• Complain

Rex Vicat Cole - Perspective for Artists

Here you can read online Rex Vicat Cole - Perspective for Artists full text of the book (entire story) in english for free. Download pdf and epub, get meaning, cover and reviews about this ebook. year: 1976, publisher: Dover Publications, genre: Art. Description of the work, (preface) as well as reviews are available. Best literature library LitArk.com created for fans of good reading and offers a wide selection of genres:

Romance novel Science fiction Adventure Detective Science History Home and family Prose Art Politics Computer Non-fiction Religion Business Children Humor

Choose a favorite category and find really read worthwhile books. Enjoy immersion in the world of imagination, feel the emotions of the characters or learn something new for yourself, make an fascinating discovery.

Rex Vicat Cole Perspective for Artists
  • Book:
    Perspective for Artists
  • Author:
  • Publisher:
    Dover Publications
  • Genre:
  • Year:
    1976
  • Rating:
    5 / 5
  • Favourites:
    Add to favourites
  • Your mark:
    • 100
    • 1
    • 2
    • 3
    • 4
    • 5

Perspective for Artists: summary, description and annotation

We offer to read an annotation, description, summary or preface (depends on what the author of the book "Perspective for Artists" wrote himself). If you haven't found the necessary information about the book — write in the comments, we will try to find it.

A truly admirable book. Bookmans Journal and Print Collector
As a book of reference to the practicing artists who wants to solve some particular difficulty, the book could hardly be bettered. Field
Rex Vicat Cole makes learning about perspective an enjoyable and fascinating pursuit in this clearly written and profusely illustrated book. Over 390 diagrams illustrate every aspect of the text, and more than 80 illustrations reproduce drawings and paintings by old masters and by the author that indicate how perspective is utilized in practice. The book is so well illustrated that many perspective problems can be answered without reference to the text at all.
The text itself clarifies the theory of perspective and offers numerous practice exercises. Among the topics covered are the principle of perspective in theory, the rules of perspective and their application, depths, the use of plans in sketching foreshortened surfaces, inclined planes, the circle, arches, how to draw curves by straight lines, perspective of the sky and sea, perspective of shadows, and more. Two additional sections cover perspective in the history of art and mechanical perspective.
A noted landscape painter and art instructor, Mr. Cole combines common sense with an understanding of Natures laws to make perspective a subject that every artist can approach with confidence. Art students will also find this book extremely valuable.

Rex Vicat Cole: author's other books


Who wrote Perspective for Artists? Find out the surname, the name of the author of the book and a list of all author's works by series.

Perspective for Artists — read online for free the complete book (whole text) full work

Below is the text of the book, divided by pages. System saving the place of the last page read, allows you to conveniently read the book "Perspective for Artists" online for free, without having to search again every time where you left off. Put a bookmark, and you can go to the page where you finished reading at any time.

Light

Font size:

Reset

Interval:

Bookmark:

Make
Table of Contents APPENDIX NOTE 1 Enlarging a sketch on the same - photo 1
Table of Contents

APPENDIX
NOTE 1. Enlarging a sketch on the same proportions.

To Chapter I, square up. A small sketch () if both of them are divided into sections of equal proportions. These sections can either be in divisions of half with further subdivisions of quarters, etc., or the guiding lines can be drawn through prominent features of the sketch. Either method, or others that will present themselves, will answer, provided that the canvases are of similar proportions. Cotton threads stretched across the face of the sketch and attached to its sides by drawing-pins will save it from the disfigurement of drawn lines. Small working sketches can be drawn on sectional paper (paper ruled with faint blue squares used by mechanical draughtsmen), and the squares then repeated to scale on the canvas selected.

Perspective for Artists - image 2

.

NOTE 2 How to divide a line into a number of given proportions A To - photo 3

.

NOTE 2. How to divide a line into a number of given proportions.

(A) To mark off on a line of indefinite length a certain number of divisions of a given length. The first division will be marked off and repeated as often as necessary by compasses, or by a piece of folded paper with that length marked on its folded edge.

B If however the length of the line is fixed and we have to - photo 4

.

B If however the length of the line is fixed and we have to divide it - photo 5

.

(B) If, however, the length of the line is fixed and we have to divide it into a stated number of divisions we shall not know beforehand the length of those divisions (as in A).

Suppose the line 12 ().

To subdivide a rectangular form The base line of a rectangular form can - photo 6

.

To subdivide a rectangular form. The base line of a rectangular form () can be divided into any number of even figures (2, 4, B, etc.) by using diagonals to find the half of the whole form, and successively the half of each division.

NOTE 3 How to transfer in the same proportion the divisions of a line on to - photo 7

.

NOTE 3. How to transfer in the same proportion the divisions of a line on to another of greater or lesser length.

Problem ().The short line 34 is to be divided in the same proportions as the long line 12.

Practice ().Draw 12 parallel to 34. Join the ends 13 and 24, continue these connections till they meet (at A). Join each division with A, and then the line 34 will be divided proportionally to the line 12.

