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Eric Idle - Always Look on the Bright Side of Life: A Sortabiography

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Eric Idle Always Look on the Bright Side of Life: A Sortabiography
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    Always Look on the Bright Side of Life: A Sortabiography
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Always Look on the Bright Side of Life: A Sortabiography: summary, description and annotation

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From the ingenious comic performer, founding member of Monty Python, and creator ofSpamalot, comes an absurdly funny memoir of unparalleled wit and heartfelt candor

We know him best for his unforgettable roles on Monty Python--from theFlying CircustoThe Meaning of Life. Now, Eric Idle reflects on the meaning of his own life in this entertaining memoir that takes us on an unforgettable journey from his childhood in an austere boarding school through his successful career in comedy, television, theater, and film. Coming of age as a writer and comedian during the Sixties and Seventies, Eric stumbled into the crossroads of the cultural revolution and found himself rubbing shoulders with the likes of George Harrison, David Bowie, and Robin Williams, all of whom became dear lifelong friends. With anecdotes sprinkled throughout involving other close friends and luminaries such as Mike Nichols, Mick Jagger, Steve Martin, Paul Simon, Lorne Michaels, and many more, as well as the Pythons themselves, Eric captures a time of tremendous creative output with equal parts hilarity and heart. InAlways Look on the Bright Side of Life, named for the song he wrote forLife of Brian(the film which he originally gave the irreverent titleJesus Christ: Lust for Glory) and that has since become the number one song played at funerals in the UK, he shares the highlights of his life and career with the kind of offbeat humor that has delighted audiences for five decades. The year 2019 marks the fiftieth anniversary of The Pythons, and Eric is marking the occasion with this hilarious memoir chock full of behind-the-scenes stories from a high-flying life featuring everyone from Princess Leia to Queen Elizabeth.

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AND FINALLY

Id like to thank everyone Ive forgotten. They know who they are. Without them I would not be half the man I used to be. I particularly want to thank Tania, Carey, and Lily, without whom I wouldnt even be a quarter of the man I used to be. They have taught me the meaning of love and family. So Id also like to thank my extended Chicago family, my large Canadian family, and my London family, Nigel and the Wrays, for their love and kindness. I should thank all the Pythons of course. I know they were lucky to have me, but I learned a lot from them, even though wild horses wouldnt get me to confess it. A big legally binding thank-you to Tom Hoberman, my lawyer and friend of thirty-five years. Simon Green, my new agent, who had the fortitude to persist in encouraging me to write this book. My publishers, Tricia Boczkowski of Crown Archetype and Alan Samson of Orion Books, for listening to him when he asked them for money. Thanks also to Caspian Dennis for aiding in this task. I must thank my two fantastic assistants, the brilliant and hilarious Alana Gospodnetich, and my wonderful photographic assistant Stefanie Estes, who both helped me enormously, while encouragingly laughing at my jokes. Thank you to Kelly Bush and her IDPR team, including Chris Kanarick and Rachel Hunt, who supported this book early on; the photographer Robin von Swank made me look nice, and my dogdaughter Tasha Goldthwait dressed me up to look swanky for her. Michael Gorfaine fed me sushi and giggled at my anecdotes; and Steve Martin gave me forty years of friendship and advice. Thanks to Doctor Kipper for keeping me alive; Danny Ferrington for building me guitars; Kevin Nealon and Susan Yeagley for being simply wonderful; Ed Begley and Rachelle; the magnificent Jim Beach; the adorable Olivia Harrison; Ian Miles; Holly Gilliam; Jane Tani; Ian Miles; John and Linda Goldstone; Tasha and Bobcat Goldthwait; Gavin and Yukimi de Becker; Arlene Phillips and Angus Ion; Adrienne Strong; Charles Wheeler; Salman; Joni; Jim and Annie; Jeff and Camelia, Joe and Margery; the Connollys; the Ashers; the Feigs; the Dysons; the Donners; Les Frenais; the E. Grants; Ruth Teale; Lyn Ashley; Sasha Smith; Sarah Polley; Bill Haber, producer extraordinaire; Steve Spiegel of TRW, who took a punt and turned it into a battleship; and Casey Nicholaw for just about everything. Merci to my summer friends in France: the Hopewells, Les Nicholas, Catriona and Jeremy, the Chaters, Dougie and Sylvie, Frank and Chrissie; my London chums, Brian and Gia, Noel and Birdy, Kathy Lette, the Beetles and Jeffrey Archer, who dine me and encourage me; my lovely shrink Barbara for keeping me relatively sane; and of course, my long-suffering musical partner of forty years, John Du Prez. Thank you all. Its been fun.

