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Gingher - Amazing place : what North Carolina means to writers

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Some of us understand place in terms of family and community, landscape, or even the weather. For others, the idea of place becomes more distinct and particular: the sound of someone humming while washing dishes, the musical cadence of a mountain accent, the smell of a tobacco field under the hot Piedmont sun. Some of North Carolinas finest writers ruminate on the meaning of place in this collection of twenty-one original essays, untangling North Carolinas influence on their work, exploring how the idea of place resonates with North Carolinians, and illuminating why the state itself plays such a significant role in its own literature.
Authors from every region of North Carolina are represented, from the Appalachians and the Piedmont to the Outer Banks and places in between. Amazing Place showcases a mix of familiar favorites and newer voices, expressing in their own words how North Carolina shapes the literature of its people.
Contributors include Rosecrans Baldwin, Will Blythe, Belle Boggs, Fred Chappell, Jan DeBlieu, Pamela Duncan, Clyde Edgerton, Ben Fountain, Marianne Gingher, Judy Goldman, Stephanie Elizondo Griest, Randall Kenan, Jill McCorkle, Michael McFee, Lydia Millet, Robert Morgan, Jenny Offill, Michael Parker, Bland Simpson, Lee Smith, Wells Tower, and Monique Truong.

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Amazing Place

Amazing Place

What North Carolina Means to Writers

Edited by Marianne Gingher The University of North Carolina Press Chapel - photo 1

Edited by

Marianne Gingher

The University of North Carolina Press
Chapel Hill

This book was published with the assistance of the Blythe Family Fund of the University of North Carolina Press.

2015 The University of North Carolina Press
All rights reserved
Designed by Kimberly Bryant and set in Miller by Rebecca Evans
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. The University of North Carolina Press has been a member of the Green Press Initiative since 2003.

Cover and interior illustrations by Alyssa DAvanzo

Library of Congress Cataloging-in-Publication Data
Amazing place: what North Carolina means to writers / edited by Marianne Gingher.
pages cm
ISBN 978-1-4696-2239-2 (pbk: alk. paper)
ISBN 978-1-4696-2240-8 (ebook)
1. Authors, AmericanHomes and hauntsNorth Carolina. 2. Place (Philosophy) in literature. 3. North CarolinaIn literature. I. Gingher, Marianne, editor.
PS266.N8A43 2015 810.99756dc23
2014026607

For my sons,

RODERICK AND SAM,

and for my brothers,

MARK, DAVID, AND JOHN,

mostly North Carolinians by birth, and all, by heart

Contents
Acknowledgments

This book was actually the brainchild of Zach Read, a former editor at UNC Press, and I am grateful to him for his early enthusiasm and persistence in seeing the project launched. I hope hell be pleased with the end result. A plenitude of gratitude goes to my editor, Mark Simpson-Vos, whose patient steerage, sharp insights, and suggestions improved the manuscript in every way; to Lucas Church, Marks assistant, for keeping me on task with the nit-picky stuff; and to Jay Mazzocchi for meticulous, eagle-eyed copyediting. Thanks to everyone at the press for making my job easier and for supporting the publication of this wonderful and unique little book. And now a drumroll, if you please, because Amazing Place is a first for UNC Press: an anthology of never-before-published personal narratives by contemporary fiction and imaginative nonfiction writers. It will assume its proper niche on the shelf beside anthologies of contemporary poetry and fiction that the press has published in the past. Kudos to UNC Press for its vision.

Thanks to all the great people I work with at UNCChapel Hill, most importantly to my colleagues in the Department of English and Comparative Literature and in the Creative Writing Program. Special thanks to Anita Braxton, Susan Irons, Bland Simpson, Beverly Taylor, and Daniel Wallace for always having my back, and to my new colleague, Stephanie Elizondo Griest, who so gamely undertook the assignment to write a piece for this book even though shed only been a North Carolinian for about five minutes. Gratitude to Lee Smith, too, for going the extra milealways.

