• Complain

Richard Haven - Patterns of Consciousness; An Essay on Coleridge.

Here you can read online Richard Haven - Patterns of Consciousness; An Essay on Coleridge. full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 1969, publisher: Univ of Massachusetts Pr, genre: Science. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

No cover
  • Book:
    Patterns of Consciousness; An Essay on Coleridge.
  • Author:
  • Publisher:
    Univ of Massachusetts Pr
  • Genre:
  • Year:
    1969
  • Rating:
    4 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 80
    • 1
    • 2
    • 3
    • 4
    • 5

Patterns of Consciousness; An Essay on Coleridge.: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Patterns of Consciousness; An Essay on Coleridge." wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

Richard Haven: author's other books


Who wrote Patterns of Consciousness; An Essay on Coleridge.? Find out the surname, the name of the author of the book and a list of all author's works by series.

Patterns of Consciousness; An Essay on Coleridge. — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Patterns of Consciousness; An Essay on Coleridge." online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
title Patterns of Consciousness An Essay On Coleridge author - photo 1

title:Patterns of Consciousness; : An Essay On Coleridge
author:Haven, Richard.
publisher:University of Massachusetts Press
isbn10 | asin:0870230484
print isbn13:9780870230486
ebook isbn13:9780585272634
language:English
subjectColeridge, Samuel Taylor,--1772-1834--Criticism and interpretation.
publication date:1969
lcc:PR4484.H35eb
ddc:821/.7
subject:Coleridge, Samuel Taylor,--1772-1834--Criticism and interpretation.
Page iii
Patterns of Consciousness
An Essay on Coleridge
Richard Haven
Page iv Copyright 1969 by The University of Massachusetts Press All rights - photo 2
Page iv
Copyright 1969 by
The University of Massachusetts Press
All rights reserved
Standard Book Number 87023-048-4
Library of Congress Catalog Card
Number 78-76046
Set in Linotype Janson and Caslon types and printed in the United States of America
by Colonial Press Inc.
Designed by Richard Hendel
Page v
FOR JOSEPHINE
'animae dimidium meae'
Page vii
Preface
In his preface to A Grammar of Motives, Kenneth Burke speaks of a photograph of "two launches, proceeding side by side on a tranquil sea. Their wakes crossed and recrossed each other in almost an infinity of lines. Yet despite the intricateness of this tracery, the picture gave an impression of great simplicity, because one could quickly perceive the generating principle of its design." Many interpretations of human activity, which includes art, literature, and philosophy, might be described as attempts to put the launches, the "generating principle," in the picture and thereby to transform perplexing intricacy into intelligible pattern.
We need not argue over the infinity of lines. Scholarship delineates the tracery. But we do argue over the generative principle since, in most cases, more than one seems to 'work.' And since more than one 'works,' no one is 'right.' I see nothing amiss with this so long as the interpreter does not insist that what he uses for 'launches,' for a generative principle, is the only principle, is the ontological X, and that the infinity of lines is only and no more than his intelligible pattern. Those charts of colored dots used to test color blindness contain many figures, though each eye sees only one. As a man is, so he sees. This essay is an attempt to trace a figure which I see in Coleridge. I do not need, I trust, to continue to say that it is not the only figure, or the 'right' one, but only a figure, an intelligible pattern, which I see.
The pattern which I see in Coleridge's work is one which appears in his prose as well as in his poetry, and a substantial part of this book is devoted to a consideration of the development and character of
Page viii
some of his speculative ideas. I have not, however, included any comprehensive discussion of Coleridge's published prose works per se, and the reader will find that, while I have drawn on the published prose in various ways, I have relied much more heavily on notebooks, marginalia, and letters. This may seem to some readers a serious deficiency, and I should perhaps therefore explain that, since the 'generative principles' with which I am concerned have their origin in Coleridge's consciousness, in his own experience of 'being,' the notebooks, the marginalia, and the letters are, so to speak, closer to the point of origin than the works which he prepared for publication, and in which he was to some degree concerned to adapt his statements to what he conceived to be the demands of public comprehension. Coleridge liked to suggest that Plato and even Kant kept secret or revealed only to initiates their most profound and esoteric doctrines. Whatever shortcomings this suggestion may or may not have as applied to Plato or Kant, it reveals, I think, something about Coleridge.
Some parts of this essay derive from a dissertation written some years ago and I am indebted to Carlos Baker and the late R. P. Blackmur for their criticisms of that work. Other parts derive from my editing of Coleridge's voluminous marginalia on Jacob Boehme for the forthcoming Collected Coleridge and I owe a great deal both to Kathleen Coburn, the general editor of that monumental work, and to the editor of the "Collected Marginalia," George Whalley, for their generosity in sharing with me something of their great knowledge of Coleridge. This essay owes much to the careful and repeated reading of Robert F. Gleckner, some of whose suggestions I have adopted and some of whose criticisms I fear I have failed to meet. I am also indebted to the criticism of Peter Heller, Robert Tucker, and Leone Stein, who have all read the manuscript at one stage or another of its development. And I owe more than I can say to discussions over the years with G. Armour Craig, Robin Skelton, and Charles McDonald.
I wish to thank the Clarendon Press, Oxford, for permission to use material from E. L. Griggs's edition of The Collected Letters of Samuel Taylor Coleridge, and the Bollingen Foundation for permission to use material from The Notebooks of Samuel Taylor
Page ix
Coleridge, edited by Kathleen Coburn. I am further indebted to Miss Coburn for allowing me to read the proofs of the still unpublished third volume of her edition of the notebooks, and to Mr. Alwyne Coleridge and the Bollingen Foundation for permission to include extracts from this and from other still unpublished manuscript materials which will appear in forthcoming volumes of the Collected Coleridge. I also wish to thank the Journal of the History of Ideas for permission to incorporate in Chapter 3 parts of my article "Coleridge, Hartley, and the Mystics" which originally appeared in that journal. I am grateful to the Research Council of the University of Massachusetts for several grants-in-aid.
My obligations to the work of other scholars and critics of Coleridge is very great, and no doubt greater than I realize. But in view of the availability of bibliographies of modern scholarship and criticism, it seems both impractical and unnecessary to attempt to include here one more survey of existing views of the works and issues discussed in this essay. In a period in which critical and scholarly publication is so voluminous, it seems to me that the once traditional practice of trying to incorporate in each new discussion a compendium of what has preceded it becomes self-defeating, a case of the rolling stone gathering
Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Patterns of Consciousness; An Essay on Coleridge.»

Look at similar books to Patterns of Consciousness; An Essay on Coleridge.. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Patterns of Consciousness; An Essay on Coleridge.»

Discussion, reviews of the book Patterns of Consciousness; An Essay on Coleridge. and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.