Beistegui - Aesthetics after Metaphysics
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Aesthetics After Metaphysics
Routledge Studies in Contemporary Philosophy
1 Email and Ethics
Style and Ethical Relations in Computer-Mediated Communication
Emma Rooksby
2 Causation and Laws of Nature
Max Kistler
3 Internalism and Epistemology
The Architecture of Reason
Timothy McGrew and Lydia McGrew
4 Einstein, Relativity and Absolute Simultaneity
Edited by William Lane Craig and Quentin Smith
5 Epistemology Modalized
Kelly Becker
6 Truth and Speech Acts
Studies in the Philosophy of Language
Dirk Greimann and Geo Siegwart
7 A Sense of the World
Essays on Fiction, Narrative, and Knowledge
Edited by John Gibson, Wolfgang Huemer, and Luca Pocci
8 A Pragmatist Philosophy of Democracy
Robert B. Talisse
9 Aesthetics and Material Beauty
Aesthetics Naturalized
Jennifer A. McMahon
10 Aesthetic Experience
Edited by Richard Shusterman and Adele Tomlin
11 Real Essentialism
David S. Oderberg
12 Practical Identity and Narrative Agency
Edited by Catriona Mackenzie and Kim Atkins
13 Metaphysics and the Representational Fallacy
Heather Dyke
14 Narrative Identity and Moral Identity
A Practical Perspective
Kim Atkins
15 Intergenerational Justice
Rights and Responsibilities in an Intergenerational Polity
Janna Thompson
16 Hillel Steiner and the Anatomy of Justice
Themes and Challenges
Edited by Stephen de Wijze, Matthew H. Kramer, and Ian Carter
17 Philosophy of Personal Identity and Multiple Personality
Logi Gunnarsson
18 The Force of Argument
Essays in Honor of Timothy Smiley
Jonathan Lear and Alex Oliver
19 Autonomy and Liberalism
Ben Colburn
20 Habermas and Literary Rationality
David L. Colclasure
21 Rawls, Citizenship, and Education
M. Victoria Costa
22 Objectivity and the Language-Dependence of Thought
A Transcendental Defence of Universal Lingualism
Christian Barth
23 Habermas and Rawls
Disputing the Political
Edited by James Gordon Finlayson and Fabian Freyenhagen
24 Philosophical Delusion and its Therapy
Outline of a Philosophical Revolution
Eugen Fischer
25 Epistemology and the Regress Problem
Scott F. Aikin
26 Civil Society in Liberal Democracy
Mark Jensen
27 The Politics of Logic
Badiou, Wittgenstein, and the Consequences of Formalism
Paul M. Livingston
28 Pluralism and Liberal Politics
Robert B. Talisse
29 Kant and Education
Interpretations and Commentary
Edited by Klas Roth and Chris W. Surprenant
30 Feminism, Psychoanalysis, and Maternal Subjectivity
Alison Stone
31 Civility in Politics and Education
Edited by Deborah S. Mower, Wade L. Robison
32 Philosophical Inquiry into Pregnancy, Childbirth, and Mothering
Maternal Subjects
Edited by Sheila Lintott and Maureen Sander-Staudt
33 Authenticity as an Ethical Ideal
Somogy Varga
34 The Philosophy of Curiosity
Ilhan Inan
35 Self-Realization and Justice
A Liberal-Perfectionist Defense of the Right to Freedom from Employment
Julia Maskivker
36 Narrative Identity, Autonomy, and Mortality
From Frankfurt and MacIntyre to Kierkegaard
John J. Davenport
37 Contemporary Feminist Pragmatism
Edited by Maurice Hamington and Celia Bardwell-Jones
38 Morality, Self Knowledge, and Human Suffering
An Essay on The Loss of Confidence in the World
Josep Corb
39 Contrastivism in Philosophy
Edited by Martijn Blaauw
40 Aesthetics After Metaphysics
From Mimesis to Metaphor
Miguel de Beistegui
Aesthetics After Metaphysics
From Mimesis to Metaphor
Miguel de Beistegui
First published 2012
by Routledge
711 Third Avenue, New York, NY 10017
Simultaneously published in the UK
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2012 Taylor & Francis
The right of Miguel de Beistegui to be identified as author of this work has been asserted by him in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark Notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Beistegui, Miguel de, 1966
Aesthetics after metaphysics : from mimesis to metaphor / by Miguel de Beistegui.
p. cm. (Routledge studies in contemporary philosophy ; 40)
Includes bibliographical references (p. 175) and index.
1. Aesthetics. 2. Metaphysics. 3. Metaphor. I. Title.
BH39.B38285 2012
111'.85dc23
2012006184
ISBN13: 978-0-415-53962-3 (hbk)
ISBN13: 978-0-203-10272-5 (ebk)
For John Sallis
Contents
Figures
All figures reproduced with the kind permission of the Chillida Foundation and family.
Introduction
Therefore, with respect to beauty and badness [ ], the imitator [ ] will neither know nor opine rightly about what he imitates... the imitator knows nothing worth mentioning about what he imitates; imitation is a kind of play and not serious; and those who take up tragic poetry in iambics and epics are all imitators in the highest possible degree
Plato, The Republic
Sometimes I am delighted by things being as they are, sometimes by their resemblance to something else. Sometimes understanding how things work weakens my desire for metaphor, sometimes the desire is sharpened by understanding how things work.
Edward St Aubyn, A Clue to the Exit
This book is about the possibility of extricating the question of art from its Platonic schema, and about the possibility of thinking the event of art outside the metaphysical concept of truth. It is also about the possibility, and indeed the challenge, of thinking metaphor in place of mimesis. Where does the desire for metaphor come from? Is metaphor a trope amongst others, or perhaps the trope that encompasses all tropes? Or is it something altogether differentnot a mere rhetorical figure, but a clue to how things work? Those questions already animated a previous work, devoted to Proust. In the same way that, in that earlier book, I argue that key developments in the natural sciences have pushed classical, Aristotelian metaphysics, and its consummation in Hegelian dialectics, out of its dogmatic sleep, I argue here that artnot, again, art as such, but a certain conception and practice of artforces aesthetics out of its dominant paradigm, referred to here as
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