The Cambridge History of Latina/o American Literature emphasizes the importance of understanding Latina/o literature not simply as a U.S. ethnic phenomenon but more broadly as a trans-American tradition extending from the sixteenth century to the present. Engaging with the dynamics of transculturation, linguistic and cultural difference, and the uneven distribution of power across the Americas that characterize Latina/o literature, the essays in this History provide a critical overview of key texts, authors, themes, and contexts as discussed by leading scholars in the field. This book demonstrates the relevance of Latina/o literature for a world defined by legacies of coloniality, the imposition of militarized borders, and the transnational migration of people, commodities, and cultural practices.
John Morn Gonzlez is Professor of English and Director of the Center for Mexican American Studies at The University of Texas at Austin. He is the author of Border Renaissance: The Texas Centennial and the Emergence of Mexican American Literature and The Troubled Union: Expansionist Imperatives in Post-Reconstruction American Novels . His articles and reviews have appeared in American Literature, American Literary History, Aztln, Nineteenth-Century Contexts, Symbolism, Western Historical Quarterly , and Western American Literature . He edited The Cambridge Companion to Latina/o American Literature (2016).
Laura Lomas is Associate Professor in English and American Studies at Rutgers University-Newark, where she teaches Latina/o and comparative American literature. Her first book, Translating Empire: Jos Mart, Migrant Latino Subjects and American Modernities , won the MLA Prize for Latina/o and Chicana/o literature and an honorable mention from the Latin American Studies Associations Latina/o Studies Section. She has published essays in Small Axe, The Latino Nineteenth Century, Translation Review, Cuban Studies , the Journal of American Studies, Comparative American Studies and American Literature .
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DOI : 10.1017/9781316869468
Cambridge University Press 2018
This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press.
First published 2018
Printed in the United States of America by Sheridan Books, Inc.
A catalogue record for this publication is available from the British Library .
Library of Congress Cataloging-in-Publication Data
Names: Gonzlez, John Morn, 1966 June 30- editor. | Lomas, Laura, 1967- editor.
Title: The Cambridge history of Latina/o American literature / edited by John Morn Gonzlez, Laura Lomas.
Description: Cambridge ; New York, NY : Cambridge University Press, 2018. | Includes bibliographical references and index.
Identifiers: LCCN 2017032440 | ISBN 9781107183087 (Hardback)
Subjects: LCSH: Latin American literatureHistory and criticism.
Classification: LCC PQ7081.A1 C353 2018 | DDC 860.9/98dc23 LC record available at https://lccn.loc.gov/2017032440
ISBN 978-1-107-18308-7 Hardback
Cambridge University Press has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication and does not guarantee that any content on such websites is, or will remain, accurate or appropriate.
A Patricia, Angelita, y Santiago, siempre en mi corazn JMG
A Amaru, Marta Zabina, el futuro; y a Rubn, mi cielo LAL
Contributors
Jesse Alemn is Professor of English at The University of New Mexico, where he teaches nineteenth-century American and Chicana/o literatures. He has published over a dozen articles in venues such as Aztln, American Literary History, MELUS , and Arizona Quarterly . He edited Loreta Janeta Velazquezs The Woman in Battle . In addition, he has coedited two anthologies, Empire and the Literature of Sensation with Shelley Streeby (2007) and The Latino Nineteenth Century with Rodrigo Lazo (2016).
Lorena Alvarado holds a Ph.D. in Culture and Performance from the University of California, Los Angeles. Her book project, Playing with Feeling: Musical Performances of Mexican Sentimiento , develops a theory of sentimiento , the ability to convey and inspire emotion as it circulates through twentieth- and twenty-first-century U.S. Mexican and Latina/o vocal and musical practices. She is Assistant Professor at University of California, Merced, Global Arts program, and has previously taught at University of California, Riverside, Northwestern University, and the University of Houston.
Arturo Arias is John D. and Catherine T. MacArthur Foundation Professor in the Humanities at the University of California, Merced. He has published Taking Their Word: Literature and the Signs of Central America (2007), The Rigoberta Mench Controversy (2000), The Identity of the Word: Guatemalan Literature in Light of the New Century (1998), and Ceremonial Gestures: Central American Fiction 1960-1990 (1998), as well as a critical edition of Miguel Angel Asturiass Mulata (2000). From 2001 to 2003 he was president of the Latin American Studies Association. He also cowrote the film El Norte (1984) and has published six novels in Spanish, two of which have been translated to English ( After the Bombs , 1990, and Rattlesnake , 2003). Twice winner of the Casa de las Amricas Award, and winner of the Ana Seghers Award for fiction in Germany, he was given the Miguel Angel Asturias National Award for Lifetime Achievement in Literature in 2008 in his native Guatemala. At present he is working on a three-volume analysis of indigenous literatures in Latin America.
Eliana vila is Professor of English-Language Literatures at Federal University of Santa Catarina at Florianopolis, Brazil. Her doctoral research on Elizabeth Bishops Brazilian writings led her to explore the relations among postcolonial studies, queer temporality, disability studies, and translation studies in the volume she edited for Ilha do Desterro (2005) as well as in her articles and book chapters published in Brazil such as Pode o tradutor ouvir? in Traduo e Relaes de Poder (2013), partially based on Gayatri Chakravorty Spivaks Translation as Culture (2000) which she co-translated (with Liane Schneider) into Brazilian Portuguese. She received a visiting research grant to complete a translation of Gloria Anzaldas Borderlands / La frontera into Brazilian Portuguese, based on her research on decolonial queer criticism, while affiliated with the Latin American and Latino Studies Department and the Chicano Latino Research Center at the University of California at Santa Cruz.