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Ambrose Bierce - Complete Works of Ambrose Bierce

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Ambrose Bierce Complete Works of Ambrose Bierce
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For the first time in publishing history, Delphi Classics is proud to present the complete works of master storyteller Ambrose Bierce. This comprehensive eBook is spiced with numerous illustrations, rare and forgotten texts, concise introductions and the usual Delphi bonus material. (Version 1)
* Beautifully illustrated with images relating to Bierces life and works.
* Concise introductions to the collections and other texts
* The rare novella THE DANCE OF DEATH appears here for the first time in digital print
* ALL the short story collections, with individual contents tables
* Featuring 475 tales, many appearing for the first time in digital print
* Images of how the books were first printed, giving your eReader a taste of the original texts
* Excellent formatting of the texts
* Famous works such as COBWEBS FROM AN EMPTY SKULL
are fully illustrated with their original artwork
* Special chronological and alphabetical contents tables for the poetry, essays and the short stories
* Easily locate the works you want to read
* The complete non-fiction, with many scarce essays and newspaper articles
* Includes Bierces letters - spend hours exploring the authors personal correspondence
* Special criticism section, with essays evaluating Bierces contribution to literature
* Also provides a unique Biercian Texts section with interesting articles on the works and disappearance of Ambrose Bierce
* Features a bonus full-length biography - discover Bierces literary life
* Scholarly ordering of texts into chronological order and literary genres
CONTENTS:
The Novellas
THE DANCE OF DEATH
THE MONK AND THE HANGMANS DAUGHTER
THE LAND BEYOND THE BLOW
The Short Story Collections
THE FIENDS DELIGHT
COBWEBS FROM AN EMPTY SKULL
PRESENT AT A HANGING, AND OTHER GHOST STORIES
IN THE MIDST OF LIFE: TALES OF SOLDIERS AND CIVILIANS
CAN SUCH THINGS BE?
FANTASTIC FABLES
NEGLIGIBLE TALES
THE PARENTICIDE CLUB
THE FOURTH ESTATE
THE OCEAN WAVE
KINGS OF BEASTS
TWO ADMINISTRATIONS
MISCELLANEOUS TALES
The Short Stories
LIST OF SHORT STORIES IN CHRONOLOGICAL ORDER
LIST OF SHORT STORIES IN ALPHABETICAL ORDER
The Poetry Collections
BLACK BEETLES IN AMBER
SHAPES OF CLAY
FABLES IN RHYME
SOME ANTE-MORTEM EPITAPHS
THE SCRAP HEAP
The Poems
LIST OF POEMS IN CHRONOLOGICAL ORDER
LIST OF POEMS IN ALPHABETICAL ORDER
The Non-Fiction
THE SHADOW ON THE DIAL, AND OTHER ESSAYS
THE DEVILS DICTIONARY
WRITE IT RIGHT
ASHES OF THE BEACON
ON WITH THE DANCE!: A REVIEW
A CYNIC LOOKS AT LIFE
TANGENTIAL VIEWS
BITS OF AUTOBIOGRAPHY
MISCELLANEOUS ARTICLES AND REVIEWS
UNCOLLECTED ESSAYS
The Essays
LIST OF ESSA

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The Complete Works of

AMBROSE BIERCE

(1842-1913)

Contents Delphi Classics 2013 Version 1 The Complete Works - photo 1

Contents

Delphi Classics 2013 Version 1 The Complete Works of AMBROSE - photo 2

Delphi Classics 2013

Version 1

The Complete Works of AMBROSE BIERCE By Delphi Classics 2013 - photo 3

The Complete Works of

AMBROSE BIERCE

By Delphi Classics 2013 Other American Short Story writers by Delphi - photo 4

By Delphi Classics, 2013


Other American Short Story writers

by Delphi Classics

wwwdelphiclassicscom The Novella s Meigs County Ohio 1904 - photo 5

www.delphiclassics.com

The Novella s

Meigs County Ohio 1904 believed to be the birthplace of Ambrose Bierce The - photo 6

Meigs County , Ohio , 1904 believed to be the birthplace of Ambrose Bierce. The precise location is not known.


The Court House today The plaque commerotaing Bierces birth in Meigs - photo 7

The Court House today


The plaque commerotaing Bierces birth in Meigs County Ambrose Bierce - photo 8

The plaque commerotaing Bierces birth in Meigs County


Ambrose Bierce as a young man THE DANCE OF DEA TH Bierce wrote The - photo 9

Ambrose Bierce as a young man

THE DANCE OF DEA TH

Bierce wrote The Dance of Death with Thomas A Harcourt published by Keller of - photo 10

Bierce wrote The Dance of Death with Thomas A. Harcourt, published by Keller of San Francisco in 1877 and using the nom de plume, William Herman. Bierce later said that Harcourts father-in-law, the photographer William Rulofson, suggested the scheme and supplied the sinews of sin. Tongue firmly in cheek, the authors denounced the waltz, describing it in often lewd, lurid and lascivious terms. Critics and clergymen argued over whether the diatribe was serious or satirical and the fascinated public purchased 20,000 copies in its first year. An anonymous author replied by defending the waltz in The Dance of Life .


