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Nicholas J. Kiersey - Battlestar Galactica and International Relations

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Nicholas J. Kiersey Battlestar Galactica and International Relations
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Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations. A growing number of scholars in and out of IR are studying the importance of cultural artifacts popular or otherwise for the phenomena that make up the core of our discipline.The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques, the fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship then, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be human. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalise a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded.This work will be of interest to student and scholars of international relations, popular culture and security studies.

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Battlestar Galactica and International Relations
Looking at a television franchise like Battlestar Galactica (BSG) is no longer news within the discipline of International Relations (IR). A growing number of scholars in and out of IR are studying the importance of cultural artefacts popular or otherwise for the phenomena that make up the core of our discipline.
The genre of science fiction offers the analyst an opportunity that cannot be matched by more mimetic genres, namely the chance to look at how sets of widely-circulating expectations of the social serve to constrain authors as they work to introduce as yet unexplored problematiques. The fantasy aspect in much of science fiction storytelling is premised simply on a material difference. As such, while the physical setting of a science fiction tale might appear novel, its imaginative life world will likely retain many elements of the world we already live in and which we can readily recognize as similar to our own. For Critical IR scholarship, BSG presents an opportunity to examine how these purported homologies or elements of redundancy between the fantastic and the real have been drawn and perhaps to consider, too, whether the show can teach us things about world politics, its various logics and structures, which we might not otherwise be sensitive to. Tackling some of the key contemporary issues in IR, the writers of BSG have taken on a range of important political themes and issues, including the legitimacy of military government, the tactical utility of genocide, and even the philosophical implications of artificial intelligence technologies for the very category of what it means to be human. The contributors in this book explore in depth the argument that one of the most important aspects of popular culture is to naturalize or normalize a certain social order by further entrenching the expectations of social behaviour upon which our mentalities of rule are founded.
This work will be of interest to student and scholars of international relations, popular culture and security studies.
Nicholas J. Kiersey is Assistant Professor in Political Science at Ohio University.
Iver B. Neumann is Research Director at the Norwegian Institute of International Affairs.
Popular culture and world politics
Edited by Matt Davies, Newcastle University;
Kyle Grayson, Newcastle University;
Simon Philpott, Newcastle University;
Christina Rowley, University of Bristol; and
Jutta Weldes, University of Bristol
The Popular Culture and World Politics (PCWP) book series is the forum for leading interdisciplinary research that explores the profound and diverse interconnections between popular culture and world politics. It aims to bring further innovation, rigor, and recognition to this emerging sub-field of international relations.
To these ends, the PCWP series is interested in various themes, from the juxtaposition of cultural artefacts that are increasingly global in scope and regional, local and domestic forms of production, distribution, and consumption, to the confrontations between cultural life and global political, social, and economic forces; to the new or emergent forms of politics that result from the rescaling or internationalization of popular culture.
Similarly, the series provides a venue for work that explores the effects of new technologies and new media on established practices of representation and the making of political meaning. It encourages engagement with popular culture as a means for contesting powerful narratives of particular events and political settlements as well as explorations of the ways that popular culture informs mainstream political discourse. The series promotes investigation into how popular culture contributes to changing perceptions of time, space, scale, identity, and participation while establishing the outer limits of what is popularly understood as political or cultural.
In addition to film, television, literature, and art, the series actively encourages research into diverse artefacts including sound, music, food cultures, gaming, design, architecture, programming, leisure, sport, fandom and celebrity. The series is fiercely pluralist in its approaches to the study of popular culture and world politics and is interested in the past, present, and future cultural dimensions of hegemony, resistance, and power.
Gender, Violence and Popular Culture
Telling stories
Laura J. Shepherd
Aesthetic Modernism and Masculinity in Fascist Italy
John Champagne
Genre, Gender and the Effects of Neoliberalism
The new millennium Hollywood rom com
Betty Kaklamanidou
Battlestar Galactica and International Relations
Edited by Nicholas J. Kiersey and Iver B. Neumann
Battlestar Galactica and International Relations
Edited by Nicholas J. Kiersey and Iver B. Neumann
Battlestar Galactica and International Relations - image 1
First published 2013
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Simultaneously published in the USA and Canada
by Routledge
711 Third Avenue, New York, NY 10017
Routledge is an imprint of the Taylor & Francis Group, an informa business
2013 for selection and editorial matter, Nicholas J. Kiersey and Iver B. Neumann; for individual chapters, the contributors.
The right of Nicholas J. Kiersey and Iver B. Neumann to be identified as editors of the editorial material, and of the authors for their individual chapters, has been asserted by them in accordance with the Copyright, Designs and Patent Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library
Library of Congress Cataloging-in-Publication Data
Battlestar Galactica and international relations / Iver B. Neumann and Nicholas J. Kiersey.
p. cm. (Popular culture and world politics)
Includes bibliographical references and index.
1. Battlestar Galactica (Television program : 20042009)
2. Television programsPolitical aspects. I. Neumann, Iver B. II. Kiersey, Nicholas J.
PN1992.77.B354B37 2013
791.4572dc23
2012029736
ISBN: 978-0-415-63281-2 (hbk)
ISBN: 978-0-203-07005-5 (ebk)
Typeset in Times New Roman
by Cenveo Publisher Services
Contents
8 Security or human security? Civilmilitary relations in Battlestar Galactica
Series editors preface
The fourth volume in the Popular Culture and World Politics series provides an opportune moment to reflect upon the aims and objectives of the series itself and how the study of popular culture is being incorporated into international studies. As an editorial team, we were initially interested in and remain interested in investigating how world politics is rendered through popular culture and how world politics shapes popular culture itself. The guiding assumption was that popular culture and world politics cannot be treated as separate spheres but rather must be seen as a continuum. As has been previously argued, each is implicated in the practices and understandings of the other (Grayson, Davies, and Philpott 2009: 158). Thus, a key aim for this series has been to provide a venue for the exploration of the contextual factors such as medium, audience, material distributions, political environments, and imaginaries that shape the breadth and depth of these implications.
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