Jack Faragasso - Mastering Drawing the Human Figure: From Life, Memory and Imagination
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- Book:Mastering Drawing the Human Figure: From Life, Memory and Imagination
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Copyright
Copyright 1998 by Jack Faragasso
All rights reserved.
Bibliographical Note
This Dover edition first published in 2020, is an unabridged republication of the edition published by Stargarden Press, New York, in 2004.
Library of Congress Cataloging-in-Publication Data
Names.Faragasso, Jack, arthor
Title: Mastering drawing the human figure : from life, memory and imagination / Jack Faragasso.
Description: Mineola, New York : Dover Publications, Inc., 2020. I Series: Dover art instruction I "This Dover edition, irst published in 2020, is an unabridged republication of the edition published by Stargarden Press, New York, in 2004" Colophon. I Summary: "Complete handbook by veteran instructor of the Art Students League, suitable for all: novices, students, professionals. Covers basic structure of head and body, light and shade, conveying action, depicting drapery, more"Provided by publisher.
Identifiers: LCCN 2019050719 I ISBN 9780486841243 (trade paperback)
Subjects: LCSH: Figure drawingTechnique. I Human figure in art.
Classification: LCC NC765 .F318 2020 I DDC 743.4dc23 LC record available at https://lccn.loc.gov/2019050719
All drawings by the author.
Layout and design by Peter J. De Weerdt
Manufactured in the United States by LSC Communications
84124301
www.doverpublications.com
2 4 6 8 10 9 7 5 3 1
2020
ACKNOWLEDGEMENTS
I must first acknowledge my great debt to Frank J. Reilly, for this book would not have been possible without his teaching and inspiration. I am also indebted to my students, for as the old Roman saying goes, "as we teach we learn." I have learned much from them.
Credit must be given to Peter J. De Weerdtfor his comprehensive layout of the book and his advice and help in its production. I would also like to thank Karen Bonacorda for the typing of the manuscript as well as for her intelligent editorial comments. Thanks also to Joan Reutershan, Susan Grosse and Julie Hannibal for their help in proofing the manuscript. I wish to acknowledge the work of Hans J. De Weerdt for his advice and guidance on computer technology without which this book would not be possible.
DEDICATED TO THE MEMORY OF
FRANK J. REILLY
WHO TAUGHT SO MANY
TABLE OF CONTENTS
WHO THIS BOOK IS FOR
BACKGROUND
HOW TO USE THIS BOOK
A WORD OF CAUTION
ABOUT MATERIALS
PENCILS
PAPERS SHARPENER
ERASER SANDPAPER BLOCK
HOW TO SHARPEN A PENCIL VARIETIES OF LINE VARIETIES OF STROKES
A PORTFOLIO OF DRAWINGS SHOWING USE OF LINE
FIGURE DRAWINGS SHOWING LINEAR VARIATION TO EXPRESS FORM AND FORESHORTENING
QUICK SKETCHES EMPHASIZING LINE
SHOWING MINIMUM USE OF LINE TO CAPTURE THE POSE.
EXPLANATION OF WHAT ARE RELATIONSHIPS
WHY RELATIONSHIPS LINEAR RELATIONSHIPS
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