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Sophie Littlefield - Aftertime

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Sophie Littlefield Aftertime
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Aftertime: summary, description and annotation

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Awakening in a bleak landscape as scarred as her body, Cass Dollar vaguely recalls surviving something terrible. Having no idea how many weeks have passed, she slowly realizes the horrifying truth: Ruthie has vanished.And with her, nearly all of civilization.Where once-lush hills carried cars and commerce, the roads today see only cannibalistic Beaterspeople turned hungry for human flesh by a government experiment gone wrong.In a broken, barren California, Cass will undergo a harrowing quest to get Ruthie back. Few people trust an outsider, let alone a woman who became a zombie and somehow turned back, but she finds help from an enigmatic outlaw, Smoke. Smoke is her savior, and her safety.For the Beaters are out there.And the humans grip at survival with their trigger fingers. Especially when they learn that she and Ruthie have become the most feared, and desired, of weapons in a brave new world.

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Advance Praise for
AFTERTIME

From H.G. Wells to Max Brooks to Cormac McCarthy, the End Times have always belonged to the boys. Littlefields Aftertime gives an explosive voice to the other half of the planets population: this is the apocalypse battled head-on by a heroine who not only kicks ass, but is driven by an instinct that only a woman can know. Cass Dollar fights like a girlyouve been warned. And did I mention the darkly comic flesh-eating zombies and the downright lyrical prose? Aftertime is a whole new kind of fierce.

Laura Benedict, author of Isabella Moon

Sexy, chilling and hypnotically readable, Littlefields apocalyptic dreamscape will stay with you long after youve put this book down.

Alexandra Sokoloff, author of Book of Shadows

Wildly original, guaranteed to give you nightmares and allow you some small measure of hope for mankind, Sophie Littlefields Aftertime is a new generation of post-apocalyptic fiction: a unique journey into a horrifying world of zombies, zealots and avarice that examines the strength of one woman, the joy of acceptance and the power of love. A must read.

J.T. Ellison, author of So Close the Hand of Death

Praise for Sophie Littlefield

One of the brightest new mystery writers in the business.

The Huffington Post

Littlefield is an excellent writer.

RT Book Reviews

Littlefields narrative voice braids humor, empathy and pathos in a demolition derby of action and violence.

The Biting Edge

A BAD DAY FOR SORRY

RT Book Reviews Reviewers Choice Award
San Francisco Chronicle bestseller IMBA bestseller
Edgar Award nominee Anthony Award winner
McCavity Award nominee Barry Award nominee
A Guerilla Girls on Tour Best Book of 2009

[A]nother of the years best debuts, a standout mystery distinguished by its charming protagonist and her compelling voice. We dont get many characters like Stella in mystery fiction, but we should.

Chicago Sun-Times

Crime fiction hasnt seen a character as scrappy, mean and incredibly appealing as Stella in a long time. A

Entertainment Weekly

Markedly original
The storys compelling, the dialogue perfectand Stella is one of the most memorable characters of this summer or any other.

Richmond Times-Dispatch

Sophie Littlefield shows considerable skills for delving into the depths of her characters and complex plotting as she disarms the reader. [She] keeps the plot churning with realistic action that doesnt let up.

South Florida Sun-Sentinel

First-timer Littlefield creates characters with just the right quirks to charm.

Kirkus Reviews

Humor and heart.

Boston Globe

A BAD DAY FOR PRETTY

Delicious.

People magazine

Cements Littlefields bona fides as a fine storyteller and writer.

Richmond Times-Dispatch

Rollicking Delivers on the promise of her debut, A Bad Day for Sorry. Littlefield wields humor like a whip, but never lets it dilute the whodunit. A force to be reckoned with, Stella is a welcome addition to the world of unorthodox female crime fighters.

Publishers Weekly, starred review

I dont know about you, but mysteries that make me laugh go right into the book bag. The humor is decidedly morbid in Sophie Littlefields down-home mysteries about a female vigilante who extends a helping (if occasionally bloody) hand to battered women in rural Missouri.