About the Author

ERIC IDLE is a comedian, actor, author, and singer-songwriter who found immediate fame on television with the sketch-comedy show Monty Pythons Flying Circus. Following its success, the group began making films that include Monty Python and the Holy Grail (1975), Life of Brian (1979), and The Meaning of Life (1983). Eric wrote, directed, and created The Rutles, the worlds first-ever mockumentary, as well as the Tony Awardwinning musical Spamalot (2005). He lives in Los Angeles.

PHOTO CREDITS

Interior Art

Courtesy of Python (Monty) Pictures Limited

Courtesy of the author

Courtesy of the author

Courtesy of the author

With compliments from Scottish Television LTD Press and Publicity Department, Douglas 9999

Cambridge News / BPM Media

FremantleMedia Ltd / Shutterstock

Courtesy of Python (Monty) Pictures Limited

Courtesy of the author

Courtesy of the author

Courtesy of Python (Monty) Pictures Limited

Drew Mara / Python (Monty) Pictures Limited

Donal F. Holway

Peter Baylis

Trinity Mirror / Mirrorpix / Alamy Stock Photo

Catherine Nicolson

Courtesy of the author

Courtesy of the author

Bob Gruen

Carinthia West

Courtesy of Python (Monty) Pictures Limited

Victoria Juvat

Catherine Nicolson

Courtesy of the author

Courtesy of the author

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Richard Avedon Avedon Foundation

Courtesy of Python (Monty) Pictures Limited

Courtesy of the author

Lynn Goldsmith

Courtesy of the author

Courtesy of Python (Monty) Pictures Limited

Alan Kleinberg

Courtesy of Ewe Mathuen

Alan Kleinberg

Alan Kleinberg

1983 Celadine Films

Courtesy of Python (Monty) Pictures Limited

Zo Dominic

Courtesy of the author

NUNS ON THE RUN 1990 Twentieth Century Fox. All rights reserved.

1989 Harmony Gold Productions, Inc. All Rights Reserved.

THE ADVENTURES OF BARON MUNCHAUSEN 1989 Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy of Columbia Pictures.

Alan Kleinberg

Alan Kleinberg

Courtesy of the author

1993 Universal Pictures

Brian Aris

Courtesy of the author

THE WIND IN THE WILLOWS 1996 Allied Films Limited. All Rights Reserved. Courtesy of TriStar Pictures

Courtesy of the author

Courtesy of the author

Courtesy of the author

Brigitte Lacombe

Anwar Hussein Collection / ROTA / Contributor / Getty Images

Frazer Harrison / Staff / Getty Images

Leon Neal / AFP / Getty Images

Jeff J Mitchell / Staff / Getty Images

Geoff Robinson Photography / Shutterstock

Courtesy of the author

Courtesy of the author

Courtesy of the author

Steven Siewert / Fairfax Syndication

Courtesy of the author

Courtesy of the author

Vincent Graff for Radio Times / Immediate Media

RMN-Grand Palais / Art Resource, NY

Monty Python stamp design Royal Mail Group Limited. Images licensed courtesy of Python (Monty) Pictures Limited. All rights in the underlying images and the name Monty Python are reserved.

Insert

Courtesy of the author

Victoria Juvrud

Courtesy of Python (Monty) Pictures Limited

Courtesy of the author

Courtesy of the author

Carinthia West Hanging Out Archive

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Courtesy of the author

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Courtesy of the author

Doug McKenzie

Carol Rosegg

Courtesy of the author

Vincent Graff for Radio Times / Immediate Media

Archival Playboy magazine material. Copyright 1974 by Playboy. Used with permission. All rights reserved.

CRUCIFIXION?

Its October 1978 and Im being crucified Im thirty feet up on a cross in - photo 1

Its October 1978 and Im being crucified. Im thirty feet up on a cross in Tunisia singing Always Look on the Bright Side of Life. Beneath me in a troglodyte courtyard, dug out another forty feet below ground level, an Arab woman sweeps her front yard. She never looks up. Weve been here for three days. Its the final scene in Monty Pythons Life of Brian and the song I wrote echoes across the desert to the distant hills. John Cleese has the flu. The rest of the Pythons seem fairly cheery. There are twenty-three of us on crosses and only three ladders, so between takes if you need a pee there is a desperate wait. I suppose if thats the only moan you have about being crucified, you are on the whole lucky

Theres something a little chilling about turning up for work and finding a cross with your name on it. Oh sure, they werent using nails, and we had bicycle seats to perch on, but it makes you think, hanging up there for three days in your underpants, gazing out at the desert. Perhaps everyone should be crucified for a few days, because it does give you a good perspective on life. Especially if you are singing a song that references your own passing:

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