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Behmand Mojgan - Teaching big history

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Behmand Mojgan Teaching big history

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Big History is a new field on a grand scale: it tells the story of the universe over time through a diverse range of disciplines that spans cosmology, physics, chemistry, astronomy, geology, evolutionary biology, anthropology, and archaeology, thereby reconciling traditional human history with environmental geography and natural history.
Weaving the myriad threads of evidence-based human knowledge into a master narrative that stretches from the beginning of the universe to the present, the Big History framework helps students make sense of their studies in all disciplines by illuminating the structures that underlie the universe and the connections among them.
Teaching Big History is a powerful analytic and pedagogical resource, and serves as a comprehensive guide for teaching Big History, as well for sharing ideas about the subject and planning a curriculum around it. Readers are also given helpful advice about the administrative and organizational challenges of instituting a general education program constructed around Big History. The book includes teaching materials, examples, and detailed sample exercises.
This book is also an engaging first-hand account of how a group of professors built an entire Big History general education curriculum for first-year students, demonstrating how this thoughtful integration of disciplines exemplifies liberal education at its best and illustrating how teaching and learning this incredible story can be transformative for professors and students alike.

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TEACHING BIG HISTORY Lauren Guittard Abstract Comic Big Bang and - photo 1
TEACHING BIG HISTORY
Lauren Guittard Abstract Comic Big Bang and Thresholds 14 2012 Photo - photo 2

Lauren Guittard, Abstract Comic (Big Bang and Thresholds 14) , 2012. (Photo: Lynn Sondag)

TEACHING BIG HISTORY

Edited by

Richard B. Simon

Mojgan Behmand

and Thomas Burke

Picture 3

UNIVERSITY OF CALIFORNIA PRESS

University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu.

University of California Press

Oakland, California

2015 by The Regents of the University of California

Library of Congress Cataloging-in-Publication Data

Teaching big history / edited by Richard B. Simon, Mojgan Behmand, and Thomas Burke.

pages cm

Includes bibliographical references and index.

ISBN 978-0-520-28354-1 (cloth)

ISBN 978-0-520-28355-8 (paper)

ISBN 978-0-520-95938-5 (e-book)

1. HistoryStudy and teaching. 2. Physical sciencesStudy and teaching. I. Simon, Richard B., 1971 editor. II. Behmand, Mojgan, 1966 editor. III. Burke, Thomas, 1957 editor.

D16.25.T39 2015

001dc232014013287

Manufactured in the United States of America

24 23 22 21 20 19 18 17 16 15

10 9 8 7 6 5 4 3 2 1

In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Natures Natural, a fiber that contains 30% post-consumer waste and meets the minimum requirements of ANSI/NISO Z 39.481992 ( R 1997) ( Permanence of Paper ).

For our dear friend and colleague Neal Wolfe, who continues to teach us how to situate ourselves in the cosmos.

CONTENTS

Richard B. Simon

Mojgan Behmand

Thomas Burke

Mojgan Behmand

Mojgan Behmand, Esther Quaedackers, and Seohyung Kim

Richard B. Simon

Richard B. Simon

Kiowa Bower

Richard B. Simon

Neal Wolfe

James Cunningham

Cynthia Taylor

Martin Anderson

Richard B. Simon

Richard B. Simon, Martin Anderson, J. Daniel May, Neal Wolfe, Kiowa Bower, Philip Novak, and Debbie Daunt

Jaime Castner

Ethan Annis, Amy Gilbert, Anne Reid, Suzanne Roybal, and Alan Schut

Cynthia Stokes Brown

Philip Novak

Harlan Stelmach

Neal Wolfe

ILLUSTRATIONS

Lauren Guittard, Abstract Comic ( Big Bang and Thresholds 14) frontispiece

0.1.

4.1.

6.1.

7.1.

7.2.

7.3.

8.1.

8.2 and 8.3.

8.4.

9.1.

9.2.

11.1.

12.1.

12.2.

12.3.

12.4.

12.5.

12.6.

12.7.

12.8.

12.9.

20.0.

TABLES

4.1.

4.2.

4.3.

4.4.

4.5.

7.1.

10.1.

11.1.

12.1.

12.2.

12.3.

12.4.

12.5.

16.1.

ACKNOWLEDGMENTS

We have worked as a three-headed team, with Mojgan Behmand as producer, keeping the book in line with the vision and reality of the program; Richard B. Simon as editor-in-chief, envisioning the texts structure and wrangling faculty writers; and the gentleman Thomas Burke as the voice of reason, keeping us all grounded. Each of us is grateful to the others.

Simon and Burke are especially indebted to Professor Behmand, whose idea it was to write this book. Behmand encouraged her faculty from the start of the Big History program to be creative and rigorous. She secured funding for us to work, and to travel and present our ideas at conferences throughout the world. She recognized that we were making advances and that, really, we should write a book.

We stand on the shoulders of the Big Historians. We are especially grateful to our dear colleague Cynthia Brown and to David Christian for their guidance and support. Simon and Burke were pleased to be invited to join in its making.

Mary Marcy, the president of Dominican University of California, who made our program a pillar of her vision for the institutions future, deserves our special gratitude.

We would also like to thank John Cox for his generous funding, which has enabled us to complete this task.

We are of course thankful to our editors Niels Hooper and Rachel Berchten, to the diligent Kim Hogeland, the laser-eyed Emily Park, and everyone at UC Press for helping us to bring this work to fruition.

The Dominican University of California faculty, staff, and administrators embraced and supported our work and we thank them, especially Jaime Castner.

We thank our families for their support and patience when this project has been intensive.

We are, collectively, most grateful for the diligent work of our colleagues, who, despite the pressures of teaching, grading papers, and publishing in their home disciplines, have distilled what we do in Big History in inspiring ways. We are still learning from one another. Publishing this book together is just the next step.

Finally, we would like to thank our students for joining us on this adventure. We are at our best when we keep learning from them.

Introduction

Six college professors and a librarian sat around a big oak table. At one side of the room, large picture windows opened onto a curated landscape of green lawn, gardens, and trees from around the world. On the rooms blue walls was painted a mural of the fox hunthorses and rifle-toting riders leaping fenceswith subtle religious subtexts. The room had been a dining room in the redwood mansion that now housed a dormitory and classroom space. The gathered faculty had been tasked with developing, after two years of attempts and failures, a new general education curriculum for first-year students at their university. They were at an inflection point: a decision had to be made.

The question was whether to use Big Historyin some fields it was called the Epic of Evolution, in others the New Storya meta-narrative that unified the sum of human knowledge in all disciplines, as the core of the general education program, a requirement for all students. Some of the faculty members were pushing for Big History as a radical rethinking of what a general education meant. Some were pragmatically resistant. The approach on the table was so fundamentally interdisciplinary that those who were to teach it would need to effectively go back to school themselves to master content from far outside their fields of expertise. Some members of the committee were certain that faculty would not go for it. Others felt that this was just the sort of challenge that professional intellectuals wouldand shouldrelish: a challenge to learn, to grow, to incorporate new knowledge and understanding.

The mood in the room was electric with possibility. The opportunity not only to revise a curriculum but to innovate in ways that completely re-envision what a basic education should mean doesnt come around often. Considering this, the faculty asked: can this work? And they set about to answer that question by modeling a new curriculum that would reframe students entire experience at the university, the whole of their education, and their understanding of the world and how it works.

One year later, in the fall of 2010, Dominican University of California began teaching Big History to all first-year students: first, in a semester-long survey of the history of the universe, our solar system, Earth, life, and humans; and second, in a more focused examination of that story through the lens of a particular discipline.

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