Coyle Martin - Encyclopedia of Literature and Criticism
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ENCYCLOPEDIA OF LITERATURE AND CRITICISM
LITERATURE AND
CRITICISM
EDITED BY
Martin Coyle
Peter Garside
Malcolm Kelsall
and
John Peck
First published 1990
by Routledge
11 New Fetter Lane, London EC4P 4EE
Routledge is an imprint of the Taylor & Francis Group
This edition published in the Taylor & Francis e-Library, 2003.
1991 Routledge
All rights reserved. No part of this book may be reprinted
or reproduced, or utilized in any form or by any electronic,
mechanical, or other means, now known or hereafter
invented, including photocopying and recording, or in any
information storage or retrieval system, without permission
in writing from the publishers.
British Library Cataloguing in publication Data
Encyclopedia of Literature and criticism
I. Coyle, Martin
801.95
ISBN 0-203-40362-2 Master e-book ISBN
ISBN 0-203-71186-6 (Adobe eReader Format)
ISBN 0-415-02065-4 (Print Edition)
PERMISSIONS
1. John Williams: British Poetry Since 1945
From the Frontier of Writing in Haw lantern
Seamus Heaney
Published by Faber and Faber, 1987
Used by permission in the US of Farrar, Straus and Giroux, Inc.
The Badger in Fieldwork
Seamus Heaney
Published by Faber and Faber, 1979
Used by permission in the US of Farrar, Straus and Giroux, Inc.
Dockery and Son and Love Again in Collected Poems
Phillip Larkin
Published by Faber and Faber, 1988
Saint's Island in Flowers and Insects
Ted Hughes
Published by Faber and Faber, 1986
Reprinted in the US by permission of Harper and Row
The Clever Garden
George Macbeth
Published by Martin Seeker and Warburg
Rage for Order in Poems 19621978
by Derek Mahon
OUP 1979
Christophorus by Mary Casey
Gerard Casey
Enitharnon Press, 1981
The Welsh Hill Country in Selected Poems
by R.S.Thomas
Gwydion Thomas
Published by Bloodaxe Books, 1986
Selected Poems by Tony Harrison
Tony Harrison
Published by Penguin, 1987
Selected Poems by Carol Rumens
Carol Rumens
Published by Chatto and Windus, 1987
The Memory of War
by James Fenton
Reprinted by permission of Peters Fraser and Dunlop Group Ltd
Published by Penguin Books
Collected Poems by Geoffrey Hill
Reprinted by permission of Andre Deutsch
Ariel by Sylvia Plath
Ted Hughes
Reprinted by permission
Reprinted in the US by permission of Harper and Row
Published by Faber and Faber, London
2. Thomas Gardner: Contemporary American Poetry
North American Sequence, Meditation at Oyster Bay and The Rose in Collected Poems 1966 by Theodore Roetke
Used by permission of Doubleday, a division of Bantam, Doubleday, Dell Publishing Group Inc.
1962 by Beatrice Roetke, Administratrix of the estate
1960 (as above)
1963 (as above)
respectively.
Published in the US by permission of Faber and Faber
To a Friend Going Blind and Patience in Erosion by Jorie Graham.
Princetown University Press, 1983
At the Fishouses in The Complete Poems 19271979 by Elizabeth Bishop.
1947 by Elizabeth Bishop.
Renewal copyright by Elisabeth Bishop 1974.
Copyright 1979, 1983 by Alice Helen Methfessel.
Reprinted by permission of Farrar, Straus and Giroux, Inc.
At the Loom by Robert Duncan in Bending the Bow
Robert Duncan 1968
Reprinted by permission of New Directions Publishing Corporation
Fictive Certainties
Robert Duncan 1985
Reprinted by permission of New Directions Publishing Corporation
3. Jan Montefiore: Women and the Poetic Tradition
The Complete Poems of Emily Dickinson Editor: Thomas H.Johnson
1929 by Mary Dickinson Bianchi
renewed 1957 by Mary L.Hampson
Reprinted by permission Of Little, Brown and Company
Thoughts drifting through the Fat Black Woman's head while having a full bubble bath in The Fat Black Woman's Poems by Grace Nichols
Grace Nichols, 1984
Published by Virago Press, 1984
Collected Poems E.J.Scovell
Carcanet
Trilogy by Hilda Doolittle
1982 Hilda Doolittle
UK and Commonwealth rights: Carcanet
Reprinted in the US by permission of New Directions Publishing Corporation
The Fact of a Doorframe Poems Selected and New 19501984 by Adrienne Rich
Reprinted by permission of Adrienne Rich and W.W.Norton and Company, Inc.
1984 by A.Rich
1975, 1978, 1981 by A.Rich
Permissions have been sought for all extracts. However, certain copyright details had not been made available to Routledge at time of going to press.
The aims and intentions of Literature and Criticism are probably best described by an account of the project's history. Our brief from the publisher was for a work of reference, covering the field of literary and critical activity now usually described as English or English Literature. From the earliest stages of planning, however, we felt that what was needed went beyond a descriptive guide to authors and texts on conventional lines. The idea began to take shape of a work that acknowledged both the existence of texts and the surrounding structure of critical debate. We moved towards a notion of a reference work which not only covered English literature, but also dealt with how it has been discussed and how it is being discussed now.
Such a work could not, and should not, aim to be an objective guide. On the contrary, it was agreed that we should consciously set out to engage scholars and critics of different persuasions, with the prospect that their varying perspectives would be reflected in the essays. While subject areas were specified in general outline, authors were invited to question divisions and propose their own modifications. Attention was drawn to some of the implications of our scope (for instance, that essays would need to achieve a balance appropriate to their subject between literature and criticism). We encouraged writers to address recent critical and scholarly issues in their field and to indicate where they felt new ground might be broken.
The Encyclopedia's sections and an approximate order of subjects were drafted at an early stage, so that most contributors wrote with an awareness of the particular context in which their essays would be placed. As new ideas (and some gaps) came to our attention, a few additional titles were commissioned; some local changes in order were also made as opportunities for creating fresh currents and tensions between neighbouring essays became available. The rationale behind the structure, nevertheless, remains largely unchanged. The introductory keynote essays in Section I, lay out theparameters of the debate, and propose issues which reverberate throughout the volume: what do we mean by literature now? is there a present role for criticism? how can we describe the complex and ever-changing relationship between these terms? Sections IIV, in external organization at least, reflect more traditional ways of thinking about English as a subject. The essays in Section II are patterned according to established ideas of period and literary movement, though standard assumptionsincluding the lines of demarcation dividing cultural erasare always open to challenge. In the third, fourth and fifth sections topics are assembled under the genre headings of poetry, drama and the novel. Authors, on the other hand, were by no means bound by conventional categorizations, which are often questioned from within sections and at their margins.
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