Mathilda V. Schwalbach - Silk-Screen Printing for Artists and Craftsmen
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- Book:Silk-Screen Printing for Artists and Craftsmen
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- Publisher:Dover Publications
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- Year:1981
- Rating:3 / 5
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Silk-Screen Printing for Artists and Craftsmen: summary, description and annotation
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Screen printing is simple enough for a child or beginner, but it is also a favorite printing process of experienced artists and craftspeople. It allows for a wide range of creative possibilities. It is less inhibiting than other printing processes. And, contrary to most other methods of printing, it does not require the user to make the mental translations of a reversed image.
The extreme versatility of the medium has opened completely new possibilities for design and expression in both serigraphy (art prints) and textile designs. The Schwalbachs book clearly explains how to employ silk-screen printing in both of these areas: producing a serigraph and making a fabric print. It also sets down all of the steps involved in constructing a printing board and frame, keying the screen, preparing inks or dyes, and printing the color runs plus a list of various problems that might turn up and their solutions.
Other facets discussed include the best ways of cleaning up, handling the completed print, and working with different resists paper, blockout, washout, photo-emulsion. There is even a special print project for the beginner, using a cardboard frame and school tempera paint. Nearly 200 diagrams and photographs, including 19 in full color, make a clear text even clearer and offer examples of completed prints.
The Schwalbachs taught silk-screen printing for many years at the University of Wisconsin. They know how to communicate the essence of this craft in the best manner possible. With their book as a guide, anyone can quickly master the techniques of silk-screening printing.
Mathilda V. Schwalbach: author's other books
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For developing a climate and environment that made it possible for the creative artist-craftsman, both faculty and student, to develop freely and produce his work.... to the University of Wisconsin, Madison, and the Department of Related Art (Chairman, Professor Agatha Norton) in the School of Family Resources and Consumer Sciences.
For allocating time and facilities for the artist-teacher and his students to work and create, and particularly for the recognition of the production of the art object as the full scholarly equivalent of the more traditional academic research.... to the University of Wisconsin Center System (Chancellor Lorentz H. Adolfson), and especially to the University Center campuses at Baraboo and Janesville.
For the financing and building of the Allen-Related Art Textile Collection which stimulates both faculty and student in their quest for high quality production .... to the late Professor Helen Allen of the Department of Related Art.
For continuing encouragement and guidance.... to Professor Agnes Leindorff, Professor Ruth D. Davis, and Mrs. Patricia K. Mansfield.
For cooperation and assistance.... to Mrs. Ruth Harris, and Professor Margaret Cooper.
For gentle needling that kept one continually creating, sometimes under difficult arrangements.... to Professor Fred Logan of the Department of Art.
For the use of both themselves and their work within this book and for their complete cooperation in the many successes and failures we jointly experienced in our explorations.... to the following students: Carole Bansemer, Linda Baumgarten, Bobette Heller, Caroline Hunkel Kitelinger, Barbara C. Knollenberg, Jan Kraft, Patricia K. Mansfield, Margaret Mezzera, Timothy J. McIlrath, Irene Naik, Sue Palm, Russell Peterson, Sue C. Powell, James Prebonich, Karene Skarsten, Mrs. Elizabeth Weber, Robert Witzack, Patricia Zuzinec, and those many hundreds of other students from whom artist-teachers learn so much.
For the typing, proofing, and duplicating that never seemed to end.... to Mrs. Sharon L. Abraham, Mrs. Beatrice Goldberg, Miss Mary Hamel, and Miss Jan Norsetter.
For most sympathetic aid in the editing of this book.... to Mrs. Eleanore W. Karsten.
For initial interest in this project and his production of almost all of the photographs that appear in this book.... to Mr. Henry Kakehashi of the International Film Bureau in Chicago.
For permission to use copyright material.... to the American Center for Students and Artists, for the lines by Elizabeth McCausland from Parnassus, March 1940; the Print Council of America, for the definition from What Is an Original Print; and Yale University Press, for the quote from Josef Albers: Despite Straight Lines, by Franois Bucher.
Ahlberg, G., and Jarneryd, O., Block and Silk Screen Printing. Sterling. 1961.
American Fabrics Magazine, editors of, Encyclopedia of Textiles. Prentice-Hall, 1960.
Anderson, Donald M., Elements of Design. Holt, Rinehart & Winston, 1961.
Auvil, Kenneth W., Serigraphy: Silk Screen Techniques for the Artist. Prentice-Hall, 1965.
Ballinger, Louise B., and Vroman, Thomas, Design: Sources and Resources. Reinhold, 1965.
Beitler, Ethel Jane, and Lockhart, Bill, Design for You. John Wiley, 1961.
Biegeleisen, J. I., Complete Book of Silk Screen Printing Production. Dover, 1963.
