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Andrew McNeillie - In Mortal Memory

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Andrew McNeillie In Mortal Memory
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In Mortal Memory: summary, description and annotation

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In Mortal Memory is a collection of lyric poems, celebratory if often melancholy, both elegiac and ironic. Affirming that life is all becoming McNeillie mourns what that means in terms of loss and sorrow at time passing. The sea is a powerful presence, its meaning drawn both from the northern landscapes in which McNeillies work is rooted, and from the work of French poets, from Baudelaire and Hugo to Rimbaud and Corbire. The poems pitch up and down across formalities, against the idea of purity, while sustaining a rhyming, singing line.;Cover; Title Page; Dedication; Acknowledgements; Table of Contents; PART I : Song in Winter; Winter Song; Boozy Weather; Grief; How Deep is the Ocean?; High and Dry; Les Potes maudits; i.m. Juliette Drouet; Love in the Language Room; Le Rve; Solo in New York; Summer Reading; My Death; Mislaid; Trick Cyclist; At The Oystercatcher, Portmahomack; Literalist; Spring Campaign; The Rising of the Year; Hedger; Great Leveller; Internal Exile; Botanical Gardens Revisited; Nightjars; Arctic Terns; Anno Domini 2007; Summer Migrant; The Big Snow; The Wild Thorn; PART II : At Sea; Life-Line.

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for Diana Maureen Porter i.m. les neiges dantan

Some of these poems have appeared in: Agenda, Alhambra Poetry Calendar, Archipelago, Arte, Oxford Magazine, Oxford Poetry, PN Review, The Reader, Scottish Review of Books, Southlight, Times Literary Supplement (including the complete sequence O Vos Omnes), Yellow Nib. The editor of Archipelago aside, I am grateful to the editors of these publications for their encouragement. The poem Boozy Weather appears in the photographer Jemimah Kuhfelds The Poet Project.
Contents
I saw the Spring return, when I was dead William Wordsworth
(i) Chanson dhiver
I lie awake for more than half the night, like a northern summer, my mind suffused with light, though its deep winter still and long days are a dream thats yet to come when short nights keep a bonfire never quite gone out. I call this hope, if you will.

An oystercatcher on a roof-ridge pipes night ashore and day aboard in light like wreaths of smoke; and, even from this far, I can hear the tide crunch packed air, quarrying the bay for white sand. What is it that I cannot say, to you? Its not that I dislike the cold air: rain turned to sleet and flakes no longer hesitant blinding the headland with light, like a poke in the eye with a sprung twig, and metaphor stranded for the duration out in the wilderness of frozen pipes. The world as it is I can take if it exists, as appearances, and commonsense, insist. But they always insist too much, the facts and certainties their own undoing, for life is all becoming, and this winter night I lie here wide awake because of you.

(ii) Road Closed
This morning in January jumps at the woodside, and the world rocks as if hungry for the vernal equinox. Headlong we go.

Nothing damps our appetite for change. Time ticks too slow. Who can abide it hanging so? What once was valid is no longer. Who doesnt know? Sheared branches fly, and ivied limbs break under the weight of air, blocking the road. Pensive or vacant, we queue, out of sight, and into mind. The view explodes and tugs, as at heart strings.

And beyond our fish-tank staring-out it hurls ahead, reckless of destiny. As, just to think of you, my heart hurls me.

(iii) Winter
Winter has nothing to offer but itself. It is the years last resort, though holly come into berry and mistletoe offer relief to deciduous life and the ancient sky. Winter will do for me, the thing itself.
(iv) The Shadow of a Blackbird
It wasnt snowing and it wasnt going to snow.

Snow had become a thing I used to know, a metaphor whited out of every latitude I knew. So when it crossed my mind, I thought of you. So winter might have looked to its laurels, no longer variegated, no longer what it was. And the blackbird stranded in its branches looked the shadow of a blackbird too.

