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Craig Packer - Lions in the Balance: Man-Eaters, Manes, and Men with Guns

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Craig Packer Lions in the Balance: Man-Eaters, Manes, and Men with Guns
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Lions in the Balance: Man-Eaters, Manes, and Men with Guns: summary, description and annotation

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If you are a morani (warrior), you have your spear at the readyyou could be the hero, but you will have to wait until the morning light before you can go out and prove yourself. If it is a lion, you want to be the first to spear itand if the lion turns on you, make sure it mauls you on your chest or stomach, on your face, shins, or throat. Any place where you can show your scars with pride, show the incontrovertible evidence of courage. A scar on your back would be a permanent reminder of cowardice, an ineradicable trace of shame.
Monsters take many forms: from man-eating lions to the people who hunt them, from armed robbers to that midnight knock at the door of a cheap hotel room in Dar es Salaam. And celebrated biologist Craig Packer has faced them all. Head on.
With Lions in the Balance, Packer takes us back into the complex, tooth-and-claw world of the African lion, offering revealing insights into both the lives of one of the most iconic and dangerous animals on earth and the very real risks of protecting them. A sequel to his prize-winning Into Africawhich gave many readers their first experience of fieldwork in Africa, of cooperative lions on dusty savannas, and political kidnappings on the shores of Lake Tanganyikathis new diary-based chronicle of cutting-edge research and heartbreaking corruption will both alarm and entertain. Packers story offers a look into the future of the lion, one in which the politics of conservation will require survival strategies far more creative and powerful than those practiced anywhere in the world today.
Packer is sure to infuriate millionaires, politicians, aid agencies, and conservationists alike as he minces no words about the problems he encounters. But with a narrative stretching from far flung parts of Africa to the corridors of power in Washington, DC, and marked by Packers signature humor and incredible candor, Lions in the Balance is a tale of courage against impossible odds, a masterly blend of science, adventure, and storytelling, and an urgent call to action that will captivate a new generation of readers.

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Lions in the Balance Lions in the Balance Man-Eaters Manes and Men with Guns - photo 1
Lions in the Balance
Lions in the Balance
Man-Eaters, Manes, and Men with Guns

Craig Packer

The University of Chicago Press

Chicago and London

Craig Packer is professor of ecology, evolution, and behavior and director of the Lion Research Center at the University of Minnesota. He is the author of Into Africa, also published by the University of Chicago Press.

The University of Chicago Press, Chicago 60637

The University of Chicago Press, Ltd., London

2015 by The University of Chicago

All rights reserved. Published 2015.

Printed in the United States of America

24 23 22 21 20 19 18 17 16 15 1 2 3 4 5

ISBN-13: 978-0-226-09295-9 (cloth)

ISBN-13: 978-0-226-09300-0 (e-book)

DOI: 10.7208/chicago/9780226093000.001.0001

Library of Congress Cataloging-in-Publication Data

Packer, Craig, author.

Lions in the balance : man-eaters, manes, and men with guns / Craig Packer.

pages ; cm

ISBN 978-0-226-09295-9 (cloth : alk. paper) ISBN 978-0-226-09300-0 (e-book) 1. LionConservationTanzaniaSerengeti National Park. 2. LionEcologyTanzaniaSerengeti National Park. 3. LionConservation. 4. LionEcology. 5. Packer, CraigDiaries. I. Title.

QL737.C23P32 2015

599.7570967827dc23

2014049420

This paper meets the requirements of ANSI/NISO Z39.481992 (Permanence of Paper).

Both bad and good, and much of both, must be borne in a lifetime spent on this earth in these anxious days.

Beowulf, ca. 1010

And it seemed as though in a little while the solution would be found, and then a new and splendid life would begin; and it was clear... that they had still a long, long road before them, and that the most complicated and difficult part of it was only just beginning.

Anton Chekhov, 1899

Contents
Nairobi, December 1999

The night had been cool, and Susan was lying curled on her side, our backs touching under the coffee-colored comforter. The yellow morning light filtered through the curtains; the sun was already up, but it was still early. We were in Barbie Allens house in a leafy green neighborhood called Spring Valley. Barbies father was a first-generation settler from the United Kingdom; he had been given land by the colonial government for service in World War One, and Barbie had famously retrieved a pistol from underneath her pillow and chased off an intruder after being shot in the arm during the Mau Mau Rebellion of the early 1950s. For the past twenty years, Barbie had graciously hosted my family whenever we passed through Nairobi.

