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John Dolis - The style of Hawthornes gaze: regarding subjectivity

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The Style of Hawthornes Gaze Regarding Subjectivity John Dolis - photo 1
The Style of Hawthorne's Gaze
Regarding Subjectivity
John Dolis
title The Style of Hawthornes Gaze Regarding Subjectivity author - photo 2

title:The Style of Hawthorne's Gaze : Regarding Subjectivity
author:Dolis, John.
publisher:University of Alabama Press
isbn10 | asin:0817306811
print isbn13:9780817306816
ebook isbn13:9780585273020
language:English
subjectHawthorne, Nathaniel,--1804-1864--Technique, Art and literature--United States, Subjectivity in literature, Narration (Rhetoric)
publication date:1993
lcc:PS1891.D64 1993eb
ddc:813/.3
subject:Hawthorne, Nathaniel,--1804-1864--Technique, Art and literature--United States, Subjectivity in literature, Narration (Rhetoric)
Page iv
Copyright 1993 The University of Alabama Press Tuscaloosa, Alabama 35487-0380 All rights reserved Manufactured in the United States of America
The paper on which this book is printed meets the minimum requirements of American National Standard for Information Science-Permanence of Paper for Printed Library Materials, ANSI Z39.48-1984.
Library of Congress Cataloging-in-Publication Data
Dolis, John, 1945
The style of Hawthorne's gaze : regarding
subjectivity / John Dolis.
p. cm.
Includes bibliographical references and index.
ISBN 0-8173-0681-1 (alk. paper)
1. Hawthorne, Nathaniel, 18041864Technique.
2. Art and literatureUnited States. 3. Subjectivity
in literature. 4. Narration (Rhetoric) I. Title.
PS1891.D64 1993
813.3dc20 92-33475
British Library Cataloguing-in-Publication Data available
Page v
For Agnes McNeill Donohue
Page vii
Contents
Acknowledgments
ix
Provision
1
Picture 3
In Retrospect: Looking A/head
3
Prologue
7
Picture 4
Perspective and Frame: The Daguerreotype
9
The World of Hawthorne's Work
41
Picture 5
Being(-)in(-)THE-WORLD
43
Picture 6
Being(-)IN(-)the-World
107
Picture 7
BEING(-)in(-)the-World
138
Epilogue
213
Picture 8
The (Un)Finished Work: Being Is Round
215
Notes
227
Works Cited
261
Index
269

Page ix
Acknowledgments
In gratitude: I dedicate this work to Agnes McNeill Donohue, whose presence is always and everywhere before me.
For both the "Hawthorne" of this book, as well as the very book itself, I amin every sense of the wordprofoundly indebted to Edgar A. Dryden, without whom neither would have appeared.
For comments and suggestions for revisions, thanks to David L. Minter; for encouragement and correspondence, thanks to C. Carroll Hollis; for advice and friendship, thanks to R. W. B. Lewis.
I also wish to express my deepest thanks to Anthony LaBranche: some things must go unsaid.
The following friends and colleagues are inextricably part of this book: Monica Apostol, Andrew Chrucky, Michael Gessner, Robert Haas, Harold Hild, Michael Kilduff, Jack Leckel, Masood Otarod, Dennis Pahl, Veronica Polk, Suresh Raval, Clyde Robbins, Robert Shearer, Rudolph Stoeckel, Jan Stryz, Thomas Tierney, and Paul Vachon.
The book was made possible in part by two fellowships from the National Endowment for the Humanities, Summer Seminars, the first directed by R. W. B. Lewis, Yale University, and the second directed by Edgar A. Dryden, University of Arizona; and a Fulbright Professorship in American Literature at the University of Turin, Italy.
Several sectionsrewritten and expanded for this bookhave previously appeared in article form. I'm grateful to the publishers for permission to reprint: "Hawthorne's Morphology of Alienation: The Psychosomatic Phenomenon," American Imago 41 (1984), 4762 [permission of Johns Hopkins University Press]; "Hawthorne's Metonymic Gaze: Image and Object," American Literature 56 (1984), 36278 [permission of Duke University Press]; ''Hawthorne's Blithedale: Narrative Ethos as Absence," Arbeiten aus Anglistik und Amerikanistik 10 (1985), 15564; "Hawthorne's Gentle Reader: (The Hen) House of (Family) Romance," Arizona Quarterly 47 (1991), 2947 [permission of Arizona Board of Regents]; "Hawthorne's Tactile Gaze: The Phenomenon of Depth,"
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