The New York Times

The authors eloquent yet unpretentious prose is like gossip with a sassy friend. Littlefield paints detailed scenes with witty similes that illuminate the characters and setting.

Vox magazine, the Columbia Missourian

A Bad Day for Pretty firmly establishes [Littlefield] as a new brand of writer. Its a joy when a new writer holds your attention from beginning to end. Its a treat when she has something so new to say.

Crimespree Magazine

Sophies been blasting her way through Badass Town, racking up Edgar, Anthony, Macavity and Barry Award nominations faster than you can pump a shotgun.

PopCultureNerd.com

A sisterhood book. Sprinkled with murder, lust, love, broken hearts and fresh bread. A fun, smart and quick read.

Viva la Feminista

Just as compelling and addictive as her debut. Youll race through the pages of this book and then be sorry to leave Stella and her cohorts behind.

RT Book Reviews, 41/2 stars

AFTERTIME
SOPHIE LITTLEFIELD

For M with love and regret There you are and always will be In your pretty - photo 1

For M, with love and regret

There you are and always will be
In your pretty coat
Skating lazy eights on the frozen pond of my heart

Contents

THAT IT WAS SUMMER WAS NOT IN DOUBT. The nights were much too short and the days too long. Something about the color of the sky said August to Cass. Maybe the blue was bluer. Hadnt autumn signaled itself that way Before, a gradual intensifying of colors as summer trailed into September?

Once, Cass would have been able to tell from the wildflowers growing in the foothills where she ran. In August petals fell from the wild orange poppies, the stonecrop darkened to purplish brown, and butterweed puffs drifted in lazy breezes. Deer grew bold, drinking from the creek that ran along the road. The earth dried and cracked, and lizards and beetles stared out from their hiding places among the weeds.

But that was two lives ago, so far back that it was like a story that had once been told to Cass, a story maybe whispered by a lover as she drifted off to sleep after one too many Jack and Cokes, ephemeral and hazy at the edges. She might not believe it at all, except for Ruthie. Ruthie had loved the way butterweed silk floated in the air when she blew on the puffs.

Ruthie, who she couldnt see or touch or hold in her arms. Ruthie, who screamed when the social workers dragged her away, her legs kicking desperately at nothing. Mim and Byrn wouldnt even look at Cass as she collapsed to the dirty floor of the trailer and wished she was dead.

Ruthie had been two.

Cass pushed herself to go faster, her strides long and sure up over a gentle rise in the road. She was barely out of breath. This was nothing, less than nothing. She dug her hard, sharp nails into the calluses of her thumbs. Hard, harder, hardest. The skin there was built up against her abuse and refused to bleed. To break it she would need something sharper than her nail. Teeth might work, but Cass would not use her teeth. It was enough to use her nails until the pain found an opening into her mind. The pain was enough.

She had covered a lot of ground this moon-bright night. Now it was almost dawn, the light from the rising sun creeping up over the black-blue forest skeletons, a crescent aura of orange glow in the sky. When the first slice of sun was visible shed leave the road and melt into what was left of the trees. There was cover to be foundsome of the native shrubs had survived. Greasewood and creosote still grew neck high in some places.

And it was easy to spot them. You saw them before they saw you, and then you hid, and you prayed. If they saw you at all, if they came close enough to smell you, you were worse than dead.

Cass stayed to the edge of the cracked pavement of what had been Highway 161, weaving around the occasional abandoned car, forcing herself not to look inside. You never knew what you would see. Often nothing, butit was just better not to look. Chunks of the asphalt had been pushed aside by squat kaysev plants that had managed to root in the cracks. Past the shoulder great drifts of it grew, the dark glossy leaves hiding clusters of pods. The plants were smooth-stemmed without burrs or thorns. Walking among them was not difficult. But walking on pavement allowed Cass, now and thenand never when she was tryingto let her mind go back to another timeand when she was really lucky, to pretend all the way back two lifetimes ago.

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