Spring Valley is one of the poshest parts of Nairobi; most homes are surrounded by high walls and guarded by Kenyans in security uniforms. Barbie has lived here for thirty years; she only has one night watchman, who goes off duty when her African cook starts work first thing in the morning. Her picture-windowed living room is decorated with landscape paintings, and her shelves are filled with hundreds of books on wildlife and Africana.

Susan and I were sleeping in one of the downstairs bedrooms; a few birds chirped in the trees outside, but the morning was otherwise quiet.

Barbie called from the hallway, Craig, theres trouble.

I rose quickly, pulling on my clothes, and started toward the door. Susan sat up, covering herself with the comforter, and asked, Whats wrong?

Before I could answer, Barbie and her cook were pushed into the bedroom by two men with guns.

I can clearly recall Barbies expression of anger and frustration, her cooks frightened resignation, Susans cowering behind the covers, and the two pistols pointed straight at us. But of the following few moments, all that remains was the one impotent thought: Dont kid yourself; you have no idea what is going to happen next. You have no idea. Dont kid yourself.

The two men wanted our valuables. And there was nothing more important in that moment than making sure they got every scrap of value in the room. Placate them. Win them over. Keep everyone alive.

Standing a foot taller than the cook and the two thugs, I was the obvious focal point. Any attempt at heroism would be in my handsbut my hands were empty, and they had guns, so I avoided looking them in the face and tried to make myself seem as small as possible.

I handed them the Pelican case with the video camera from the Discovery Channel (Send us any footage that you take of your lions or the Serengeti. But Ill be on my honeymoon and working with my students... Thats, OK, they persisted, anything interesting you see...). I hand over my own camera in its case along with our passports and all our cash.

Placate them, win them over: Here is our money as well as our camera.

Susan was confused at first, pushing a gun away from her face, thinking they were the law and she was being taken as a criminal. But now she is starting to panic.

Barbie, angrier than Ive ever seen, scolds the gunmen, This is her first trip to Africa!

One of the men has worn a nasty scowl since first entering the room. He raises his pistol to Susans forehead and says, Welcome to Nairobi.

Just like a scene from Pulp Fiction.

Barbie groans in disgust. The second crook focuses on the loot; he sees Susans new training shoes, starts looking around for a way to gather the goods.

I offer one of our suitcases.

It occurs to me that really only Mr. Psycho is intent on keeping us in line. The way he is holding his gun makes me want to get a better sideways look; maybe it is a dummy.

You have no idea; dont kid yourself.

They order Barbie and me to leave the room. Mr. Psycho escorts us out the door, leaving terrified, naked Susan alone with Mr. Loot.

Oh god, now they are going to rape my wife on our honeymoon, on her first day in Africa. This is Kenya during the height of the AIDS pandemic. I have to gain control; it is just Mr. Psycho and me for the moment, one-on-one.

But Mr. Loot suddenly appears with Susan; they had lagged behind long enough for her to get dressed and to assist him with our luggage; he wasnt interested in her, he never touched her, he just needed help opening the Pelican case.

Mr. Psycho asks, Where is a room with a lock?

They hustle us inside the downstairs bathroom; Barbie sits to my left on the edge of the tub and leans sideways against the sink; Susan sits to my right. I cant remember where the cook was at that point, maybe behind us in the bottom of the tub. Susan seems convinced this is where they will shoot us, the blood of four bodies running collectively down the drain; she rests her head on my lap and waits for the end.

The gunmen stand just outside the bathroom door; they are having some sort of discussion in KikuyuI have no idea what they are saying.

I ask Barbie to cool off and Susan to stay calm. I want them to keep their eyes down, stare directly at the floor. Im thinking that maybe if the raiders realize we couldnt recognize them in a lineup, theyll let us go. If they had wanted to kill us just for the fun of it, we would already be dead.

The robbers close the door from the outside before realizing that the door only locks from the inside. They wave us out into the hall, demanding a room that can be locked from the outside. Barbie leads us toward her bedroom upstairs. As she passes a light switch at the base of the stairs, she flicks a switchintending to activate the silent alarm but, instead, turning on the roof sirenRrrrrrrrrr.

Its OK, Barbie reassures them, I do that all the time; it only blew for a second. No one ever comes.

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