Carr Maureen - The Rite of spring at 100

The Rite of Spring at 100

MUSICAL MEANING AND INTERPRETATION

Robert S. Hatten, editor

A Theory of Musical Narrative	BYRON ALMN
Approaches to Meaning in Music	BYRON ALMN AND EDWARD PEARSALL
Voicing Gender: Castrati, Travesti, and the Second Woman in Early Nineteenth-Century Italian Opera	NAOMI ANDR
The Italian Traditions and Puccini: Compositional Theory and Practice in Nineteenth-Century Opera	NICHOLAS BARAGWANATH
Debussy Redux: The Impact of His Music on Popular Culture	MATTHEW BROWN
Music and Embodied Cognition: Listening, Moving, Feeling, and Thinking	ARNIE COX
Music and the Politics of Negation	JAMES R. CURRIE
Il Trittico, Turandot, and Puccinis Late Style	ANDREW DAVIS
Neil Young and the Poetics of Energy	WILLIAM ECHARD
Reconfiguring Myth and Narrative in Contemporary Opera: Osvaldo Golijov, Kaija Saariaho, John Adams, and Tan Dun	YAYOI UNO EVERETT
Interpreting Musical Gestures, Topics, and Tropes: Mozart, Beethoven, Schubert	ROBERT S. HATTEN
Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation	ROBERT S. HATTEN
Intertextuality in Western Art Music	MICHAEL L. KLEIN
Music and the Crises of the Modern Subject	MICHAEL L. KLEIN
Music and Narrative since 1900	MICHAEL L. KLEIN AND NICHOLAS REYLAND
Musical Forces: Motion, Metaphor, and Meaning in Music	STEVE LARSON
Is Language a Music? Writings on Musical Form and Signification	DAVID LIDOV
Pleasure and Meaning in the Classical Symphony	MELANIE LOWE
Breaking Times Arrow: Experiment and Expression in the Music of Charles Ives	MATTHEW MCDONALD
Decorum of the Minuet, Delirium of the Waltz: A Study of Dance-Music Relations in Time	ERIC MCKEE
The Musical Topic: Hunt, Military, Pastoral	RAYMOND MONELLE
Musical Representations, Subjects, and Objects: The Construction of Musical Thought in Zarlino, Descartes, Rameau, and Weber	JAIRO MORENO
Meaning and Interpretation of Music in Cinema	DAVID NEUMEYER
Deepening Musical Performance through Movement: The Theory and Practice of Embodied Interpretation	ALEXANDRA PIERCE
Expressive Intersections in Brahms: Essays in Analysis and Meaning	HEATHER PLATT AND PETER H. SMITH
Expressive Forms in Brahmss Instrumental Music: Structure and Meaning in His Werther Quartet	PETER H. SMITH
Music as Philosophy: Adorno and Beethovens Late Style	MICHAEL SPITZER
Death in Winterreise: Musico-Poetic Associations in Schuberts Song Cycle	LAURI SUURP
Music and Wonder at the Medici Court: The 1589 Interludes for La pellegrina	NINA TREADWELL
Reflections on Musical Meaning and Its Representations	LEO TREITLER
Debussys Late Style: The Compositions of the Great War	MARIANNE WHEELDON

This book is a publication of

Indiana University Press

Office of Scholarly Publishing

Herman B Wells Library 350

1320 East 10th Street

Bloomington, Indiana 47405 USA

iupress.indiana.edu

2017 by Indiana University Press

The Rite of Spring by Igor Stravinsky

Copyright 1912, 1921 by Hawkes & Son (London) Ltd.

Reprinted by permission of Boosey & Hawkes, Inc.

Variations (Aldous Huxley in Memoriam) by Igor Stravinsky

Copyright 1965 by Boosey & Hawkes Music Publishers Limited

Reprinted by permission of Boosey & Hawkes, Inc.

The Flood by Igor Stravinsky

Copyright 1962 by Boosey & Hawkes Music Publishers Ltd.

Reprinted by permission of Boosey & Hawkes, Inc.

All rights reserved

No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The Association of American University Presses Resolution on Permissions constitutes the only exception to this prohibition.

The paper used in this publication meets the minimum requirements of the American National Standard for Information SciencesPermanence of Paper for Printed Library Materials, ANSI Z39.481992.

Manufactured in the United States of America

Library of Congress Cataloging-in-Publication Data

Names: Neff, Severine, [date] editor. | Carr, Maureen, editor. | Horlacher, Gretchen Grace, editor.

Title: The Rite of spring at 100 / edited by Severine Neff, Maureen Carr, and Gretchen Horlacher with John Reef ; foreword by Stephen Walsh.

Other titles: Musical meaning and interpretation.

Description: Bloomington ; Indianapolis : Indiana University Press, 2017. | Series: Musical meaning and interpretation | Audiovisual materials are available for this volume. In the enhanced ebook, these materials are embedded and can be viewed or listened to by clicking the play button. | Includes bibliographical references and index.

Identifiers: LCCN 2016039558 | ISBN 9780253024206 (cl : alk. paper) | ISBN 9780253027351 (ebook) | ISBN 9780253024442 (enhanced ebook)

Subjects: LCSH: Stravinsky, Igor, 18821971. Vesna . | Ballets20th centuryHistory and criticism.

Classification: LCC ML410.S932 R5 2017 | DDC 784.2/1556dc23

LC record available at https://lccn.loc.gov/2016039558

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Cover illustration: Maiden Advancing: Spring Rounds. Drawing by Millicent Hodson, 2013.

For Joel

In memoriam, Bernard M. and Emily J. Carr

For Dick

For Sara

In appreciation of Emil Kang
and Carolina Performing Arts

/ Stephen Walsh

/ Donald J. Raleigh

/ Lynn Garafola

/ Stephanie Jordan

/ Gabriele Brandstetter

/ Millicent Hodson

/ Annegret Fauser

/ Mary E. Davis

/ Brigid Cohen

/ William Robin

/ Tamara Levitz

/ Kevin Bartig

/ Tatiana Baranova Monighetti

/ Natalia Braginskaya

/ Grigory Lyzhov

/ Olga Manulkina

/ Svetlana Savenko

/ Elena Vereshchagina

/ Tatiana Vereshchagina

by Christy Keele and John Reef

/ Pieter C. van den Toorn

/ Severine Neff

/ Gretchen Horlacher

/ Maureen Carr

/ Marianne Kielian-Gilbert

/ Lynne Rogers

/ Stephen Walsh

/ Richard Taruskin

by Sara Hoffee, Letitia Glozer, and John Reef