I am indebted to the Bowman and Gordon Gray Professorship Program for the grant I received that enabled me to spend time collecting and assembling the contents of this book.

Last, but by no means least, mighty thanks and thunderous cheers to the writers who signed on and delivered such, well amazing narratives. Their generosity of time and spirit, their enthusiasm, and their writing means the world to me.

Introduction

Place is where we put our roots, wherever birth, chance, fate, or our traveling shoes set us down, Eudora Welty wrote.

Ive lived in North Carolina since I was three years old. My father was born and raised here, as were his Scottish forebears. I was educated here, and I continue to work here. My writing life began here, and I am fairly certain it will end here. I would be hard-pressed to deny that living in North Carolina has shaped me as a writer. The essence of place is family, friends, community, heritage, culture, weather, and landscape in all its sensory glory (or squalor), steeping in a particular containment of time. Any writer you ask will tell you that place insists upon particulars: politics, religion, race, economy, manners, jokes, fashion, music, recipes, wood smoke, the taste of sea salt, an unpaved road, a wrecking ball, a church, a swamp, an alleyway, a tobacco field, the syrupy warble of a wren, the sound of somebody humming while washing dishes at the kitchen sink, the stink of a paper mill, the chill of a waiting room where anything might happen and usually does, the cadences of language and variances of human attitude, glimpsed up-close or slant. All the things around us, physical and atmospheric, obvious or implied, combine to center, guide, and sharpen a writers sensibilities, leaving impressions that endure.

Which is probably why, when I take myself to the most generic and mundane of placesa car dealership in GreensboroI find an inkling of story. I am not even looking for a story, but closely observed, any place can become a particular place and will attract stories.

Stories begin in a where. Theres got to be a where before somebody shows up and things begin to happen. Once a character arrives on the scene, shes bound by the laws of human nature to have some kind of reaction to her surroundings. Place is a medium, after all, a kind of situational petri dish that cultures behavior, good, bad, or indifferent. The nature of place is that it insists upon being reckoned with by everyone, not just writers.

At the car dealership, its 7:30 A.M.; theres a complimentary pot of superheated coffee-turned-to-sludge, the sort of beverage that threatens to melt any cup you pour it into. Florescent lighting bleaches the air. I cant tolerate the inane blather of TV ads in the lounge area. The mechanic has told me the inspection might take an hour and a half. Ive brought some reading, and so I amble around the glacial showrooms stocked with cars so pristine, so quietly muscular, they look embalmed, mosey past a warren of mostly empty offices, until I locate a dark and distant room where I trespass. Theres a white board scribbled with statistics. One out of four demos will buy, reads one note. Ah! Secret information! This is a room where car salesmen are trained. I sit down at the seminar table, settle in, flip open my book. Then, a woman pokes her head into the room. She, too, is seeking asylum from the infernal TV. Mind if I join you? she asks in a honey-baked down-home accent. I need some place I can read my Bible in peace.

She lugs in a Bible as big as a cinderblock and sits across from me. Her lips move silently as her fingers glide down a page. The incongruity of a woman devotedly reading her Bible in proximity to the sleek, glossy, secular showroom of a car dealership resonates. Im suddenly wide awake and loving that Im in this place, where sharky commerce and somebodys faith so blithely coexist. Would I be so attuned to the dynamics of incongruity if I lived elsewhere? If many of my elders had not been drawling North Carolina porch-sitters who made mountains out of molehills and thrived on the odd detail? Maybe. What I do know is that my upbringing in such a story-centric milieu accelerates my delight in such gleanings, has honed my appetite for, my appreciation and expectation of them. I have learned to keep vigil for stories. A place might seem as ordinary as a still pond waiting for ripples, but if you keep watching and listening like a patient fisherman, the ripples will come. A fish is going to leap out of the wateror something even more extraordinary. Even the hucksterish, generic chic of a car dealership can glitter with more than chrome.

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