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Catherine Fletcher - The Beauty and the Terror: The Italian Renaissance and the Rise of the West

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Catherine Fletcher The Beauty and the Terror: The Italian Renaissance and the Rise of the West
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The Beauty and the Terror BY THE SAME AUTHOR The Divorce of Henry VIII The - photo 1
The Beauty and the Terror

BY THE SAME AUTHOR

The Divorce of Henry VIII:
The Untold Story

The Black Prince of Florence:
The Spectacular Life and Treacherous World of Alessandro de Medici

The Beauty and the Terror
The Italian Renaissance and the
Rise of the West
CATHERINE FLETCHER

Oxford University Press is a department of the University of Oxford It - photo 2

Oxford University Press is a department of the University of Oxford It - photo 3

Oxford University Press is a department of the University of Oxford. It furthers the Universitys objective of excellence in research, scholarship, and education by publishing worldwide. Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries.

Published in the United States of America by Oxford University Press 198 Madison Avenue, New York, NY 10016, United States of America.

Catherine Fletcher 2020

First published in the UK by The Bodley Head in 2020

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, by licence, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above

You must not circulate this work in any other form and you must impose this same condition on any acquirer.

Library of Congress Cataloging-in-Publication information is available.

ISBN 9780190908492
ISBN 9780190908515 (e-book)

1 3 5 7 9 8 6 4 2

Printed by Sheridan Books, Inc., United States of America

To my students

Contents

1 By an unknown artist the Tavola Strozzi shows the city of Naples in the - photo 4

1. By an unknown artist, the Tavola Strozzi shows the city of Naples in the second half of the fifteenth century.

2 Jan van Eycks painting of the Arnolfini in Bruges is testament to the range - photo 5

2. Jan van Eyck's painting of the Arnolfini in Bruges is testament to the range of Italian mercantile networks.

3 Pinturicchios fresco in the Borgia Apartments incorporates an image of the - photo 6

3. Pinturicchio's fresco in the Borgia Apartments incorporates an image of the Arch of Constantine in the background; the figure of St Catherine is said to be a portrait of Lucrezia Borgia.

4 Isabella dEste hoped that Leonardo da Vinci would paint her portrait but - photo 7

4. Isabella d'Este hoped that Leonardo da Vinci would paint her portrait, but he completed only this drawing.

5 Leonardo da Vincis plan of Imola was revolutionary in its birds-eye - photo 8

5. Leonardo da Vinci's plan of Imola was revolutionary in its bird's-eye approach to mapping.

6 This engraving by Daniel Hopfer shows the characteristic slashed dress of - photo 9

6. This engraving by Daniel Hopfer shows the characteristic slashed dress of German landsknechts.

7 The identity of the people in this painting by Paris Bardon 1500-71 is - photo 10

7. The identity of the people in this painting by Paris Bardon (1500-71) is unknown, but Africans certainly participated in the Italian Wars.

8 Dosso Dossis portrait of Alfonso dEste duke of Ferrara features in the - photo 11

8. Dosso Dossi's portrait of Alfonso d'Este, duke of Ferrara features in the background the 1509 Ferrarese attack on the Venetian fleet.

9 Produced by a spy for the Este family this is one of the first maps to show - photo 12

9. Produced by a spy for the Este family, this is one of the first maps to show North America's east coast.

10 The plants in this relief of Adam and Eve from the workshop of Giovanni - photo 13

10. The plants in this relief of Adam and Eve from the workshop of Giovanni della Robbia have sometimes been interpreted as New World maize.

11 Vasari said Raphaels portrait of Julius II was so lifelike as to make - photo 14

11. Vasari said Raphael's portrait of Julius II was so lifelike as to make viewers 'shrink in fear'.

12 Published in 1521 Lucas Cranachs illustrations for Luthers Passional - photo 15

12. Published in 1521, Lucas Cranach's illustrations for Luther's Passional Christi und Antichristi contrasted the life of Christ with that of the pope, labelled here the Antichrist.

13 Piero di Cosimos Building of a Palace was produced for the Florentine - photo 16

13. Piero di Cosimo's Building of a Palace was produced for the Florentine guild of master stonemasons and wood-carvers.

14 Testimony to Venetian trade with the Mamluk Empire this painting may show - photo 17

14. Testimony to Venetian trade with the Mamluk Empire, this painting may show an embassy linked to a spying scandal in 1510.

15 The capture of Francis I by imperial forces at Pavia was memorialised in - photo 18

15. The capture of Francis I by imperial forces at Pavia was memorialised in this tapestry by Bernard van Orley.

16 Pope Adrian VIs brief rule is marked by this portrayal on a - photo 19

16. Pope Adrian VI's brief rule is marked by this portrayal on a sixteenth-century Netherlandish coin.

17 The poet Laura Battiferri is portrayed here by the Florentine court artist - photo 20

17. The poet Laura Battiferri is portrayed here by the Florentine court artist Bronzino in the manner of Dante or Petrarch.

18 The most explicit scene of Giulio Romanos scheme for Palazzo Te shows - photo 21

18. The most explicit scene of Giulio Romano's scheme for Palazzo Te shows Olympias Seduced by jupiter.

19 This engraving of the Sack of Rome shows the death of the commander Charles - photo 22

19. This engraving of the

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