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Floyd C. Watkins - The flesh and the word: Eliot, Hemingway, Faulkner

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title The Flesh and the Word Eliot Hemingway Faulkner author - photo 1

title:The Flesh and the Word : Eliot, Hemingway, Faulkner
author:Watkins, Floyd C.
publisher:Vanderbilt University Press
isbn10 | asin:
print isbn13:9780826511690
ebook isbn13:9780585101026
language:English
subjectAmerican literature--20th century--History and criticism, Eliot, T. S.--(Thomas Stearns),--1888-1965--Criticism and interpretation, Hemingway, Ernest,--1899-1961--Criticism and interpretation, Faulkner, William,--1897-1962--Criticism and interpretation.
publication date:1971
lcc:PS121.W35 1971eb
ddc:810.9/005/2
subject:American literature--20th century--History and criticism, Eliot, T. S.--(Thomas Stearns),--1888-1965--Criticism and interpretation, Hemingway, Ernest,--1899-1961--Criticism and interpretation, Faulkner, William,--1897-1962--Criticism and interpretation.
Page iii
The Flesh and the Word
Eliot, Hemingway, Faulkner
Floyd C. Watkins
VANDERBILT UNIVERSITY PRESS
Nashville 1971
Page iv
Disclaimer:
This book contains characters with diacritics. When the characters can be represented using the ISO 8859-1 character set (http://www.w3.org/TR/images/latin1.gif), netLibrary will represent them as they appear in the original text, and most computers will be able to show the full characters correctly. In order to keep the text searchable and readable on most computers, characters with diacritics that are not part of the ISO 8859-1 list will be represented without their diacritical marks.
Quotations from the works of Ernest Hemingway are fully protected by United States and International Copyright. Used by permission of Charles Scribner's Sons.
Quotations from Collected Poems 1909-1962 by T. S. Eliot, copyright 1936 by Harcourt Brace Jovanovich, Inc.; copyright 1963, 1964 by T. S. Eliot. Reprinted by permission of the publisher.
Quotations from T. S. Eliot, On Poetry and Poets, are used with the permission of Farrar, Straus & Giroux, Inc.
Quotations from the works of William Faulkner are used with the kind permission of Random House, Inc.
COPYRIGHT 1971
VANDERBILT UNIVERSITY PRESS
International Standard Book Number
0-8265-1169
Library of Congress
Catalogue Card Number 75-157740
Printed in the United States of America
by The TJM Corporation
Baton Rouge, Louisiana
Page v
For Kirk, Rose, Kay, Jan
Page vii
PREFACE AND CONFESSIONS OF THE AUTHOR
The embodiment or incarnation of meaning in image has been a chief element in style, in the struggle of literatures to come to terms with life, and in the ultimate questions of religion. This book is the result of years of labor to understand the phenomenon in modern literature. I have selected three authorsT. S. Eliot, Ernest Hemingway, and William Faulknerin whom the struggle is especially apparent, and in many ways the choice is somewhat arbitrary. No writer of merit can fail to consider image and meaning. To save space and time I have treated some works of these writers briefly or not at allEliot's "The Hollow Men" and his plays, Faulkner's Pylon and Snopes, and Hemingway's short stories.
I am much indebted to the John Simon Guggenheim Memorial Foundation and Emory University for years of support and free time. The Yale University Library has been especially kind to me. Albert E. Stone, William B. Dillingham, and James M. Cox were unusually helpful with different versions of the manuscript. From many friends and my family I derived emotional support during years when the end of a long study seemed to fade beyond the western stars.
Page ix
CONTENTS
Preface and Confessions of the Author
vii
1 IntroductionThe Season of Flesh
3
T. S. Eliot
2 Eliot and the Objective
13
3 The Early Eliot: Poetry without a Poet
22
4 The Waste LandEnjoyment of the Poetry
41
5 Eliot's Substitute for Sense
53
6 The Word without Flesh in the Four Quartets
71
Ernest Hemingway
7 The Sun Also Rises and the Failure of Language
95
8 World Pessimism and Personal Cheeriness in A Farewell to Arms
109
9 Hemingway's First "Big Writing"
127
10 Garrulous Patriot
137
11 The Iceberg and the Cardboard Box
152
William Faulkner
12 The Unbearable and Unknowable Truth in Faulkner's First Three Novels
169
13 The Word and the Deed in Faulkner's First Great Novels
181
14 Language of Irony: Quiet Words and Violent Acts in Light in August
203
15 Thirteen Ways of Talking about a Blackbird
216
16 Faulkner's Inexhaustible Voice
234
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