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Conrad Rudolph - A companion to Medieval art: Romanesque and Gothic in Northern Europe

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A companion to Medieval art: Romanesque and Gothic in Northern Europe: summary, description and annotation

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A Companion to Medieval Art brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.


  • Brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe.
  • Contains over 30 original theoretical, historical, and historiographic essays by renowned and emergent scholars.
  • Covers the vibrancy of medieval art from both thematic and sub-disciplinary perspectives.
  • Features an international and ambitious range - from reception, Gregory the Great, collecting, and pilgrimage art, to gender, patronage, the marginal, spolia, and manuscript illumination.

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BLACKWELL COMPANIONS TO ART HISTORY These invigorating reference volumes chart - photo 1

BLACKWELL COMPANIONS TO ART HISTORY

These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the English-speaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional sub-fields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, state-of-the-art synthesis of art history.

1 A Companion to Contemporary Art since 1945 edited by Amelia Jones

2 A Companion to Medieval Art edited by Conrad Rudolph

This paperback edition first published 2010
2010 Blackwell Publishing Ltd

Edition history: Blackwell Publishing Ltd (hardback, 2006)

Blackwell Publishing was acquired by John Wiley & Sons in February 2007. Blackwells publishing program has been merged with Wileys global Scientific, Technical, and Medical business to form Wiley-Blackwell.

Registered Office
John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ,
United Kingdom

Editorial Offices
350 Main Street, Malden, MA 02148-5020, USA
9600 Garsington Road, Oxford, OX4 2DQ, UK
The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wiley-blackwell.

The right of Conrad Rudolph to be identified as the author of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book. This publication is designed to provide accurate and authoritative information in regard to the subject matter covered. It is sold on the understanding that the publisher is not engaged in rendering professional services. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

Library of Congress Cataloging-in-Publication Data

A companion to Medieval art : Romanesque and Gothic in Northern Europe / edited by Conrad Rudolph.
p. cm. (Blackwell companions to art history)
Includes bibliographical references and index.
ISBN: 9781405102865 (hardcover: alk. paper)
ISBN: 9781405198783 (pbk.: alk. paper)
1. Art, MedievalEurope, Northern. I. Rudolph, Conrad, 1951 II. Series.
N5970 C56 2006
709.02dc22
2005033250

A catalogue record for this book is available from the British Library.

Illustrations

Puritans slighting Canterbury Cathedral, 1642, from the frontispiece to Mercurius Rusticus (1685 edition)
Canterbury Cathedral, engraving by Thomas Johnson and Wenceslaus Hollar in William Dugdales Monasticon Anglicanum (1682)
Detail of the frontispiece by Wenceslaus Hollar to William Dugdales Monasticon Anglicanum (1682)
The Entry of Prince Frederick into the Castle of Otranto, pen and wash drawing by John Carter (1790)
Cologne Cathedral, engraving by Wilhelm von Abbema (1842/46)
Esmeralda before Notre-Dame, by Daubigny and Thomas from Victor Hugos Notre-Dame de Paris (1850)
Adoration of the Cross, Psalter of Louis the German
John receives the command Ascende huc, Revelation with Haimo of Auxerres commentary
Omne Bonum, fourteenth century
Reliquary statue of St Foi, ninth/tenth century
The Apotheosis of St Benedict, c.1144, from the Abbey Church of St Denis.
Christs side wound and instruments of the Passion, Psalter, and Prayer Book of Bonne of Luxembourg, probably before 1349
St Catherine sucking Christs side wound, Raymund of Capua, Life of St Catherine of Siena, fifteenth century
Ingvar commanding his messenger and Edmund refusing Ingvars command from Life, Passion, and Miracles of St Edmund
Apocalypse: Angel Casting the Millstone
Harold swears an oath of loyalty to William and returns to England, Bayeux Tapestry
St Mark from a Gospel Book produced at Corbie, c.102550
Capital with Daniel at the lions den, cloister at the Abbey of St Pierre at Moissac, West Gallery, c.1100
Mourning woman at the deathbed of King Edward the Confessor, Bayeux Tapestry
Tomb of Queen Anna, Basel Cathedral, c.1280
Elisabeth of Carinthia, Queen of Germany
Eleanor of Aquitaine and Henry II with their children as donors of a stained-glass window, stained glass, Poitiers Cathedral, c.1165
Portrait of a queen, stained glass, Tonnerre Hospital, c.1295
Cutting from a Sacramentary
Mosan enamel
Central apse of St Johann, Mstair
Charlemagne window, Notre-Dame, Chartres
Wolfram von Eschenbach, Willehalm, Munich, Bayer
Psalm 68, Queen Mary Psalter, c.1315
Alton-Towers Triptych, c.1160
Typological window, Bourges Cathedral, c.1215
Spinola Hours, Eucharistic procession and gathering of the manna, c.1515
Hierarchies of agency as represented in the creation of the Toledo Bible moralise
Cupboard, Saxony, c.1230
Egg-reliquary, Saxony, c.121020
Reliquary casket, probably from Cologne, c.116070
The Lothar Cross, c.9801000
The Herimann Cross, c.1049
The Eagle Vase of Suger, c.11404
The Treasury of St Denis, including the Eagle Vase and other objects made for Abbot Suger
Historiated initial P, Moralia in Job, made at Cteaux
Capital with double-bodied lions threatening men from the Cloister of St Michel-de-Cuxa
Babewyns in the Luttrell Psalter
Gargoyle from Ste Chapelle, Paris
Capital with monstrous heads mounted on human arms
Breviary page with marginal images
Double page view of Rutland Psalter
Map of the Roman Empire, c.395
Map of the Caliphate of Cordoba, c.750
Map of the Carolingian Empire, 814
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