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Thomas K. Hervey - The Book of Christmas

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The Book of Christmas frontispiece Christmas and His Children Title page - photo 1
The Book of Christmas

frontispiece Christmas and His Children.

Title page

Some say, that ever 'gainst that season comes
Wherein our Saviour's birth is celebrated,
This bird of dawning singeth allnight long.
Shakspeare.
BOSTON:
ROBERTS BROTHERS.
1888.

THE
Book of Christmas ;
DESCRIPTIVE OF THE
CUSTOMS, CEREMONIES, TRADITIONS,
SUPERSTITIONS, FUN, FEELING, AND FESTIVITIES OF
Title The Christmas Season

By THOMAS K. HERVEY.

WITH ILLUSTRATIONS BY R. SEYMOUR.
man and woman carrying boxes on their backs Galantee Show.

BOSTON:
ROBERTS BROTHERS.
1888.

University Press:
John Wilson and Son, Cambridge.

CONTENTS.
PAGE
Introductory Chapter

Part First.
The Christmas Season
Mingled Origin of the Christmas Festival; Good Cheer of the Ancient Festival; Court Celebrations of Christmas; Celebrations at the Inns of Court; Lord of Misrule and Christmas Prince; Abbot of Unreason; Influence of the Festival on the Social Relations; Ben Jonson's Masque of Christmas; Father Christmas summoning his Spirits; Extinction of the Ancient Festival; Partial Revival; Summary of the Causes of its final Decline.
Feelings of the Season
Domestic Preparations; Mince Pie; Travellers on the Highways; coming Home from School; Norfolk Coach; Evergreens for Christmas Decoration; Kissing under the Mistletoe; Christmas Minstrelsy; Waits; Carol Singing; Christmas Carols; Annual Carol Sheets; London Carol Singers; Bellman.

Part Second.
The Christmas Days
St. Thomas's Day
Various Country Customs on this day; St. Thomas's Day in London; City Parochial Elections; Lumber Troop and other City Associations.
Sports of this Season
Ancient Jugglers; Galantee Show; Card Playing; Ancient Bards and Harpers; Modern Story-telling and Music; out-door Sports of the Season; Theatre and Pantomime; Mummers; Play of St. George.
Christmas Eve
London Markets on Christmas Eve; the Yule-clog; Christmas Candles; Wassail Bowl; Omens and Superstitions; Old Christmas Eve; Midnight Mass.
Christmas Day
Religious Services; Plum Pudding; Charities of the Season; Old English Gentleman; Ancient Baronial Hall; Bringing in the Boar's Head; Modern Christmas Dinner.
St. Stephen's Day
Boxing Day (origin of the name); Christmas-boxes; Christmas Pieces; Hunting the Wren (Isle of Man); Droleens, or Wren Boys (Ireland); Greek Songs of the Crow and Swallow.
New Year's Eve
Scottish Observances; Night of Omens; Hogmanay; Seeing-in the New Year.
New Year's Day
Morning Congratulations; New-Year's Gifts.
Twelfth Day and Twelfth Night
Observances on the Virgil of the Epiphany; Humors of the Street; Twelfth Night Party; Twelfth Cake; Drawing for Characters; Three Kings of Cologne.
Saint Distaff's Day
Rustic Sports.

LIST OF ILLUSTRATIONS.
PAGE
Christmas and his Children
The Book of Christmas
" Merry Christmas to you "
Snap-dragon
Baronial Hall
Enjoying Christmas
Mummers
Gate of the "Old English Gentleman"
Family Congratulation
Country Carol Singers
Coming Home from School
Norfolk Coach at Christmas
Too late for the Coach
Bringing Home Christmas
The Mistletoe Bough
Waits
London Carol Singers
Bell-Ringing
The Lord of Misrule
Christmas Presents
St. Thomas's Day
Story Telling
Christmas Pantomime
Galantee Show
MarketChristmas Eve
Wassail Bowl
Old Christmas
Christmas Pudding
Country Church, Christmas Morning
Bringing in the Boar's Head
Christmas Dinner
Boxing Day
Seeing-in the New Year
Twelfth Night King
Twelfth Night in London Streets
Twelfth Night
Returning to School

THE BOOK OF CHRISTMAS.

INTRODUCTORY CHAPTER.
We take no note of time
But from its loss; to give it, then, a tongue
Is wise in man.
Dr. Young.
To give a language to time, for the preservation of its records and the utterance of its lessons, has been amongst the occupations of man from the day when first he found himself in its mysterious presence down to these latter ages of the world; and yet, all the resources of his ingenuity, impelled by all the aspirations of his heart, have only succeeded in supplying it with an imperfect series of hieroglyphics, difficult in their acquirement and uncertain in their use. Ages upon ages of the young world have passed away, of which the old hath no chronicle. Generations after generations of men have "made their bed in the darkness," and left no monuments. Of the crowded memorials reared by others along the stream of time, many (and those the mightiest) are written in a cipher of which the key is lost. The wrappings of the mummy are letters of a dead language; and no man can translate the ancient story of the pyramid!
We have learnt to speak of time, because it is that portion of eternity with which we have presently to do,as if it were a whit more intelligible (less vague, abstract, and unimaginable) than that eternity of which it is a part. He who can conceive of the one, must be able to embrace the awful image of the other. We think of time as of a section of eternity, separated and intrenched by absolute limits; and thus we seem to have arrived at a definite idea, surrounded by points on which the mind can rest. But when the imagination sets out upon the actual experiment, and discovers that those limits are not assignable, save on one only side, and finds but a single point on which to rest its failing wing, and looks from thence along an expanse whose boundaries are nowhere else within the range of its restricted vision,then does the mortal bird return into its mortal nest, wearied with its ineffectual flight, and convinced that a shoreless ocean and one whose shores it cannot see are alike formless and mysterious to its dim and feeble gaze.
And yet notwithstanding the connection of these two ideas,of time and of eternity,(the notion of the former being only reached through the latter) we deal familiarly, and even jestingly, with the one, while the mind approaches the other with reverential awe. Types, and symbols, and emblemsand those ever of a grave meaningare the most palpable expressions which we venture to give to our conceptions of the one; whilst the other we figure and personify,and that, too often, after a fashion in which the better part of the moral is left unrepresented. Yet who shall personify time? And who that has ever tried it, in the silence of his chamber and the stillness of his heart, hath not bowed down in breathless awe before the solemn visions which his conjuration has awakened? Oh, the mysterious shapes which Time takes, when it rises up into the mind as an image, at those hours of lonely inquisition!"And he said unto her, 'What form is he of?' And she said, 'An
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