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George Moses Horton - The Black bard of North Carolina: George Moses Horton and his poetry

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For his humanistic religious verse, his poignant and deeply personal antislavery poems, and, above all, his lifelong enthusiasm for liberty, nature, and the art of poetry, George Moses Horton merits a place of distinction among nineteenth-century African American poets. Enslaved from birth until the close of the Civil War, the self-taught Horton was the first American slave to protest his bondage in published verse and the first black man to publish a book in the South. As a man and as a poet, his achievements were extraordinary. In this volume, Joan Sherman collects sixty-two of Hortons poems. Her comprehensive introductioncombining biography, history, cultural commentary, and critical insightpresents a compelling and detailed picture of this remarkable mans life and art.George Moses Horton (ca. 1797-1883) was born in Northampton County, North Carolina. A slave for sixty-eight years, Horton spent much of his life on a farm near Chapel Hill, and in time he fostered a deep connection with the University of North Carolina at Chapel Hill. The author of three books of poetry, Horton was inducted into the North Carolina Literary Hall of Fame in May of 1996.

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title The Black Bard of North Carolina George Moses Horton and His - photo 1

title:The Black Bard of North Carolina : George Moses Horton and His Poetry
author:Horton, George Moses.; Sherman, Joan R.
publisher:University of North Carolina Press
isbn10 | asin:0807823414
print isbn13:9780807823415
ebook isbn13:9780807864463
language:English
subjectAfrican Americans--North Carolina--Poetry, Slavery--North Carolina--Poetry, Slaves--North Carolina--Poetry.
publication date:1997
lcc:PS1999.H473A6 1997eb
ddc:811/.4
subject:African Americans--North Carolina--Poetry, Slavery--North Carolina--Poetry, Slaves--North Carolina--Poetry.
Page i
The Black Bard of North Carolina
Page ii
CHAPEL HILL BOOKS
Page iii
The Black Bard of North Carolina
George Moses Horton and His Poetry
Edited by Joan R. Sherman
Page iv 1997 The University of North Carolina Press All rights reserved - photo 2
Page iv
1997 The University of North Carolina Press
All rights reserved
Set in Minion type by Eric M. Brooks
Design by Richard Hendel
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
Library of Congress
Cataloging-in-Publication Data
Horton, George Moses, 1798?ca. 1880.
The Black bard of North Carolina:
George Moses Horton and His Poetry /
edited by Joan R. Sherman.
p. cm.
"Chapel Hill books."
"Works by George Moses Horton": p.
Includes bibliographical references and
index.
ISBN 0-8078-2341-4 (cloth: alk. paper).
ISBN 0-8078-4648-1 (pbk.: alk. paper)
1. Afro-AmericansNorth Carolina
Poetry. 2. SlaveryNorth Carolina
Poetry. 3. SlavesNorth Carolina
Poetry. I. Sherman, Joan R. II. Title.
PS1999.H473A6 1997
811'.4dc21 96-39347
CIP
01 00 99 98 97 5 4 3 2 1
Page v
Contents
Introduction
1
Picture 3
History
1
Picture 4
Criticism
32
Picture 5
Editorial Note
44
Bibliography
47
Picture 6
Works by George Moses Horton
47
Picture 7
Reference Works
48
Uncollected Poems
53
Poems from The Hope of Liberty
71
Poems from The Poetical Works
93
Poems from Naked Genius
119
Index of Titles
157

Page vii
Illustrations
Letter to Horace Greeley
24
Pages one and eight of "An Address"
26-27
"The Poet's Feeble Petition"
63
"For the fair Miss M. M. McL[ean] An acrostic [Mary McLean]"
65
"The Emigrant Girl"
66-67
"An acrostic on the pleasures of beauty [Julia Shepard]"
68
"An acrostic by George Horton [Lucy G. Wright]" and "An acrostic by George Horton the negro bard [Jane E. McIver]"
69
Title page of The Hope of Liberty
70
Title page of Naked Genius
120

Page 1
Introduction
History
George Moses Horton was a slave for sixty-eight years, from his birth in about 1797 until the close of the Civil War. His achievements as a man and a poet were extraordinary: Horton was the first American slave to protest his bondage in verse; the first African American to publish a book in the South; the only slave to earn a significant income by selling his poems; the only poet of any race to produce a book of poems before he could write; and the only slave to publish two volumes of poetry while in bondage and another shortly after emancipation. Horton also stands out among African American poets of the nineteenth century for his wide range of poetical subjects and unorthodox attitudes. His religious verse is undogmatic and humanistic; his antislavery poems are honest and deeply personal, unlike the generic protests by free black poets; he treats everyday matters like drinking and poverty, women, love, and marriage with wry and cynical humor in an often self-satirical mood; and his view of America and its heroes is patriotic, integrationist, and culturally nationalistic. Above all, Horton's unbounded enthusiasm for liberty, nature, and his sacred art of poetry vitalizes his best poems, and we hear a real, self-aware individual speaking directly to us.
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