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Phillip Lopate - Waterfront: A Journey Around Manhattan

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Fusing history, lore, politics, culture, and on-site adventures, esteemed essayist and author Phillip Lopate takes us on an exuberant, affectionate, and eye-opening excursion around Manhattans shoreline. Waterfront captures the ever-changing character of New York in the best way possible: on a series of exploratory walks conducted by one of the citys most engaging and knowledgeable guides. Starting at the Battery and moving at a leisurely pace along the banks of the Hudson and East Rivers, Lopate describes the infrastructures, public spaces, and landmarks he encounters, along with fascinating insights into how they came to be. Unpeeling layers of myth and history, he reveals the economic, ecological, and political concerns that influenced the citys development, reporting on everything from the building of the Brooklyn Bridge to the latest projects dotting the shorelines.
New Yorks waterfront has undergone a three-stage revaluationfrom the worlds largest port to an abandoned, seedy no-mans land to a highly desirable zone of parks and upscale retail and residential propertieseach metamorphosis only incompletely shedding earlier associations. Physically, no area of New York City has changed as dramatically as the shoreline, thanks to natural processes and the use of landfill, dredging, and other interventions. Everywhere Phillip Lopate walked on the waterfront, he saw the present as a layered accumulation of older narratives. He set about his task by trying to read the city like a text. One textual layer is the past, going back to the Lenape Indians, Captain Kidd, and Melvilles sailors; another is the presentwhatever or whoever was popping up in his view at the moment; a third layer contains the constructed environment, the architecture or piers or parks currently along the shore; another layer still is his personal history, the memories recalled by visiting certain spots; yet another consists of the citys incredibly rich cultural recordthe literature, films, and artwork that threw a reflecting light on the matter at hand; and finally, there is the invisible or imagined layerwhat he thinks should be on the waterfront but is not.
Waterfront is studded with short diversions where Lopate expounds on some of the greater issues, characters, and sites of Manhattans shoreline. Be it a revisionist examination of Robert Moses, the effect of shipworms on the citys piers and foundations, the battle over Westway, the dream of public housing, the legacy of Joseph Mitchell, a wonderful passage about the longshoremen and Elia Kazans On the Waterfront, or the meaning of the World Trade Center, Lopate punctuates this marvelous journey with the sights and sounds and words of a world like no other.
A rich and impressive work by an undisputed master stylist, Waterfront takes its rightful place next to other literary classics of New York, such as E. B. Whites Here Is New York and Joseph Mitchells Up in the Old Hotel. It is an unparalleled look at New Yorks landscape and history and an irresistible invitation to meander along its outermost edges.

Phillip Lopate: author's other books


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Acclaim for Phillip Lopates WATERFRONT Part personal essay part municipal - photo 1

Acclaim for Phillip Lopates WATERFRONT Part personal essay part municipal - photo 2

Acclaim for Phillip Lopate's
WATERFRONT

Part personal essay, part municipal history, part architectural guide, part criticism and part utopian musing. Waterfront makes excellent reading for all those who feel the romance of the city's past and for those with an interest in the growing healthiness of the city's waterways and in architecture and urban planning.

The New York Times Book Review

Phillip Lopate has surrounded his subject and been surrounded by it in turn. His Waterfront is an elegant, elegiac, scrapwork masterpiece.

Jonathan Lethem

Where less keen observers see only ugliness, Lopate discerns the raffish beauty that once was, the bright possibilities that might be.

Newsday

Phillip Lopate demonstrates that you don't have to go to the ends of the earth to be a great explorer. Anyone who finds Manhattan fascinat-ingthere should be several million of uswould do well to read Waterfront, his beautiful ramble into its heart and soul.

E. L. Doctorow

For strangers to New York, Waterfront will be an inviting introduction to the city's underappreciated edges. Natives will find surprising ideas and places in a metropolis they thought they knew.

The Star-Ledger (Newark, NJ)

Phillip Lopate is a walker in the city like no other since Charles Dickens: He is archaeologist, historian, explorer, poet, observer (and observer of himself observing), muser, muller, and mooner; and all the while he is leading us through streets and crannies and old politics and hidden sights and right-in-front-of-your-nose scenes and structures, compelling our poignant or astonished notice.

Cynthia Ozick

One man's saunter through a city he loves. The stories are presented with tenderness and genuine concern without the faintest whiff of sentimentality.

