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Katalin Makkai - Vertigo

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Katalin Makkai Vertigo
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Vertigo: summary, description and annotation

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Released in 1958, Vertigo is widely regarded as Alfred Hitchcocks masterpiece and one of the greatest films of all time. This is the first book devoted to exploring the philosophical aspects of Vertigo. Following an introduction by the editor that places the film in context, each chapter reflects upon Hitchcocks film from a philosophical perspective. Topics discussed include:

  • memory, loss, memorialisation, and creativity
  • mimetic or representational art and art as magic
  • the nature of romantic love
  • gender, sexual objectification, and identity
  • looking, the gaze, and voyeurism
  • film and psychoanalysis
  • fantasy, illusion, and reality
  • the phenomenology of colour.

Including annotated further reading at the end of each chapter, this collection is essential reading for anyone interested in Vertigo, and an ideal resource for students of film and philosophy.

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Vertigo

Released in 1958, Vertigo is widely regarded as Alfred Hitchcock s masterpiece and one of the greatest films of all time. This is the first book devoted to exploring the philosophical aspects of Vertigo . Following an introduction by the editor that places the film in context, each chapter reflects upon Hitchcock s film from a philosophical perspective. Topics discussed include:

  • memory, loss, memorialization, and creativity
  • mimetic or representational art and art as magic
  • the nature of romantic love
  • gender, sexual objectification, and identity
  • looking, the gaze, and voyeurism
  • film and psychoanalysis
  • fantasy, illusion, and reality
  • the phenomenology of color.

Including annotated further reading at the end of each chapter, this collection is essential reading for anyone interested in Vertigo , and an ideal resource for students of film and philosophy.

Contributors: Nol Carroll, Eli Friedlander, Gregg M. Horowitz, Andrew Klevan, Katalin Makkai, Nickolas Pappas, William Rothman, and Charles Warren.

Katalin Makkai is Junior Professor of Philosophy at ECLA of Bard, Berlin (Germany). She is the author of Kant on Recognizing Beauty, which appeared in the European Journal of Philosophy .

Philosophers on Film

In recent years, the use of film in teaching and practicing philosophy has moved to center stage. Film is increasingly used to introduce key topics and problems in philosophy, from ethics and aesthetics to epistemology, metaphysics, and philosophy of mind. It is also acknowledged that some films raise important philosophical questions of their own. Yet until now, dependable resources for teachers and students of philosophy using film have remained very limited. Philosophers on Film answers this growing need and is the first series of its kind.

Each volume assembles a team of international contributors to explore a single film in depth, making the series ideal for classroom use. Beginning with an introduction by the editor, each specially-commissioned chapter will discuss a key aspect of the film in question. Additional features include a biography of the director and suggestions for further reading.

Philosophers on Film is an ideal series for students studying philosophy and film, aesthetics, and ethics, and for anyone interested in the philosophical dimensions of cinema.

Available

  • Talk to Her , edited by A. W. Eaton
  • The Thin Red Line , edited by David Davies
  • Memento , edited by Andre Kania
  • Eternal Sunshine of the Spotless Mind , edited by Christopher Grau
  • Fight Club , edited by Thomas Wartenberg

Forthcoming

  • Blade Runner , edited by Amy Coplan
  • Mulholland Drive , edited by Zina Giannopoulou
Vertigo

Edited by

Katalin Makkai

First published 2013 by Routledge 2 Park Square Milton Park Abingdon - photo 1

First published 2013
by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN

Simultaneously published in the USA and Canada
by Routledge
711 Third Avenue, New York, NY 10017

Routledge is an imprint of the Taylor & Francis Group, an informa business

2013 Katalin Makkai for selection and editorial matter;
individual contributors for their contributions.

The right of the editor to be identified as the author of the
editorial material, and of the authors for their individual chapters,
has been asserted in accordance with sections 77 and 78 of the
Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.

Trademark notice : Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.

British Library Cataloguing in Publication Data
A catalogue record for this book is available from the British Library

Library of Congress Cataloging in Publication Data
Vertigo/edited by Katalin Makkai.

p. cm. (Philosophers on film)

Includes bibliographical references and index.

Vertigo (Motion picture: 1958) 2. Hitchcock, Alfred, 18991980Criticism and interpretation. I. Makkai, Katalin.

PN1997.V479V47 2013

791.4372dc232012021669

ISBN: 978-0-415-49446-5 (hbk)
ISBN: 978-0-415-49447-2 (pbk)
ISBN: 978-0-203-10057-8 (ebk)

Typeset in Joanna
by Florence Production, Stoodleigh, Devon, UK

Contents

Katalin Makkai

Nickolas Pappas

William Rothman

Nol Carroll

Charles Warren

Gregg M. Horowitz

Katalin Makkai

Eli Friedlander

Andrew Klevan

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