Moses Cardona, Nancy Miller, and Evie Preston contributed immensely to Publishing: A Writers Memoir. I am so glad to have them in my corner.
Gail Godwin is a three-time National Book Award finalist and bestselling author of fourteen critically acclaimed novels, including Flora , Queen of the Underworld , The Good Husband , A Mother and Two Daughters , Father Melancholys Daughter , and Evensong ; two story collections, Dream Children and Mr. Bedford and the Muses ; and a nonfiction work, Heart: A Personal Journey Through Its Myths and Meanings . She is the author of The Making of a Writer , volumes one and two, edited by Rob Neufeld. She has received many awards, including a Guggenheim Fellowship, National Endowment for the Arts grants for both fiction and libretto writing, the Janet Heidinger Kafka prize, the Thomas Wolfe Award, and the Award in Literature from the American Academy of Arts and Letters.
She lives in Woodstock, New York. Visit her website at www.gailgodwin.com.
Frances Halsband is a founding partner of Kliment Halsband Architects in New York City. The firm does master planning and design for schools and universities. They have received the Medal of Honor and the Architecture Firm Award from the American Institute of Architects. Frances has served as a commissioner of the New York City Landmarks Preservation Commission and as dean of the School of Architecture at Pratt Institute. She did the drawings for Gail Godwins Evenings at Five . Her website is www.kliment-halsband.com.
NOVELS
Flora
Unfinished Desires
Queen of the Underworld
Evenings at Five
Evensong
The Good Husband
Father Melancholys Daughter
A Southern Family
The Finishing School
A Mother and Two Daughters
Violet Clay
The Odd Woman
Glass People
The Perfectionists
STORY COLLECTIONS
Mr. Bedford and the Muses
Dream Children
NON-FICTION
The Making of a Writer: Journals, vols. 1 and 2
Heart: A Personal Journey Through Its Myths and Meanings
1902
Mrs. Craddock by the doctor Somerset Maugham, age twenty-eight, published in England by Heinemann after author agrees to remove shocking passages.
1912
Kathleen Krahenbuhl born in Selma, Alabama.
1918
Proff Frederick H. Koch arrives at UNC, Chapel Hill, to teach playwriting; Thomas Wolfe is in his class.
1929
Look Homeward, Angel by Thomas Wolfe, age twenty-nine, of Asheville, N.C., published by Scribner.
1934
Kathleen Krahenbuhl writes and performs in her Carolina Playmakers plays at Chapel Hill.
1937
Gail Godwin born in Bessemer, Alabama.
19421945
Kathleen Godwin works as general assignment reporter at the Asheville Citizen-Times and publishes under pen names in love story pulps.
1954
Confessions of Felix Krull: Confidence Man (The Early Years) by Thomas Mann, age seventy-nine, published by Knopf.
1957
Gail waits tables during summer at Mayview Manor, Blowing Rock, N.C.
19571959
Gail earns B.A. in journalism at UNC, Chapel Hill.
19591961
Gail works as general assignment reporter for the Miami Herald.
1961
Adrift in Soho , by Colin Wilson, age thirty, published by Gollancz.
19621966
Gail works for United States Travel Service in London.
19671971
Gail at University of Iowa; attends Iowa Writers Workshop, earns M.A. and Ph.D. in English literature.
1968
John Hawkins sells The Perfectionists to David Segal at Harper & Row.
1970
The Perfectionists published when Gail is thirty-three. David Segal moves to Knopf as a senior editor, dies. Robert Gottlieb becomes Gails editor.
1972
Gail on postdoctoral fellowship at University of Illinois, Champaign-Urbana. Knopf publishes Glass People. Gail begins The Odd Woman. Gail has summer residence at Yaddo artists colony in Saratoga Springs, N.Y.; meets composer Robert Starer.
1973
Gail and Robert move to Stone Ridge, N.Y.
1974
Knopf publishes The Odd Woman (finalist for National Book Award).
1976
Knopf publishes Dream Children (stories); Gail and Robert move to Woodstock, N.Y.
1978
Knopf publishes Violet Clay (1979 finalist for National Book Award).
1982
A Mother and Two Daughters published by Viking (finalist for National Book Award).
1983
Viking publishes Mr. Bedford and the Muses (a novella and stories).
1985
Viking publishes The Finishing School.
1987
Morrow publishes A Southern Family (wins Janet Heidinger Kafka Prize and Thomas Wolfe Memorial Literary Award).
1989
Kathleen Cole dies in automobile crash.
1991
Morrow publishes Father Melancholys Daughter.
1994
Random HouseBallantine publishes The Good Husband.
1999
Random HouseBallantine publishes Evensong.
2001
Morrow publishes Heart ; Robert dies.
2003
Random HouseBallantine publishes Evenings at Five.
2006
Random House publishes Queen of the Underworld and The Making of a Writer, Volume One , edited by Rob Neufeld.
2009
Random House publishes Unfinished Desires.
2011
Random House publishes The Making of a Writer, Volume Two . John Hawkins dies.
2013
Bloomsbury USA and Bloomsbury UK publish Flora.
Contents
A CHANGE OF HEART AND STYLE
There is a place in me I havent gone yet.
Authors 2009 notes when starting Flora
Grandmothers storyline: This is what didnt happen. Its my cover up, and after Im dead you wont know what I had to cover up.
Floras storyline: This is what happened. Its all I know.
Authors 2010 notes while writing Flora
You think this story is going to be about Helen, said Alexandra Pringle, my English publisher at Bloomsbury UK, but when you reach the end you realize its about Flora, and you are devastated. She was describing the readers response, but she also was describing my experience of writing it.
I began the book thinking it was going to be all about Helen and how things turned out for Helen: the precocious and cunning child who became the accomplished and remorseful adult. But I also uncovered a new kind of character in Flora. Her story is over but I miss her and want her back.
I thought I knew her intimately, I thought I knew everything there was to know about her, reflects Helen as she looks back over the summer that her cousin Flora took care of her, but she has since become a profound study for me.... Styles have come and gone in storytelling, psychologizing, theologizing, but Flora keeps providing me with something as enigmatic as it is basic to life, as timeless as it is fresh.
Helen is ten and Flora, a first cousin of Helens late mother, is twenty-two, during their summer together. Helens grandmother Nonie, who has raised her, died in the spring, and Helens father is off doing secret war work in Oak Ridge, Tennessee.
Flora was the first novel I kept to myself. During its three years of writing, I showed it to no one. At first my reasons for withholding it were practical ones. There was no longer someone living in the house to whom I could read chapters hot from the presses and have him first praise the successful things and then, in subsequent bearable increments, suggest where it fell short. (Listen, Ive been thinking: Margaret is eighteen years old. You have to give her a boyfriend.) My agent and first reader outside the house was slowly and painfully convalescing from a series of major surgeries. Also, I was not ready to make another contract: I was pretty sure I was going to seek a new publisher, and first wanted to get an idea of where the book was going.
But as the chapters accumulated and the characters interactions pointed more and more inevitably toward the conclusion, the intimacy between me and this book became too precious to risk. Constructing this lean tale about the underpinnings of the self was more important than any book contract or suggestions from others.
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