing her daughter married to the Duke of Bainbridge

Lettice Frideswide Lady Frideswide's daughter, who is not in the least interested in marrying the Duke of Bainbridge

Lord Basil Fortescue Queen Victoria's most trusted political adviser, widely considered the most powerful man in the Empire

Mrs. Reynold-Plympton A lady who takes great interest in politics

Lady Elinor Routledge Longtime friend of Emily's family, widow of the Chancellor of the Exchequer

Isabelle Routledge Lady Elinor's extremely romantic daughter

Lord Thomas Pembroke ("Tommy") the Viscount Langley, eldest son of the Earl of Westbrook

Lady Elliott A devoted friend of Lady Bromley's and one of London's most fiercely judgmental society ladies

Michael Barber A sculptor

Jane Stilleman Beatrice Francis's maid

Molly, Bridget, and Gabby Maids at the Savoy hotel

Meg Emily's maid

Davis Emily's incomparable butler

1

There are several things one can depend upon during the London Season: an overwhelming barrage of invitations, friends whose loyalties turn suspect, and at least one overzealous suitor. This year was to prove no exception.

Having recently come out of mourning for my late husband, Philip, the Viscount Ashton, I was determined to adopt a hedonistic approach to society, something that I imagined would involve refusing all but the most enticing invitations and being forced to cull disloyal acquaintances. This would allow me to enjoy the summer months instead of trudging from party to party, feeling like one of the exhausted dead, finding myself the subject of the gossip that fuels young barbarians at play.

However, it became clear almost immediately that my theory was flawed. Declining to attend parties proved not to have the desired effect. Instead of dropping me from their guest lists, people assumed I was in such demand that I was choosing to attend events even more exclusive than their own, and there are few better ways to increase one's volume of invitations than by the appearance of popularity. So for a short while a very short while my peers held me in high esteem.

It was during this time that I found myself at the home of Lady Elinor Routledge, one of the finest hostesses in England and a longstanding friend of my mother's. By definition, therefore, she was more concerned with a person's societal standing than with anything else. Despite this, I had decided to attend her garden party for two reasons. First, I wanted to see her roses, whose equal, according to rumor, could not be found in all of England. Second, I hoped to meet Mr. Charles Berry, a young man whose presence in town had caused a stir amongst all the aristocracy. The roses surpassed all of my expectations; unfortunately, the gentleman did not.

When stepping into the garden at Meadowdown, one was transported from the gritty heat of London's streets to a sumptuous oasis. For the party, lovely peaked tents were scattered between hedgerows, trees, and beds of flowers, ensuring that guests would never be more than a few paces from refreshment, and the sounds of a small orchestra wafted through the grounds. Young ladies flitted about, their brightly colored dresses competing with the flowers for attention and rarely losing the battle. The gentlemen, turned out in dark frock coats, were elegant, too, keeping their companions well supplied with ices, strawberries, or whatever delicacies might catch their fancy. Et in Arcadia ego. It would take little effort for one to imagine in this scene an eligible prince, all courtesy and ease, graciously bestowing his favor on those around him. But there was no such gentleman at Lady Elinor's that day. The only prince present if he could be called that was a grave disappointment.

The romantic ideals swirling around the heir to a throne are seldom capable of surviving close scrutiny. In the case of Charles Berry, these ideals hardly stood observation from afar. His appearance was not unpleasant, but his manners were dreadful, and to say that he was prone to drink more than he ought would be a very diplomatic statement indeed. The young ladies who followed his every move with admiration happily ignored all of this; they were captivated by the notion of marrying into a royal family. The situation was rendered all the more ridiculous when one considered the fact that the throne to which Mr. Berry aspired no longer existed.

"I hoped he would be more handsome." Ccile du Lac formed opinions of people quickly and rarely changed them. We had known each other for less than a year, but she had become one of my closest confidantes almost from the moment I'd met her, despite the fact that she was nearer in age to my mother than to me. She watched him as she continued. "And he lacks completely the generous spirit one likes to find in a monarch. If he could not claim a direct relation to Louis XVI and Marie Antoinette, society would hold him in much less regard."

Almost from the moment Louis XVI's son and heir had died in a French prison during the revolution, rumors that the boy had escaped began to circulate. Now, nearly a century later, gentlemen were still coming forward, insisting that they were descended from Louis Charles. Charles Berry was the most recent to make the claim, and his story was filled with enough details to convince the surviving members of the Bourbon family to accept him as the dauphin's great-grandson.

"Don't judge him too harshly," Lady Elinor said, moving her hands gracefully in a gesture designed not to emphasize her words, but to show off the spectacular ruby ring on her right hand. "He's led a difficult life."

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