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Otto Penzler - The Best American Crime Writing: 2003 Edition: The Years Best True Crime Reporting

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This years worth of the most powerful, the most startling, the smartest and most astute, in short, the best crime journalism. Scouring hundreds of publications, Otto Penzler and Thomas H. Cook have created a remarkable compilation containing the best examples of the most current and vibrant of our literary traditions: crime reporting.Included in this volume are Maximillian Potters The Body Farm from GQ, a portrait of Murray Marks, who collects dead bodies and strews them around two acres of the University of Tennessee campus to study their decomposition in order to help solve crime; Jay Kirks My Undertaker, My Pimp, from Harpers, in which Mack Moore and his wife, Angel, switch from run-ning crooked funeral parlors to establishing a brothel; Skip Hollandsworths The Day Treva Throneberry Disappeared from Texas Monthly, about the sudden disappearence of a teenager and the strange place she turned up; Lawrence Wrights The Counterterrorist from The New Yorker, the story of John ONeill, the FBI agent who tracked Osama bin Laden for a decadeuntil he was killed when the World Trade Center collapsed. Intriguing, entertaining, and compelling reading, Best American Crime Writing has established itself as a much-anticipated annual.

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CONTENTS THOMAS H COOK AND OTTO PENZLER PREFACE JOHN BERENDT - photo 1
CONTENTS THOMAS H COOK AND OTTO PENZLER PREFACE JOHN BERENDT - photo 2
CONTENTS

THOMAS H. COOK AND OTTO PENZLER
PREFACE

JOHN BERENDT
INTRODUCTION

PETER RICHMOND
BIG SHOT GQ

SKIP HOLLANDSWORTH
THE DAY TREVA THRONEBERRY DISAPPEARED
Texas Monthly

RENE CHUN
SEX, LIES, AND VIDEO CAMERAS Details

LAWRENCE WRIGHT
THE COUNTERTERRORIST
The New Yorker

JEFF TIETZ
THE BOY WHO LOVED TRANSIT
Harpers Magazine

MAXIMILLIAN POTTER
THE BODY FARM
GQ

JOSHUA HAMMER
HOW TWO LIVES MET IN DEATH
Newsweek

PAIGE WILLIAMS
THE ACCUSED
Atlanta Magazine

EVAN WRIGHT
MAD DOGS AND LAWYERS
Rolling Stone

ROBERT SAM ANSON
THE JOURNALIST AND THE TERRORIST
Vanity Fair

TOM JUNOD
THE TERRIBLE BOY
Esquire

ROBERT KURSON
THE BULLY OF TOULON
Chicago

JESSE KATZ
THE LAST RIDE OF JESSE JAMES HOLLYWOOD
Los Angeles Magazine

JAY KIRK
MY UNDERTAKER, MY PIMP
Harpers Magazine

MARIE BRENNER
THE ENRON WARS
Vanity Fair

DOUG MOST
DIRTY LITTLE SECRET
Boston Magazine

SEBASTIAN JUNGER
SLAVES OF THE BROTHEL
Vanity Fair

GARY COHEN
THE KEYSTONE KOMMANDOS
The Atlantic Monthly

DEVIN FRIEDMAN
MURDER ON THE AMAZON
Mens Journal

PETER LANDESMAN
A WOMANs WORK
The New York Times Magazine

PREFACE

As might be expected, American crime writing in 2002 was deeply influenced by the events of September 11, particularly in regard to the number of articles that dealt in one form or another with terrorism. There were investigations of the September 11 terrorists and of the societies from which they came. There was a race to second-guess anyone who might have been able to foresee or prevent the attack, as well as those who responded to it, both at the actual moment of the emergency and later, as the nation, and particularly the presidential administration, began first to formulate and then to implement its response. As a predictable result, American crime writing evidenced a distinct internationalism, with stories that took readers far beyond our shores in order to portray people and places we could ignore only at our peril.

The selection was large, as was the scope, and as editors we were challenged by both the magnitude and the quality of these offerings. Indeed, so much magazine and newspaper space was devoted in one way or another to the aftermath of September 11 that we easily could have produced a volume whose individual contributions dealt with nothing else. In the end, however, we chose those pieces that most focused on individuals, both terrorists and those who seek to bring them to justice, both suicide bomber and homicide victim.

We also felt that to concentrate on the events of September 11 would require that we ignore the wide variety of human feloniousness and malfeasance that last years collection so clearly established. Certainly, the cloud of September 11 hung heavily over American crime writers during the past year, but not so heavily as to obscure the fact that for the most part human beings, criminal and otherwise, either returned to their normal patterns of behavior with astonishing speed or had never really abandoned them.

Thus, during the year following September 11, Americans witnessed the usual caravan of malefactors, everything from the most highly paid business executives to the most humble connivers, from men whose greed knew no bounds to a woman who wished only to be someone else. September 11, for all its profound impact, could not in the least alter the ironclad reality of human frailty, nor its occasional transcendence. Buildings fell and lives were lost, but life itself, both social and individual, moved steadily onward along a wholly predictable continuum of noble and debased intent.

Consequently, within these pages, you will find a crusading brother, a determined journalist, and a renowned sports figure. You will find a hustler, a pimp, and a specialist in decaying flesh. You will find a terrible boy who seems hardly terrible at all, along with another such boy who became at last an equally terrible man. You will find cowardice and courage, honesty and trickery, people whose selfishness will astonish you, and others of measureless self-sacrifice. In short, you will find your fellow men and women in their depravity and in their glory, their bottomless capacity both to harm and to heal each other.

And so, more than anything, the distinguished writers of this years collection of Best American Crime Writing continue to demonstrate the dual nature of human potential, the good and the evil men and women can do. In the year following September 11, what could be more in keeping with our experience or more instructive in our ongoing need to balance fear with determination, freedom with security, faith with doubt, pessimism with hope, as our Founding Fathers did so many years ago, and thus by the darkest of visions fashioned the brightest of lands.

In terms of the nature and scope of this collection, we defined American crime reporting as any factual story involving crime written by an American or a Canadian and published in the United States or Canada during the calendar year 2002. We examined a very wide range of publications, which included all national and regional magazines and nearly two hundred so-called little magazines, reviews, and journals.

We welcome submissions by any writer, publisher, editor, or other interested party for Best American Crime Writing 2004. Please send a tear sheet with the name of the publication in which the submission appears, the date of publication, and if available, the address of the author. If first publication was in electronic format, a hard copy must be submitted. Only articles actually published with a 2003 publication date are eligible. All submissions must be made by December 31, 2003, and should be sent to Otto Penzler, The Mysterious Bookshop, 129 West 56th Street, New York, NY 10019. Those wishing verification that their submission was received should provide a self-addressed, stamped postcard or envelope. Submitted material cannot be returned.

Thomas H. Cook
Otto Penzler
New York
January 2003

INTRODUCTION

There was a time, pre-9/11, when you could read about crime with a certain detachment, as you would a novel or a short story. No matter how serious or frightening or infuriating the crime, reading about it was essentially a form of entertainment, because the criminals and their victims were generally at a comfortable remove from you, the reader.

The sudden rise of terrorism has changed all that. As the weapons of choice among criminals have morphed from knives and guns (which kill individuals) into chemicals, germs, and atoms (which kill everybody), you the reader have suddenly become a possible victim. So reading about crimes has taken on somewhat greater immediacy, at least when the subject is terrorismand it often is these days.

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