(v) O Wood!
This wood-and-leafmeal air, dank and frosted, deadens and scours the earth, as if for signs of life. Theyre somewhere, I tell myself, wired to the weather.

Disturb my heart? I am already wrecked beyond belief, whichever direction you turn me. O wood! would I were ever as certain of rebirth from such wreckage, as you are. Those who would put a Stoic face on it, I number well, their wood for trees. Im of their timber, but I know their belief isnt all that it appears.

(vi) February Song
It was a false evening very like a dawn. I heard a songthrush singing from an empty thorn.

Something in the light encouraged it to sing and as it sang so I have sung and been as wrong.

(vii) Les Feuilles dautomne
Autumn leaves, packs its bags, and winter inherits empty trees. Metaphor as symbol begs to embark again on violent seas. What put the no in November wont be gainsaid. No more I, though I remember mal de mer and wishing to be dead. No more I, whatever that might mean, before the seas ego.

Everything and its season gone before you know.

(viii) Uneven Song
Winter trims the gas under the Michaelmas daisies and purple turns to ash. Once ripe with promise, October fails and sinks into Novembers darkness. I knew you in my guilty innocence when autumn was no corruption. Then even winter fell to earth to rise again in frosted brilliance. The prototype of spring and resurrection promised like seed-time in its first green season.

But, in inverse proportion now, eavesdropping on an Oxford evensong and prayers of repentance, I step into the dark content to be brought to nothing.

(ix) Tidings
In the long nights I began as if setting out for spring. Making preparations for the bride. Laying all bare. I lingered bitterly through Easter, then gave up the ghost, on the weathers cross. What might have been cannot be written off, as being without meaning.

Id lived for something more but will make do with loss.

(x) Spinney
These are long days now, though winter days are short, prey to frost, and even snow, or uneven, migrant north, rare as winter lightning used to be, chasing death. Like a blood clot in the thinning light, thickening up, vestige after-glow, with angioplastic blackbird scolding through, memory false and true, to free the heart from where it cannot go.
What I think Im doing here, killing time, in this London hotel bar, I do not know, the evening bustling in early May, the streets thronged with passers-by. Too early, surely, to talk of winter? But brooding as I sip Grey Goose vodka I glimpse a skein of wild geese as they cross a wintry sky On which high octane lost trajectory, I find myself, and leave the world behind, back in my comfort zone of cloudy weather, where possession is all tenths of the law, and I am dispossessed of here and now, and all my little grief, for half an hour or so, seems what it is, mere comme il faut, encore une fois and not why is the world the way it is? But these others, in their happy hour, laugh, as if theyd laugh for ever, passing their drinks through the air, to one another in the press at the bar.
If forgetting were an option what would you choose to purge? Did anyone ever put such a question, the offer you can only refuse? Here, now, where evening thickens into night, I cling to light at its diurnal death.
If forgetting were an option what would you choose to purge? Did anyone ever put such a question, the offer you can only refuse? Here, now, where evening thickens into night, I cling to light at its diurnal death.

Brackens feather the headland. I forget how often But I forget nothing about you, and remember as if you were everything though now that everything is grief.

It is my sixty-first year to my doom: I am at sea and more or less alone. There is a place I commonly call home. There are some folk I love to call my own. I know some fragments of a heartfelt song that tells how every day man lives and dies.

There is a broken net I trawl along, a leaking haul of fishy memories. I have a code I tap when things go wrong as fog rolls in or waves climb out of sight. I know the mirage and the siren song but still the dream farewell, at setting out, allures, and back-ashores look-bright. As if I know what death is all about.

This vessel is unreal, forget the starry archipelago. Those haulers how they bore her up through the dune, I dont know.

So I bear this, and turn it, roof-up, to keep a secret, safe from winter, aware some of us wont see spring together, whoever we are. Times here by the sand grain, in abundant galaxies, an excess of it, like memory paint-stripped, on a salt wind, bringing tears to the eyes.

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