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Katarzyna J. Cwiertka - Branding Japanese Food: From Meibutsu to Washoku

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Katarzyna J. Cwiertka Branding Japanese Food: From Meibutsu to Washoku
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Branding Japanese Food: From Meibutsu to Washoku: summary, description and annotation

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Branding Japanese Food is the first book in English on the use of food for the purpose of place branding in Japan. At the center of the narrative is the 2013 inscription of Washoku, traditional dietary cultures of the Japanese, notably for the celebration of New Year on UNESCOs Representative List of the Intangible Cultural Heritage of Humanity. The authors challenge the very definition of washoku as it was presented in the UNESCO nomination, and expose the multitude of contradictions and falsehoods used in the promotion of Japanese cuisine as part of the nation-branding agenda.
Cwiertka and Yasuhara argue further that the manipulation of historical facts in the case of washoku is actually a continuation of similar practices employed for centuries in the branding of foods as iconic markers of tourist attractions. They draw parallels with gastronomic meibutsu (famous products) and edible omiyage (souvenirs), which since the early modern period have been persistently marketed through questionable connections with historical personages and events. Today, meibutsu and omiyage play a central role in the travel experience in Japan and comprise a major category in the practices of gift exchange. Few seem to mind that the stories surrounding these foods are hardly ever factual, despite the fact that the stories, rather than the food itself, constitute the primary attraction. The practice itself is derived from the intellectual exercise of evoking specific associations and sentiments by referring to imaginary landscapes, known as utamakura or meisho. At first restricted to poetry, this exercise was expanded to the visual arts, and by the early modern period familiarity with specific locations and the culinary associations they evoked had become a fixed component of public collective knowledge.
The construction of the myths of meibutsu, omiyage, and washoku as described in this book not only enriches the understanding of Japanese culinary culture, but also highlights the dangers of tweaking history for branding purposes, and the even greater danger posed by historians remaining silent in the face of this irreversible reshaping of the past into a consumable product for public enjoyment.

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i Branding Japanese Food ii Series Editors Christine R Yano and - photo 1
i
Branding Japanese Food

ii

Series Editors Christine R Yano and Robert Ji-Song Ku This series - photo 2

Series Editors:

Christine R. Yano and Robert Ji-Song Ku

This series showcases new works focused on food in the Asia-Pacific region and its diasporic iterations, highlighting the commonalities that the area and cultures might bring to the subject. Books under this series are disciplinarily diverse, drawing from the fields of geography, sociology, anthropology, history, globalization studies, gender studies, science and technology studies, development studies, ethnic studies, and cultural studies. The Asia-Pacific region evokes particular global relationships and domestic infrastructurescenter-periphery, postcolonialism, imperialisms, and politicized imaginaries. The goal of the series is to bring food to bear in considering these relationships and infrastructures. We see a regional focusincluding the inherent mobility of transnational flows, migration, and global capitalism thereinas productive elements, rather than as reifying limitation. By bringing together books that have a general topic (food) and an area focus (Asia-Pacific), FAP locates mobility itself as the framework from which scholarship may enrich our understanding of this complexly globalized world.

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Copyright

2020 University of Hawaii Press
All rights reserved
Printed in the United States of America

25 24 23 22 21 20 6 5 4 3 2 1

Library of Congress Cataloging-in-Publication Data

Names: Cwiertka, Katarzyna Joanna, author. | Yasuhara, Miho.

Title: Branding Japanese food: from meibutsu to washoku / Katarzyna J. Cwiertka with Yasuhara Miho.

Other titles: Food in Asia and the Pacific.

Description: Honolulu: University of Hawaii Press, [2020] | Series: Food in Asia and the Pacific | Includes bibliographical references and index.

Identifiers: LCCN 2019020050 | ISBN 9780824881221 (cloth ; alk. paper), Amazon Kindle 9780824882686, EPUB 9780824882679, PDF 9780824882662

Subjects: LCSH: Food habitsJapanHistory. | Cooking, JapaneseHistory. | DietJapanHistory. | Branding (Marketing)Japan.

