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Stephen Levine - New Zealand As It Might Have Been 2

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Stephen Levine New Zealand As It Might Have Been 2
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VICTORIA UNIVERSITY PRESS Victoria University of Wellington PO Box 600 - photo 1

VICTORIA UNIVERSITY PRESS

Victoria University of Wellington

PO Box 600 Wellington

Copyright Stephen Levine and contributors 2010

First published 2010

This book is copyright. Apart from any fair dealing for the purpose of private study, research, criticism or review, as permitted under the Copyright Act, no part may be reproduced by any process without the permission of the publishers

National Library of New Zealand Cataloguing-in-Publication Data

New Zealand as it might have been 2 / edited by Stephen Levine.

ISBN 978-0-86473-615-4

1. Imaginary histories. 2. New ZealandHistory21st century. 3. New ZealandHistory20th century. 4. New Zealand History19th century. I. Levine, Stephen I. II. Title.

993.03dc 22

Printed by Printlink, Wellington

And Jacob dreamed, and beheld a ladder set up on the earth, and the top of it reached to Heaven (Genesis 28:1012)

To Jacob, my grandson:

May all your dreams and imaginings be for good, and fulfilled.

Illustrations

HMS New Zealand arriving at Auckland, 1913. Kinnear Collection, Alexander Turnbull Library, G-15253-1/2

Rufus Dewar (c. 19121913). Dean Parker Collection

Salute at the Cenotaph, Wellington. Men in naval uniform are from the RN Armando Diaz. A group of fascists are to the right with their arms upraised. Photograph by Edward Thomas Robson, 1934. Alexander Turnbull Library, PAColl-7081-16

Winston Churchill in Croydon, 1 January 1948. Hulton Archive, Getty Images, 102165893

President Lyndon Baines Johnson (19081973) and visiting New Zealand Prime Minister, Keith Jacka Holyoake (19041983), standing together at a White House ceremony welcoming Holyoake. Dominion Post Collection, Alexander Turnbull Library, EP-NZ Obits-Holyoake-12

Autographed photograph of Katherine Mansfield. Adelphi Studio (London), 1914. Alexander Turnbull Library, F-017274-1/4

Huts on Mesopotamia at Samuel Butler's homestead, ca 1868. Watercolour painting by William Packe. Alexander Turnbull Library, A-196-015

Cover of Bill Pearson's novel, Coal Flat, 1963. Original cover artwork by Colin McCahon. Pearson Estate

Hone Heke. Portrait by Joseph Jenner Merrett. Rex Nan Kivell Collection, NK321, National Library of Australia, 893600

Sir George Grey, Governor, New Zealand. Engraving from a photograph by William Wolfe Alais, ca 1861. Schmidt Collection, Alexander Turnbull Library, F-604-1/1

Maori warriors lead thousands of people down Lambton Quay en route to the grounds of Parliament, as part of the hikoi to protest the Seabed and Foreshore legislation, 5 May 2004. Photograph by Kenny Rodger. New Zealand Herald, 050504NZHKERHIKOI8

Remains of the wreck of the White Swan Steamer, June 1863. Artist unknown. Alexander Turnbull Library, A-090-011

Coat of arms, Australasia. John E. Martin Collection

How on earth did that happen? Cartoon by Peter Bromhead, 1977. Alexander Turnbull Library, A-328-036

Last meeting of the Legislative Council, Wellington. Archives New Zealand: National Publicity Studios Collection, Alexander Turnbull Library, F-19120-1/2

Electoral referendum ballot paper, 1992. Electoral Referendum Panel

Women voting for the first time at the Drill Hall in Rutland Street, Auckland, in 1893. Photograph by Beattie and Sanderson. Sir George Grey Special Collections, Auckland City Libraries, 7-A12353

Tenzing Norgay on the summit of Mount Everest at 11:30 a.m. on 29 May 1953. Tenzing waves his ice-axe on which are hung the flags of Britain, Nepal, the United Nations and India. Photograph by Edmund Hillary. Royal Geographical Society, S0001056

Introduction

What makes the desert beautiful is that somewhere it hides a well

Antoine de Saint-Exupry, The Little Prince

W e all hope to find the unexpected, hidden beneath the landscape of the ordinary and the everyday. Beneath the surface of New Zealand's history and, in fact, part of it are possibilities: opportunities overlooked, neglected and now forgotten. There is a fascination about them, and rediscovering them intellectual oases, sources of refreshment offering the prospect of something else, something new, something perhaps a bit startling provides enjoyment and even aesthetic appreciation.

Counterfactuals a rearrangement of incidents and events, also known as alternative history are now a worldwide phenomenon. A Google search in June 2010 found 165,000 results for counterfactuals. Counterfactual history produced 82,000 hits; counterfactual analysis, 345,000; counterfactual thinking, 132,000; and counterfactual reasoning, 349,000. The results for alternative history were even greater: 145 million, with nearly 16 million for the words alternative history fiction.

The Amazon book site also points towards an increasingly crowded field. In June 2010 counterfactuals produced 799 book results; counterfactual history, 38; and counterfactual thinking, 86. Searching on alternate history gave 671 results, with alternative history fiction producing 178. There is, furthermore, on both Google and Amazon, evidence of an alternative history community, with thousands of people promoting large numbers of lists, guides and other products, while maintaining discussion groups of one kind or another.

This second book of New Zealand counterfactuals (New Zealand as it might have been, with 15 scenarios, was published in 2006) takes on an array of topics, each, in a sense, an enigma, a puzzle waiting to be solved. In one way or another there are two historical puzzles at issue: why did an event that could well have happened fail to do so? And what would the consequences have been what would it have meant had it in fact taken place?

At any moment every event in the life of a nation, or a person, has a range of possible paths that can be taken. Counterfactual speculation, responding to that reality, considers what actually happened by looking at what could have happened, the inquiry akin to the movements of a kaleidoscope, each turn opening up new patterns, new relationships, among its interconnected pieces.

This book of counterfactual chapters does not provide a continuous narrative, a single thread of altered New Zealand history in which each restructured event leads inexorably on to the next. Quite the contrary: each chapter stands on its own. Indeed, some events, such as the opening chapter's vision of a New Zealand transformed by German occupation as a result of an altered outcome of the First World War, would preclude some of the other circumstances conceived of in this book including, for instance, Gallipoli (in chapter 2) and the Second World War (chapters 3 and 4) from ever taking place.

So this is a book to be read as a series of surprises, each encounter with a new New Zealand altogether separate from the one preceding and the next one just up ahead. And this is also a book about possibilities: some realised, some not. In that respect, through a mingling of the real and the imagined of what was and what might have been it resembles life as it is, full of plans, some fulfilled, some not: as in the Jewish proverb, People plan, God laughs (mentsch tract, Gott lacht).

Just as the bright colours of a painting can fade with the passage of time made dull by dust, and grit, and too many layers of varnish so too events can lose their glow, becoming lost to memory. Any work of history, counterfactual or otherwise, strives to rescue from neglect forgotten incidents, personalities obscured by indifference and inattention. In this sense historical writing can be likened to art restoration, bringing life and lustre back to a canvas filled with possibility and promise.

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