Dylan van der Schyff - Musical Bodies, Musical Minds: Enactive Cognitive Science and the Meaning of Human Musicality
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Musical Bodies, Musical Minds offers an innovative account of human musicality that draws on recent developments in embodied cognitive science. The authors explore musical cognition as a form of sense-making that unfolds across the embodied, environmentally embedded, and sociomaterially extended dimensions that compose the enactment of human worlds of meaning. This perspective enables new ways of understanding musical experience, the development of musicality in infancy and childhood, musics emergence in human evolution, and the nature of musical emotions, empathy, and creativity.
Developing their account, the authors link a diverse array of ideas from fields including neuroscience, theoretical biology, psychology, developmental studies, social cognition, and education. Drawing on these insights, they show how dynamic processes of adaptive body-brain-environment interactivity drive musical cognition across a range of contexts, extending it beyond the personal (inner) domain of musical agents and out into the material and social worlds they inhabit and influence. An enactive approach to musicality, they argue, can reveal important aspects of human being and knowing that are often lost or obscured in the modern technologically driven world.
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Musical Bodies, Musical Minds
Enactive Cognitive Science and the Meaning of Human Musicality
Dylan van der Schyff, Andrea Schiavio, and David J. Elliott
The MIT Press
Cambridge, Massachusetts
London, England
2022 Massachusetts Institute of Technology
This work is subject to a Creative Commons CC-BY-NC-ND license.
Subject to such license, all rights are reserved.
The MIT Press would like to thank the anonymous peer reviewers who provided comments on drafts of this book. The generous work of academic experts is essential for establishing the authority and quality of our publications. We acknowledge with gratitude the contributions of these otherwise uncredited readers.
This book was set in Stone Serif and Stone Sans by Westchester Publishing Services. Printed and bound in the United States of America.
Library of Congress Cataloging-in-Publication Data
Names: Van der Schyff, Dylan, 1970 author. | Schiavio, Andrea, author. | Elliott, David J. (David James), 1948
Title: Musical bodies, musical minds : enactive cognitive science and the meaning of human musicality / Dylan van der Schyff, Andrea Schiavio, and David J. Elliott.
Description: Cambridge : The MIT Press, 2022. | Includes bibliographical references and index.
Identifiers: LCCN 2021045986 | ISBN 9780262045223 (paperback)
Subjects: LCSH: MusicPsychological aspects. | Cognitive psychology. | Cognition.
Classification: LCC ML3830 .V36 2022 | DDC 781.1/1dc23
LC record available at https:// lccn .loc .gov /2021045986
10987654321
d_r0
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The collection of ideas, arguments, and insights contained in Musical Bodies, Musical Mindsis the result of almost a decades collaboration between its three authors. The book reflects our backgrounds as musical performers and music educators, as well as our interests as scholars. As such, Musical Bodies, Musical Mindsdevelops a perspective on human musicality that integrates knowledge from across a range of domains, including the cognitive and biological sciences, developmental studies, pedagogical theory, affective science, philosophical traditions, various branches of music research, and more. In line with this, we hope that Musical Bodies, Musical Mindswill contribute to the interdisciplinary orientation that characterizes current musicology and especially to scholarship that explores the embodied and ecological dimensions of musical perception, cognition, and practice. This research area has produced a number of inspiring books, including Eric Clarkes Ways of Listening(2005), David Borgos Sync or Swarm(2005), Marc Lemans Embodied Music Cognition(2007), Arnie Coxs Music and Embodied Cognition(2016), Jonathan De Souzas Music at Hand(2017), Simon Hffdings A Phenomenology of Musical Absorption(2018), Mariuz Kozaks Enacting Musical Time(2019), and Mark Reybroucks Musical Sense-Making(2020). These texts connect in various ways with the account we offer in Musical Bodies, Musical Minds. However, to our knowledge, Musical Bodies, Musical Mindsis the first monograph fully dedicated to developing a comprehensive enactive/4E view of human musicality.
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