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Edith Hamilton - The Greek Way

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Edith Hamilton The Greek Way
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The aim of this work is not a history of events but an account of the achievement and spirit of Greece.

Five hundred years before Christ in a little town on the far western border of the settled and civilizaed world, a strange new power was at work. . . . Athens had entered upon her brief and magnificent flowering of genius which so molded the world of mind and of spirit that our mind and spirit today are different. . . . What was then produced of art and of thought has never been surpasses and very rarely equalled, and the stamp of it is upon all the art and all the thought of the Western world.
A perennial favorite in many different editions, Edith Hamiltons best-selling The Greek Way captures the spirit and achievements of Greece in the fifth century B.C. A retired headmistress when she began her writing career in the 1930s, Hamilton immediately demonstrated a remarkable ability to bring the world of ancient Greece to life, introducing that world to the twentieth century. The New York Times called The Greek Way a book of both cultural and critical importance.

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The GREEK WAY

BOOKS BY EDITH HAMILTON

The Greek Way

The Roman Way

Three Greek Plays

Mythology

Witness to the Truth

Spokesmen for God

The Echo of Greece

The Ever-Present Past

The GREEK WAY
Edith Hamilton

W W Norton & Company

New York London

Published as a Norton 1964, 1983; reissued 1993
All rights reserved

Copyright 1930, 1943 W. W. Norton & Company, Inc.
Copyright renewed 1958 by Edith Hamilton

Library of Congress Cataloging-in-Publication Data
Hamilton, Edith, 18671963.
The Greek way / Edith Hamilton.
p. cm.
Includes bibliographical references.
ISBN: 978-0-393-31077-1
1. GreeceCivilizationTo 146 B.C . 2. Greek literatureHistory and criticism.
I. Title.
DF77.H34 1994
938dc20 938330

W. W. Norton & Company, Inc.
500 Fifth Avenue, New York, N.Y. 10110
www.wwnorton.com

W. W. Norton & Company Ltd.
Castle House, 75/76 Wells Street, London W1T 3QT

TO
DORIS FIELDING REID
KonPicture 1v Picture 2Picture 3Picture 4v Picture 5wv

CONTENTS
PREFACE

The first edition of The Greek Way was an incomplete work. A number of the writers of the great age of Greece were discussed in it, but others quite as notable and important were omitted. The result was a picture of Greek thought and art at the time of their highest achievement with some of the very greatest thought and art left out; the poet Pindar, for instance, put by the Greeks themselves in the same class with schylus; the two historians, Herodotus and Thucydides, still foremost among the historians of the world. There cannot, indeed, be any real perception of the breadth and depth and splendor of the intellectual life in fifth-century Athens without some knowledge of Herodotus with his keen curiosity and warm humanity, and the profundity of thought and somber magnificence of Thucydides.

The present volume has made good the former omissions. All the writers of the Periclean age are considered.

I have felt while writing these new chapters a fresh realization of the refuge and strength the past can be to us in the troubled present. Let us keep our silent sanctuaries, Snancour wrote, for in them the eternal perspectives are preserved. Religion is the great stronghold for the untroubled vision of the eternal; but there are others too. We have many silent sanctuaries in which we can find a breathing space to free ourselves from the personal, to rise above our harassed and perplexed minds and catch sight of values that are stable, which no selfish and timorous preoccupations can make waver, because they are the hard-won and permanent possession of humanity. Excellence, said Aristotle, much labored for by the race of men.

When the world is storm-driven and the bad that happens and the worse that threatens are so urgent as to shut out everything else from view, then we need to know all the strong fortresses of the spirit which men have built through the ages. The eternal perspectives are being blotted out, and our judgment of immediate issues will go wrong unless we bring them back. We can do so only, Socrates said in the last talk before his death, when we seek the region of purity and eternity and unchangeableness, where when the spirit enters, it is not hampered or hindered, but ceases to wander in error, beholding the true and divine (which is not matter of opinion.)

A great French scholar of the last century said to his class at the Collge de France shortly after Sedan and the triumphant occupation of Paris by the German army:

Gentlemen, as we meet here today we are in a free country, the republic of letters, a country which has no national boundaries, where there is neither Frenchman nor German, which knows no prejudice nor intolerance, where one thing alone is valued, truth in all her manifold aspects. I propose to study with you this year the works of the great poet and thinker, Goethe.

How noble and how tranquilizing. The eternal perspectives open out, clear and calm. Intolerance, hatredhow false they look and how petty.

Beyond the last peaks and all seas of the world stands the serene republic of what Plato calls the fair and immortal children of the mind. We need to seek that silent sanctuary to-day. In it there is one place distinguished even above the others for sanity and balance of thoughtthe literature of ancient Greece.

Greece and her foundations are

Built below the tide of war,

Based on the crystalline sea

Of thought and its eternity.

The GREEK WAY
East and West

Five hundred years before Christ in a little town on the far western border of the settled and civilized world, a strange new power was at work. Something had awakened in the minds and spirits of the men there which was so to influence the world that the slow passage of long time, of century upon century and the shattering changes they brought, would be powerless to wear away that deep impress. Athens had entered upon her brief and magnificent flowering of genius which so molded the world of mind and of spirit that our mind and spirit to-day are different. We think and feel differently because of what a little Greek town did during a century or two, twenty-four hundred years ago. What was then produced of art and of thought has never been surpassed and very rarely equalled, and the stamp of it is upon all the art and all the thought of the Western world. And yet this full stature of greatness came to pass at a time when the mighty civilizations of the ancient world had perished and the shadow of effortless barbarism was dark upon the earth. In that black and fierce world a little centre of white-hot spiritual energy was at work. A new civilization had arisen in Athens, unlike all that had gone before.

What brought this new development to pass, how the Greeks were able to achieve all they did, has significance for us to-day. It is not merely that Greece has a claim upon our attention because we are by our spiritual and mental inheritance partly Greek and cannot escape if we would that deep influence which worked with power through the centuries, touching with light of reason and grace of beauty the wild Northern savages. She has a direct contribution for us as well. The actual Greek remains are so few and so far away, so separated from us by space and a strange, difficult language, they are felt to be matters for the travellers and the scholars and no more. But in truth what the Greeks discovered, or rather how they made their discoveries and how they brought a new world to birth out of the dark confusions of an old world that had crumbled away, is full of meaning for us to-day who have seen an old world swept away in the space of a decade or two. It is worth our while in the confusions and bewilderments of the present to consider the way by which the Greeks arrived at the clarity of their thought and the affirmation of their art. Very different conditions of life confronted them from those we face, but it is ever to be borne in mind that though the outside of human life changes much, the inside changes little, and the lesson-book we cannot graduate from is human experience. Great literature, past or present, is the expression of great knowledge of the human heart; great art is the expression of a solution of the conflict between the demands of the world without and that within; and in the wisdom of either there would seem to be small progress.

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