SALTED PAPER PRINTING
Salted Paper Printing: A Step-by-Step Manual Highlighting Contemporary Artists is a book about the first photography-on-paper process from the dawn of photographys history. In Salted Paper Printing this 19th century process is updated with 21st century digital negative methods. With a few inexpensive ingredients such as ordinary table salt and silver nitrate, evocative hand-coated prints can be created from a camera as simple as a smartphone.
Salted Paper Printing is divided into two parts, richly illustrated with close to 400 photographs. Part One is a complete how-to on the salted paper process from simple to complex, with an extensive troubleshooting guide illustrated with 70 photographic examples. Part One includes creative ideas to push the boundaries of the salted paper print, such as handcoloring and printing salt in combination with gum bichromate. Part Two is devoted to contemporary salted paper artists who share their methods and secrets to creating their beautiful salted paper prints.
Topics that the book covers are:
A succinct bulleted timeline of key events in salted papers history
How to organize the salted paper dimroom
What the best chemistry supplies, equipment, and papers to use are
A step-by-step digital negative method
How to practice photogenic drawing, William Henry Fox Talbots original salted paper process
Simple and advanced methods of salted paper printing
How to salt, salt-size, and sensitize paper with traditional and animal-friendly methods
Using the sun or an ultraviolet light source to best expose your image
Step-by-step processing directions
Toning the salted paper print with gold, platinum, and other metals
Troubleshooting salted paper, including lots of photographs of common issues
Printing gum over salted paper to add gloss, tone, or full color to the salt print
Handcoloring salted paper, printing cyanotype and salt together, and other creative suggestions
Finishing, framing, and storing salt prints with examples of varnish, mat and frame choices
Contemporary artists advice, techniques, and works in 2-, 4-, or 6-page spreads
Salted Paper Printing provides much for the beginning salt enthusiast as well as for the advanced practitioner. Backed with thorough research from 180 books, journals, and magazine articles from 1839 to the present day, there is enough information to provide inspiration and proof of salted papers originaland continuingplace in historic and contemporary photography.
Christina Z. Andersons work has shown nationally and internationally in 100+ shows and 40+ publications. She is author of The Experimental Photography Workbook, Gum Printing and Other Amazing Contact Printing Processes, Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice, and co-author with Samuel Wang, S. Carl King, and Zhong Jianming of Handcrafted: The Art and Practice of the Handmade Print (Chinese). Anderson is Associate Professor of Photography at Montana State University, Bozeman. To see her work, visit christinaZanderson.com.
Contemporary Practices in Alternative Process Photography Series
Series Editor: Christina Z. Anderson
The Contemporary Practices in Alternative Process Photography series focuses the lens on a variety of alternative, historical processes from the mediums 180-year history. Each book outlines a step-by-step approach to a particular medium, and features contemporary artists who use that particular process regularly in their practice. The richly illustrated books in this series serve as guidebooks for those new to alternative processes, refresher courses for professionals already familiar with each medium, and a source of inspiration for all. Salted Paper Printing is the first in the series, an appropriate beginning because salted paper was shared with the world the very month of photographys birthJanuary 1839.
SALTED PAPER PRINTING
A Step-by-Step Manual Highlighting Contemporary Artists
CHRISTINA Z. ANDERSON
from the Contemporary Practices in Alternative Process Photography Series
First published 2018
by Routledge
711 Third Avenue, New York, NY 10017
and by Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
Routledge is an imprint of the Taylor & Francis Group, an informa business
2018 Taylor & Francis
The right of Christina Z. Anderson to be identified as author of this work has been asserted by her in accordance with sections 77 and 78 of the Copyright, Designs and Patents Act 1988.
All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers.
Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
Library of Congress Cataloging-in-Publication Data
Names: Anderson, Christina Z., author.
Title: Salted paper printing : a step-by-step manual highlighting contemporary artists / Christina Z.
Anderson.
Description: New York, NY : Routledge, [2018] | Includes bibliographical references and index.
Identifiers: LCCN 2017027521| ISBN 9781138280212 (hardback) | ISBN 9781138280229 (pbk.) | ISBN
9781315272344 (ebk)
Subjects: LCSH: Photography--Printing processes. | Photography--Printing papers. | Photography,
Artistic.
Classification: LCC TR330 .A555 2018 | DDC 771--dc23
LC record available at https://lccn.loc.gov/2017027521
ISBN: 978-1-138-28021-2 (hbk)
ISBN: 978-1-138-28022-9 (pbk)
ISBN: 978-1-315-27234-4 (ebk)
Publishers Note:
Th is book has been prepared from camera-ready copy provided by the author.
Also by Christina Z. Anderson:
The Experimental Photography Workbook (2012)
Gum Printing and Other Amazing Contact Printing Processes (2013)
Handcrafted: The Art and Practice of the Handmade Print (2014, 2015)
1st edition Chinese only, 2nd with an English insert, co-authors Jianming, King, Wang
Gum Printing: A Step-by-Step Manual Highlighting Artists and Their Creative Practice (2017)
Exercise caution in the handling of all photographic chemicals. Use of any such chemicals constitutes some risk, and some are poisonous. The publisher and author accept no responsibility for injury or loss arising from the procedures or materials described in this book whether used properly or improperly. The workplace should be well ventilated. Chemicals should be mixed only in the manner described. Avoid contact between the chemicals and eyes, skin, clothing, and furniture. Do not eat or drink while using chemicals. Keep them away from pets and children. Wear protective eye wear and gloves if necessary. In short, be mindful of all safety procedures for yourself and others.
Dedicated to
Marek Matusz,
fellow traveler
on this shared
salted paper journey
Figure P.1 Madonna of the
Window, gold-toned salted paper print with spray paint and acrylic wash, 24 32 Daniel W. Coburn 2016
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