Classification: LCC GT2853.J3 C84 2020 | DDC 394.1/20952dc23

LC record available at https://lccn.loc.gov/2019020050

University of Hawaii Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources.

Cover art: Utagawa Hiroshige (17971858), Nissaka, from the series The Fifty-Three Stations of the Tkaid, published by Murataya Ichigor (Muraichi) in 1852. Collection Alan Medaugh, New York. Courtesy Alan Medaugh.

v
Contents
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vii
List of Illustrations and Tables
FIGURES

viii

PLATES

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MAPS
CHARTS
TABLES

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xi
Acknowledgments

The idea for this book was born sometime in 2014 during one of the Skype conversations the authors held on a regular basis to discuss a joint project they were working on. These casual conversations usually began with complaints about the bizarre developments following the inscription of Washoku, traditional dietary cultures of the Japanese, notably for the celebration of New Year on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity, which had occurred roughly a year earlier. While talking to one another we were relieved to be able to share our amazement and frustration at the fact that none of the prominent Japanese food historians we had respected for years had raised a voice against what, in our eyes at least, could be classified as the manipulation of historical facts. We decided to do something about it.

The Japanese-language manuscript in which we laid out the inconsistencies of washoku as it was presented in the UNESCO nomination was ready in the summer of 2015, but it proved quite difficult to find a suitable publisher. Some of those we had approached had expressed interest at first, but were quickly put off by the critical nature of the narrative. We are very grateful to Yasuki Takehito, the editor at Shinsensha, for his open-minded attitude, trust, and support for the project. Himerareta washokushi (The hidden history of washoku) was published by Shinsensha in September 2016.

Following Japanese convention we sent a copy of the book, with an accompanying personal greeting, to various respected food scholars whom we personally knew. Several returned the courtesy with a collegial congratulatory note. One scholar for whom we had particular respect sent us a lengthy e-mail outlining the inconsistencies in our argument and scolding xii us for not understanding how critical it was for Japanese cuisine to have washoku inscribed on the UNESCO list. However, none of this criticism was repeated in public. No book review crushing our argument appeared in the media. The book generated little publicity and never became a bestseller, but at least we had a clear conscience having let our voices be heard.

The English-language version of the book took another two years to complete, which was largely due to the expansion of its focus from washoku to a historical analysis of the branding of Japanese food more broadly. This required immersing ourselves in the topic of tourism in early modern Japanan entirely unfamiliar area for us but a subject that has been extensively studied for decades, primarily by historians and scholars of the visual arts. Navigating these uncharted waters was not easy, but the endeavor was made possible thanks to the generous help of Cwiertkas Leiden colleagues: Wim Boot, Mark Buijsters, Nadia Kreeft, Ewa Machotka, Doreen Mller, Guita Winkel, and, above all, Chris Uhlenbeck, whose advice proved particularly valuable. Chris was also extremely helpful, as was Ishikawa-sensei, in securing the copyrights for the images used in this volume. Research presented in was supported financially by the Netherlands Organisation for Scientific Research.

We are grateful to all the scholars who have offered us advice and suggestions in the course of completing this manuscript, including the University of Hawaii Presss anonymous reviewers. The professionalism and passion of our editor, Masako Ikeda, was like nothing we have ever experienced. And last but not least, the editorial assistance of Klarijn Anderson-Loven was outstanding, as always.

We sincerely hope that all these efforts have resulted in a book that will not only be informative but will also inspire the reader to ponder the vulnerability of our daily reality, which is increasingly being reshaped by all-encompassing branding.

xiii
Notes to the Reader

All Japanese words in this book have been indicated in italics, except for personal, geographical, and institutional names. Words that are considered to have entered the English language, such as sushi and daikon, are also set in roman type. Diacritical marks have been omitted in the names of major Japanese cities and the four main islands, except where these names appear in the titles of Japanese publications. Titles of artworks and publications are rendered in the original language at first occurrence, after which a translation and, at times, a shortened title in English are used. Japanese personal names are presented following the Japanese convention in which the family name precedes the given name, except for those Japanese authors whose works are mainly or exclusively published in English.

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