The proportions of a short line can be transferred to a larger line in the - photo 8

.

The proportions of a short line can be transferred to a larger line in the same way. Call 34 the short divided line, and 1-2 the long line to be divided. Join their ends and continue the connections till they meet (at A). Join A with each division on line 34 and continue the joining lines till they cut the line 12 into similar proportions.

NOTE 4 How to estimate the measurements of a canvas that is to be - photo 9

.

NOTE 4. How to estimate the measurements of a canvas that is to be proportionately larger than another.

We have often to transfer a sketch on to a larger canvas and wish it to bear the same proportions.

Practice ().Continue the side of the small canvas A until it is the required length (say BC). Take a diagonal from B of indefinite length. From C draw line at right angles to BC and continue it till it meets the diagonal. The line thus obtained CD will be the width of the larger canvas. This workmans practice arises out of the method of drawing concentric squares. If absolute exactness is necessary proportion in arithmetic might be employed instead.

BIBLIOGRAPHY No JESUIT pseud for Jean Dubreuil Practical - photo 10

.

BIBLIOGRAPHY

No JESUIT, pseud.: for Jean Dubreuil. Practical Perspec-date. tive. Illus.

1440. BARTOLOMEO BRAMIANTINO, Regole di Prospettiva e Misure delle Antichit di Lombardia.

1494. F. LUCA PACCIOLI, Summa d Aritmetica e Geometria.

1525. ALBRECHT DRER, Institutiones geometrice (fourth book of geometry).

1560. J. COUSIN, Livre de Perspective.

1600. GUIDO UBALDI (GUIDO UBALDO) (GUIDUS UBALDUS). Passaro.

1612. SOLOMON DE CAUSE (CAUX ?), Perspective avec la raison des ombres. London and Frankfort.

1608. SEBASTIANO SERLTO, Opere darchitettura e Prospettiva 1619. di S. D. Scamozzi. 4to. Wood engravings.

1619. SAMUEL MAROLAIS, La Perspective contenant la thorie et la practique.

1625. H. HOUDIN, Institution en la Perspective.

1642. S. J. DUBREUIL (published by), without authors name, La Perspective. Paris. Three vols. (The Jesuits Perspective.)

1651. LEONARDO DA VINCI, Trattato della Pittura. Folio. Engravings in the text. (See Hawkins translation, 1802.)

1652. PRE NICERON, La Perspective curieuse.

1661. PRE BOURGOING, La Perspective Affranchie de lembarras du point du vue. Paris.

1669. DANIEL BARBARO, Practica di Prospettiva. Folio. Venice.

1671. ANDR ALBERTI, Deux livres sur la Perspective. Nuremberg.

1672. GIULIO TROGLI, Parodossi della Prospettiva. Bologna.

1673. PRE DESCHALESQUE, La Perspective du ; qui se trouve dans son Cursus Mathematicus. Lyons.

1693. Pozzo, La Perspectiva pictorum et architectorum. Rome.

1701. PRE LAMI, Le Trait de Perspective o sont contenus les fondements de la peinture. Paris.

1711. S. GRAVESANDE, LEssai de Perspective. Amsterdam.

1731. DR. BROOK TAYLOR, Linear Perspective.

(1715).

1745. PRE JACQUIER, Elementi di Prospettiva. Rome.

1748. HAMILTON, Stereography, or a general Treatise of Perspective in all its branches. London.

1749. BROOK TAYLOR, New Principles of Linear Perspective. 3rd edition. London, 1749.

1750. PETITOT, Raisonnement sur la Perspective pour en faciliter lusage aux artistes. Parme.

1750. JEAURAT, De lAcadmie des Sciences. Trait de Perspective pratique lusage des artistes. Paris.

1754. JOHN JOSHUA KIRBY, Dr. Brook Taylors method of Perspective made easy both in theory and practice. In two books. Illustrated with 50 copper plates. Dedicated to W. Hogarth. Two parts in vol. 4to. Ipswich.

1757. LE Roi, Essai sur la Perspective practique par le moyen du calcul. Paris.

1776. THOMAS MALTON, A complete Treatise on Perspective in theory and practice on the Principles of Dr. Brook Taylor. Folio. London.

1770. PRIESTLEY, Familiar introductions in the theory and practice of Perspective. London.

1874. HENRIET, Cours Rational de Dessin.

1781. The Jesuits Perspective. 4th edition. London, 1781. 4to. 150 plates.

Next page
Light

Font size:

Reset

Interval:

Bookmark:

Make

Similar books «Perspective for Artists»

Look at similar books to Perspective for Artists. We have selected literature similar in name and meaning in the hope of providing readers with more options to find new, interesting, not yet read works.


Reviews about «Perspective for Artists»

Discussion, reviews of the book Perspective for Artists and just readers' own opinions. Leave your comments, write what you think about the work, its meaning or the main characters. Specify what exactly you liked and what you didn't like, and why you think so.