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Manning Chelsea - The United States Vs. Private Chelsea Manning: A Graphic Account from Inside the Courtroom

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Manning Chelsea The United States Vs. Private Chelsea Manning: A Graphic Account from Inside the Courtroom
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The United States Vs. Private Chelsea Manning: A Graphic Account from Inside the Courtroom: summary, description and annotation

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Drawing and writing in real time from inside the courtroom, artist and WikiLeaks activist Clark Stoeckley here captures first-hand the extraordinary drama of The United States vs. Private Chelsea Manning, one of the most important and secretive trials in American history.

In the course of the trial, Private Manning insists that her release of the Iraq and Afghanistan war logs to WikiLeaks was an act of conscience, justified by the urgent need to reveal to the world the atrocities committed by the US military in the ostensible cause of freedom. At the prosecution table, military lawyers for the American government seek to set an example and discourage future whistleblowers by locking away Manning for decades, possibly the rest of her life.

Stoeckleys vivid sketches from inside the court and beyond, together with carefully selected transcripts of the proceedings, trace the arguments as they move back and forth between the defence and the prosecution. His rendering of the trial provides both a vital record and a uniquely compelling read.

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A precious window intothe trial of Americas foremost political prisoner JULIAN - photo 1
A precious window intothe trial of Americas foremost political prisoner JULIAN - photo 2
A precious window intothe trial of Americas
foremost political prisoner. JULIAN ASSANGE
Drawing from inside the courtroom,
artist and activist Clark Stoeckley
here captures the extraordinary
drama of the recent military
court martial of Private Chelsea
(formerly Bradley) Manning.
Manning is currently serving 35
years in military prison having been
found guilty of releasing the Iraq and Afghanistan war logs, as well as other
materials including the infamous Collateral Murder video, to WikiLeaks.
Stoeckleys vivid sketches are here combined with carefully selected
transcripts of the proceedings to provide a compelling account and vital
record of one of the most important and secretive trials in American history.
Clark Stoeckleys work has been shown at the Contemporary Museum St.
Louis, Pratt Manhattan Gallery, and the Emily Harvey Foundation, and has
been featured in ARTnews, The Nation, The Wall Street Journal, VICE magazine as
well as being featured on MSNBC and FireDogLake.
OR Books
www.orbooks.com
Cover design by Somerset Bean
A GRAPHIC ACCOUNT FROM INSIDE THE COURTROOM CLARK STOECKLEY ADDITIONAL TEXT BY - photo 3
A GRAPHIC ACCOUNT FROM INSIDE THE COURTROOM CLARK STOECKLEY ADDITIONAL TEXT BY - photo 4
A GRAPHIC ACCOUNT FROM INSIDE THE COURTROOM CLARK STOECKLEY ADDITIONAL TEXT BY - photo 5
A GRAPHIC ACCOUNT FROM INSIDE THE COURTROOM
CLARK STOECKLEY
ADDITIONAL TEXT BY MAX THORN
DESIGN AND LAYOUT BY SOMERSET BEAN
2014 Clark Stoeckley Published by OR Books New York and London Visit our - photo 6
2014 Clark Stoeckley
Published by OR Books, New York and London
Visit our website at www.orbooks.com
All rights reserved. No part of this book may be reproduced or transmitted in any form
or by any means, electronic or mechanical, including photocopy, recording, or any
information storage retrieval system, without permission in writing from the publisher,
except brief passages for review purposes.
First printing 2014
Cataloging-in-Publication data is available from the Library of Congress.
A catalog record for this book is available from the British Library.
ISBN 978-1-939293-27-5 paperback
ISBN 978-1-939293-28-2 e-book
This book is set in Heavy Mettle, Self Destruct Button, Creator Credits and Arial.
Typeset by Somerset Bean.
Printed by BookMobile in the United States and CPI Books Ltd in the United Kingdom.
Preface Its no easy thing to produce a book like this about the trial of - photo 7

Preface
Its no easy thing to produce a book like this about the trial of Chelsea Manning.
The trial was conducted in unprecedented secrecy, as the Center for
Constitutional Rights asserted, far more...than even the prosecution of the
alleged 9/11 plotters in Guantanamo. It is only because of the work of people
like Clark Stoeckley and Alexa OBrien that we can begin to appreciate what has
happened. These pages are a precious window into that court room, and that
serious historical event.
For the people who attended the trial, and for the people who watched from
afar, it was an intense period. Chelsea Mannings trial continues to haunt us.
The story is emblematic of the pressing political issues of our time, and the
subject of deeply personal experience for so many.
It is a tall order to capture all of this in a graphic novel, but Clark, Max and
Somerset Bean have done it. The drawings are expressive and haunting. The
court transcripts come alive on the page. They bear powerful witness to the trial
of Americas foremost political prisoner.
Mannings significance as a prisoner of conscience is appreciated around
the world. One day, it will be fully recognized in her own country, and her
persecution will come to an end.
Free Chelsea Manning.

Julian Assange
London, March 2014
Foreword O n April 5 2010 I was editing a vast collection of what have come to - photo 8
Foreword O n April 5 2010 I was editing a vast collection of what have come to - photo 9
Foreword O n April 5, 2010 I was editing a vast collection of what have come to
be known as war porn videos for my MFA thesis exhibition. Disturbing
footage from the cockpits of U.S. Army Apache helicopters titled Collateral
Murder miraculously appeared on my computer screen. I knew at that moment
this video would change the course of history and help bring an end to the war
in Iraq. After graduation, I bought a box truck to carry all of my possessions
and became a nomad. To show my gratitude for their disclosure, I decorated
my truck with the WikiLeaks logo and a demand to Release Bradley Manning.
I drove the truck from the Marine Corps base in Quantico, Virginia, where
Manning was confined, to the pika co-op house in Cambridge, Massachusetts
and everywhere important in between. After an autumn and winter residency
at the Occupy encampments in major Northeastern cities, I began covering
Mannings court-martial proceedings at Ft. Meade, Maryland. For the next
eighteen months I helped organize buses and vigils with activists, hitched rides
with fellow journalists, and caught overnight trains to and from the pre-trial
hearings. Dear friends let me crash on their floors and couches in their homes
or motel rooms.
When the trial finally rolled around so did my WikiLeaks Truck As a - photo 10
When the trial finally rolled around, so did my WikiLeaks Truck. As a credentialed
journalist I did not face the same restrictions on political bumper stickers as
public spectators, and I was allowed to drive on base. My credentials also
afforded me the privilege of sitting on both sides of the gallery, in the jury box,
and inside the remote media operations center where they projected a live feed
of the trial onto a large screen.
Despite my overwhelming support for Manning, I challenged myself to document
as objectively and accurately as I could muster. This was the most secretive
trial in US history. Official transcripts and many of the court filings are still
under seal. Yet I attended thousands of hours of proceedings and drew what
I witnessed. Here I have paired those drawings with selections of unofficial
transcripts published by independent journalist Alexa OBrien and the Freedom of
the Press Foundations crowd-funded stenographers.
Shortly after the trial started, the lead prosecutor for the United States
largest information assurance case, Major Ashden Fein, boasted about his work
on the trial and revealed the whereabouts of his hotel to complete strangers.
Eventually this information came to my attention. Although I never sought this
knowledge, nor did I confirm it to be fact, I tweeted I dont know how they
sleep at night, but I do know where and included a link to the hotel where I
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