The first edition CONTENTS Two Bierce letters dealing with the - photo 11

The first edition


CONTENTS


Two Bierce letters dealing with the somewhat confusing authorship of The Dance - photo 12

Two Bierce letters dealing with the somewhat confusing authorship of The Dance of Death


THE DANCE OF DEATH BY WILLIAM HERMAN Wilt thou bring fine gold for a payment - photo 13


THE DANCE OF DEATH BY WILLIAM HERMAN

Wilt thou bring fine gold for a payment

For sins on this wise?

For the glittering of raiment

And the shining of eyes,

For the painting of faces

And the sundering of trust,

For the sins of thine high places

And delight of thy lust?

* * * * * * *

Not with fine gold for a payment,

But with coin of sighs,

But with rending of raiment

And with weeping of eyes,

But with shame of stricken faces

And with strewing of dust,

For the sin of stately places

And lordship of lust.

SWINBURNE.


PREFACE .

The writer of these pages is not foolish enough to suppose that he can escape strong and bitter condemnation for his utterances. On this score he is not disposed to be greatly troubled; and for these reasons: Firstly he feels that he is performing a duty; secondly he is certain that his sentiments will be endorsed by hundreds upon whose opinion he sets great value; thirdly he relieves his mind of a burden that has oppressed it for many years; and fourthly as is evident upon the face of these pages he is no professed litterateur , who can be starved by adverse criticism. Nevertheless he would be apostate to his self-appointed mission if he invited censure by unseemly defiance of those who must read and pass judgment upon his work. While, therefore, he does not desire to invoke the leniency of the professional critic or the casual reader, he does desire to justify the position he has taken as far as may be consistent with good taste.

It will doubtless be asserted by many: That the writer is a bigoted parson, whose puritanical and illiberal ideas concerning matters of which he has no personal experience belong to an age that is happily passed. On the contrary, he is a man of the world, who has mixed much in society both in the old world and the new, and who knows whereof he affirms.

That he is, for some reason, unable to partake of the amusement he condemns, and is therefore jealous of those more fortunate than himself. Wrong again. He has drunk deeply of the cup he warns others to avoid; and has better opportunities than the generality of men to continue the draught if he found it to his taste.

That he publishes from motives of private malice. Private malice no. Malice of a certain kind, yes. Malice against those who should know better than to abuse the rights of hospitality by making a bawdy-house of their hosts dwelling.

But the principal objection will doubtless refer to the plain language used.

My excuse, if indeed excuse be needed for saying just what I mean, is, that it is impossible to clothe in delicate terms the intolerable nastiness which I expose, and at the same time to press the truth home to those who are most in need of it; I might as well talk to the winds as veil my ideas in sweet phrases when addressing people who it seems cannot descry the presence of corruption until it is held in all its putridity under their very nostrils.

Finally, concerning the prudence and advisability of such a publication, I have only to say that I have consulted many leading divines and principals of educational institutions, all of whom agree that the subject must be dealt with plainly, and assure me that its importance demands more than ordinary treatment that it is a foeman worthy of the sharpest steel; for, say they: To repeat the tame generalities uttered from the pulpit, or the quiet tone of disapprobation adopted by the press, would be to accord to the advocates of this evil a power which they do not possess, and to proclaim a weakness of its opponents which the facts will not justify.

I have therefore spoken plainly and to the purpose, that those who run or waltz may read.

But there remains yet something to be said, which is more necessary to my own peace of mind, and to that of many of my readers, than all that has gone before. So important is it, indeed, that what I am about to say should be distinctly understood by all those whose criticism I value, and whose feelings I respect, that I almost hesitate t6 consign it to that limbo of egotism the preface.

Be it known, then, that although in the following pages I have, without compunction, attacked the folly and vice of those who practice such, yet I would rather my right hand should wither than that the pen it wields should inflict a single wound upon one innocent person. I am willing to believe, nay, I know , that there are many men and women who can and do dance without an impure thought or action; for theirs is not the Dance of Death; they can take a reasonable pleasure in one anothers society without wishing to be locked in one anothers embrace; they can rest content with such graces as true refinement teaches them are modest, without leaping the bounds of decorum to indulge in what a false and fatal refinement styles the poetry of motion; in short, to them the waltz, in its newest phases at least, is a stranger. I would not, like Lycurgus and Mahomet, cut down all the vines, and forbid the drinking of wine, because it makes some men drunk. Dancers of this class, therefore, I implore not to regard the ensuing chapters as referring to themselves the cap does not fit their heads, let them not attempt to wear it. The same remarks will apply to some of those heads of families who permit and encourage dancing at their homes. Many among them doubtless exercise a surveillance too strict to admit of anything improper taking place within their doors; these stand in no need of either advice or warning from me. But more of them, I am grieved to say, are merely blameless because they are ignorant of what really does take place. The social maelstrom whirls nightly in their drawing-rooms; with their wealth, hospitality, and countenance they unconsciously, but none the less surely, lure the fairest ships of life into its mad waters. Let these also, then, not be offended that in this book I raise a beacon over the dark vortex, within whose treacherous embrace so many sweet young souls have been whirled to perdition.

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