, The Silk Screen Printing Process. McGraw-Hill, 1938.
, Silk Screen Stencil Craft as a Hobby. Harper, 1935.
, and Busenbark, E. J., The Silk Screen Printing Process. McGraw-Hill, 1941.
, and Cohn, M. A., Silk Screen Stencilling as a Fine Art. McGraw-Hill, 1942.
, and Cohn, M. A., Silk Screen Techniques. Dover, 1958 .
Bindewald, Erwin, and Kasper, Karl. Fairy Fancy on Fabrics. Georg Westermann Verlag, Braunschweig, Germany, 1951.
Birrell, Verla, The Textile Arts. Harper, 1959.
Birren, Faber, Creative Color. Reinhold, 1961.
Brooks, Evelyn, Your Textile Printing. Charles A. Bennett, 1950.
Cahn, Joshua Binion, ed., What is an Original Print? Print Council of America, 1964.
Carr, Frances, Guide to Screen Process Printing. Pitman, 1962.
Chieffo, Clifford, Silk Screen as a Fine Art. Reinhold, 1967.
Clemence, Will, The Beginneis Book of Screen Process Printing. Blanford Press, London, 1959.
Conran, Terence, Printed Textile Design. Studio Publications, 1957.
Cronar Screen Process Film, E. I. Dupont De Nemours & Co. Photo Products Department, Wilmington, Delaware.
Dyeing and Printing with I. C. I. Dyestuffs. I. C. I. Organics, Inc., 1967.
Emerson, Sybil, Design: A Creative Approach. International Textbook, 1955.
Fossett, Robert O., Techniques in Photography for the Silk Screen Printer. Signs of the Times, 1959.
Giambruni, Helen, Color Scale and Body Scale; Craft Horizons, Vol. 28, No. 3, pp. 43-47, May/June 1969.
Green, Peter, Creative Printmaking. Batsford Publishing Company, London.
Heller, Jules, Printmaking Today. Holt, Rinehart & Winston, 1958.
Hiett, Harry L., Screen Process Production. Signs of the Times, 1936.
Jacobson, Egbert, Basic Color. Paul Theobald, 1948.
Johnston, Meda Parker, and Kaufman, Glen, Design on Fabrics. Reinhold, 1967.
Jones, Owen, Grammar of Ornament. B. Quartich, London, 1868.
Justema, William, The Pleasures of Pattern. Reinhold, 1969.
Kinsey, Anthony, Introducing Screen Printing. Watson-Guptill, 1968.
Kosloff, Albert, Ceramic Screen Printing. Signs of the Times, 1962.
, Elementary Silk Screen Printing. Naz-Dar Co., 1951.
, Photographic Screen Process Printing. Signs of the Times, 1962.
, Screen Printing Electronic Circuits. Signs of the Times, 1968.
, Screen Process Printing. Signs of the Times, 1964.
Lauterberg, Lotti, Fabric Printing. Reinhold, 1963.
Mansfield, Patricia Klein, The Exploration of a Presensitized Screen Process Film for Designing Screen Printed Textiles. Thesis, University of Wisconsin Memorial Library, 1966.
Marsh, Roger, Silk Screen Printing for the Artist. Transatlantic.
Nelson, George, Problems of Design. Whitney Publications, 1957.
Proud, Nora, Textile Printing and Dyeing. Reinhold, 1965.
Roberts, Edith A., Silk Screen Printing with Anthrasol Indigosol Dyes. Craft Horizons, Vol. 18, p. 40, September/October 1958.
Robinette, G., The Design Characteristics of Plant Materials. Plant Form Studies, 1967.
Russ, Stephen, Fabric Printing by Hand. Watson-Guptill, 1968.
Searle, Valerie, and Clayson, Roberta, Screen Printing on Fabric. Watson-Guptill, 1968.
Shokler, Harry, Artists Manual for Silk Screen Print Making. Tudor Publishing Co., 1960
Spurny, Jan, Modern Textile Designer: Antonin Kybal. Artia, Czechoslovakia, 1960.
Steffen, Bernard, Silk Screen. Pitman Publishing Co., 1963.
Stephenson, Jessie B., From Old Stencils to Silk Screening: A Practical Guide. Scribner, 1953.
Sternberg, Harry, Silk Screen Color Printing. McGraw-Hill, 1942.
Teur, Andrew W., Japanese Stencil Designs (book at Chicago Art Institute).
Zahn, Bert, Silk Screen Methods of Reproduction. Frederick J. Drake, 1950.
FILMSTRIP
Screen Process Printing for the Serigrapher and Textile Designer,
35mm color filmstrips (4 parts) which may be used in conjunction
with this book in the classroom, is available from
International Film Bureau Inc.
332 So. Michigan Ave. Chicago, Ill. 60604
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