The Oregonian

Lopate is a fantastic writerhumane, wry, and always astonishingly willing to take on the ineffable, attuned to the complexities of symbiotic relationships we only intuited before his dazzling collage was created.

Ann Beattie

[Lopate] writes like cream pouring from a jug. Richly entertaining.

Kirkus Reviews (starred)

Waterfront is a potpourri of astute architectural critiques, fresh readings of shoreline classics (literary and cinematic), snippets of autobiography, and a string of vest pocket histories (the one on Westway is by itself worth the price of admission). By turns amusing and acerbic, gently playful and bracingly argumentative, it's a moveable feast.

Mike Wallace, coauthor of Gotham: A History of New York City to 1898

A native New Yorker, avid walker, and impeccable stylist Lopate seamlessly blends witty and candid accounts of his ramblings along the bedraggled edge of this great metropolis to create a fascinating narrative that encompasses historical, literary, cultural, aesthetic, and environmental perspectives.

Booklist (starred)

An intensely and delightfully personal account of the Manhattan waterfront, full of insight and information, that weaves together one man's life and New York history for a rare, readable book.

Ada Louise Huxtable

Phillip Lopate makes the waterfront that has vanished as vivid as the one that has survived. The thrill is not just in his different voicestour-guide, archaeologist, detective, social scientist, historian of yesterday and today, lyrical poet, pragmatist, utopian, man alone on the cliffs, public citizen in the streetsbut in the brilliant fluency with which he jump-cuts back and forth between them.

Marshall Berman, author of All That is Solid Melts into Air

PHILLIP LOPATE WATERFRONT Phillip Lopate is the author of numerous books - photo 3

PHILLIP LOPATE

WATERFRONT

Phillip Lopate is the author of numerous books, including Getting Personal: Selected Writings, the essay collections Bachelorhood, Against Joie de Vivre, and Portrait of My Body, and the novels The Rug Merchant and Confessions of Summer. Lopate also authored Seaport: New York's Vanished Waterfront, a book of photographs of maritime Manhattan. He is the editor of The Art of the Personal Essay and Writing New York, and his work has appeared in The Paris Review, Esquire, Vogue, and many other publications. He lives in Brooklyn with his wife and daughter, and teaches at Hofstra University.]

ALSO BY PHILLIP LOPATE

ESSAYS AND NONFICTION

Getting Personal: Selected Writings
Totally, Tenderly, Tragically
Portrait of My Body
Writing New York (editor)
The Art of the Personal Essay (editor)
Against Joie de Vivre
Bachelorhood: Tales of the Metropolis
Being with Children

NOVELS

The Rug Merchant
Confessions of Summer

POETRY

The Eyes Don't Want to Stay Open
The Daily Round

Waterfront A Journey Around Manhattan - photo 4

CONTENTS PART ONE PART TWO If there - photo 5

CONTENTS PART ONE PART TWO If there is magic on the planet it is - photo 6

CONTENTS PART ONE PART TWO If there is magic on the planet it is - photo 7

CONTENTS

PART ONE:

PART TWO:

If there is magic on the planet, it is contained in water.

LOREN EISELEY

IslandsI don't get them. Surrounded by water, poor things.

PATRIZIA, in Antonioni's L'Avventura

INTRODUCTION

T HIS BOOK BEGAN AS AN ATTEMPT TO WRITE A SHORT LIGHTHEARTED BOOK ABOUT - photo 8

T HIS BOOK BEGAN AS AN ATTEMPT TO WRITE A SHORT, LIGHTHEARTED BOOK ABOUT WANDERING THE WATERY PERIMETER OF MANHATTAN. I HAVE LONG BEEN FASCINATED with walking-around literature, and everything about New York City. I thought I would write down whatever I was thinking and seeing in the course of my walk, including any encounters or adventures I might have. It was a quaint, likable idea, a sort of modern-day version of Robert Louis Stevenson's walks through France and England. But the first problem I encountered was that I could not pretend to be a tourist in my native city, discovering it with fresh wonder; I utterly lacked what the anthropologists call culture shock. Moreover, I was no longer a young man, for whom any city walk could release buckets of lyrical verbiage; I had exhausted those sorts of poems and urban sketches earlier, for the most part. If I were to write about New York City now, it would have to be with the more reserved, critical perspective of a lifetime's accumulated uncertainties.

And I could not simply meditate (that last refuge of lazy belletrists such as myself ) on what I saw, I would actually have to know

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