Peter Lehman - Close viewings: an anthology of new film criticism
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Close viewings: an anthology of new film criticism
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Close Viewings : An Anthology of New Film Criticism
author
:
Lehman, Peter.
publisher
:
University Press of Florida
isbn10 | asin
:
0813009677
print isbn13
:
9780813009674
ebook isbn13
:
9780813019918
language
:
English
subject
Motion picture plays--History and criticism, Motion pictures.
publication date
:
1990
lcc
:
PN1995.C543 1990eb
ddc
:
791.43/75
subject
:
Motion picture plays--History and criticism, Motion pictures.
Page ii
Page iii
Close Viewings
An Anthology of New Film Criticism
Edited by Peter Lehman
The Florida State University Press / Tallahassee
Page iv
An earlier version of chapter 3, "Visual Motifs in Rossellini's Voyage to Italy," appeared in Roberto Rossellini, by Peter Brunette (New York: Oxford University Press, 1987); copyright by Peter Brunette. An earlier version of chapter 18, "Fassbinder's Ali: Fear Eats the Soul and Spectatorship," by Judith Mayne, appeared in New German Critique 12 (1977). Both are reprinted by permission of the publishers.
Library of Congress Cataloging-in-Publication Data
Close viewings: an anthology of new film criticism / edited by Peter Lehman. p. cm. ISBN 0-8130-0967-7 (alk. paper).ISBN 0-8130-0991-X (pbk.: alk. paper) 1. Motion picture playsHistory and criticism. 2. Motion pictures. I. Lehman, Peter. PN1995.C543 1990 791.43'75dc20 89-29034
UNIVERSITY PRESSES OF FLORIDA is the central agency for scholarly publishing of the State of Florida's university system, producing books selected for publication by the faculty editorial committees of Florida's nine public universities: Florida A&M University (Tallahassee), Florida Atlantic University (Boca Raton), Florida International University (Miami), Florida State University (Tallahassee), University of Central Florida (Orlando), University of Florida (Gainesville), University of North Florida (Jacksonville), University of South Florida (Tampa), University of West Florida (Pensacola).
Orders for books published by all member presses should be addressed to University Presses of Florida, 15 NW 15th Street, Gainesville, Florida 32603.
Copyright 1990 by the Board of Regents of the State of Florida
Printed in the U.S.A. on acid-free paper
Page v
In Memory of Beverle Houston
Page vi
ACKNOWLEDGMENTS
This book owes its inception to a suggestion made by Evelyn Ehrlich, and I am grateful to her for it. Melanie Magisos made valuable comments about my contributions and, as always, I am indebted to her insight and her personal support. I would also like to thank Susan Hunt for preparing the index. Beverle Houston was to be one of the contributors to this book. She is deeply missed both as a treasured colleague and a contributor to this volume, and I hope that her rare spirit of breadth, support, and enthusiasm for people of varying interests can be felt throughout this anthology.
Page vii
CONTRIBUTORS
CHARLES AFFRON is a professor of French at New York University. Among his publications are Star Acting: Gish, Garbo, Davis, Cinema and Sentiment, and Fellini's "8 1/2."
EDWARD BRANIGAN is associate professor and chair of the Film Studies Program at the University of California, Santa Barbara. He is the author of Point of View in the Cinema (1984) and is presently completing Narrative Comprehension in Film.
MIKE BUDD teaches film, television, cultural theory and cultural studies in the Department of Communication, Florida Atlantic University, Boca Raton.
DOLORES BURDICK is an Emerita Professor of French at Oakland University (Rochester, Michigan), where she taught French language and literature, women's studies, and film. She has published poetry and translations as well as scholarly articles on film and literature; she is presently working on a novel.
NOL CARROLL is an associate professor in the Department of Philosophy and the Department of Theatre Arts at Cornell University. He is the au-
Page viii
thor of Philosophical Problems of Classical Film Theory and Mystifying Movies: Fads and Fallacies in Contemporary Film Theory.
THOMAS CRIPPS, a professor of history at Morgan State University, has written Slow Fade to Black: The Negro in American Film and Black Film as Genre; the script for the prizewinning film Black Shadows on a Silver Screen (Post-Newsweek TV); many articles, among them winners of the Hammond Prize (1962) and the Charles Thomson Prize (1982); and A Matter of Pride, a 35-show series (Group W, 1971).
ROBERT EBERWEIN is chair of the English Department at Oakland University, where he teaches film theory, history and appreciation. His publications include Film and the Dream Screen (1984), A Viewer's Guide to Film Theory and Criticism (1979), and various articles. He is currently at work on a book about adaptations, remakes, and sequels.
LUCY FISCHER is director of the Film Studies Program at the University of Pittsburgh, where she is a professor of film and English. She is the author of Shot/Countershot: Film Tradition and Women's Cinema (1989) and Jacques Tati: A Guide to References and Resources (1983). She has published widely on film in such journals as Cinema Journal, Quarterly Review of Film Studies, Film Quarterly, Wide Angle, Screen, Journal of Film and Video, Millennium Film Journal, and American Film.
DONALD KIRIHARA is a lecturer in media arts at the University of Arizona. His essays on film history and criticism have appeared in
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