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Carr - The night of the gun: a reporter investigates the darkest story of his life, his own

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Carr The night of the gun: a reporter investigates the darkest story of his life, his own
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A confessional account of the authors struggles with addiction traces his rise from a crack house regular to a columnist for The New York Times, describing his experiences with rehabilitation, cancer, and single parenthood.

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The night of the gun a reporter investigates the darkest story of his life his own - image 1

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SIMON & SCHUSTER
1230 Avenue of the Americas
New York, NY 10020

Copyright 2008 by David Carr

All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information, address Simon & Schuster Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020.

SIMON & SCHUSTER and colophon are registered trademarks of Simon & Schuster, Inc.

Library of Congress Cataloging-in-Publication Data

Carr, David.
The night of the gun : a reporter investigates the darkest story of his life, his own / David Carr.
p. cm.
1. Carr, David. 2. Drug addictsUnited StatesBiography. 3. Cocaine abuseUnited StatesCase studies. 4. JournalistsNew York (State)New YorkBiography. I. Title.
HV5805.C356A3 2008
616.860092dc22
[B]
2008012178

ISBN-13: 978-1-4165-8023-2
ISBN-10: 1-4165-8023-9

Visit us on the World Wide Web:
http://www.SimonSays.com

To the magic fairies
Jill, Meagan, Erin, and Madeline

AUTHORS NOTE

T he following book is based on sixty interviews conducted over three years, most of which were recorded on video and/or audio and then transcribed by a third party. The events represented are primarily the product of mutual recollection and discussion. Hundreds of medical files, legal documents, journals, and published reports were used as source material in reconstructing personal history. Every effort was made to corroborate memory with fact and in significant instances where that was not possible, it is noted in the text. (Go to nightofthegun.com for more information concerning methodology.) All of which is not to say that every word of this book is trueall human stories are subject to errors of omission, fact, or interpretation regardless of intentonly that it is as true as I could make it.

It is quite a common thing to be thus annoyed with the ringing in our ears, or rather in our memories, of the burden of some ordinary song, or some unimpressive snatches from an opera. Nor will we be the less tormented if the song in itself be good, or the opera air meritorious. In this manner, at last, I would perpetually catch myself pondering upon my security, and repeating, in a low undertone, the phrase, I am safe.

One day, whilst sauntering along the streets, I arrested myself in the act of murmuring, half aloud, these customary syllables. In a fit of petulance, I remodeled them thus:

I am safeI am safeyesif I be not fool enough to make open confession!

EDGAR ALLAN POE, THE IMP OF THE PERVERSE

PART ONE
GUN PLAY

Sure as a gun.

DON QUIXOTE

T he voice came from a long distance off, like a far-flung radio signal, all crackle and mystery with just an occasional word coming through. And then it was as if a hill had been crested and the signal locked. The voice was suddenly clear.

You can get up from this chair, go to treatment, and keep your job. Theres a bed waiting for you. Just go, said the editor, a friendly guy, sitting behind the desk. Or you can refuse and be fired. Friendly but firm.

The static returned, but now he had my attention. I knew about treatmentI had mumbled the slogans, eaten the Jell-O, and worn the paper slippers, twice. I was at the end of my monthlong probation at a business magazine in Minneapolis; it had begun with grave promises to reform, to show up at work like a normal person, and I had almost made it. But the day before, March 17, 1987, was Saint Patricks Day. Obeisance was required for my shanty Irish heritage. I twisted off the middle of the workday to celebrate my genetic loading with green beer and Jameson Irish whiskey. And cocaine. Lots and lots of coke. There was a van, friends from the office, and a call to some pals, including Tom, a comedian I knew. We decided to attend a small but brave Saint Patricks Day parade in Hopkins, Minnesota, the suburban town where I grew up.

My mother made the parade happen through sheer force of will. She blew a whistle, and people came. There were no floats, just a bunch of drunk Irish-for-a-days and their kids, yelling and waving banners to unsuspecting locals who set up folding chairs as if there were going to be a real parade. After we walked down Main Street accompanied only by those sad little metal noisemakers, we all filed into the Knights of Columbus hall. The adults did standup drinking while the kids assembled for some entertainment. I told my mom that Tom the comedian had some good material for the kids. He immediately began spraying purple jokes in all directions and was wrestled off the stage by a few nearby adults. I remember telling my mom we were sorry as we left, but I dont remember precisely what happened after that.

I know we did lots of more. Thats what we called coke. We called it more because it was the operative metaphor for the drug. Even if it was the first call of the night, we would say, You got any more? because there would always be moremore need, more coke, more calls.

After the Knights of Columbus debacleit was rendered as a triumph after we got in the vanwe went downtown to McCreadys, an Irish bar in name only that was kind of a clubhouse for our crowd. We had some more, along with shots of Irish whiskey. We kept calling it just a wee taste in honor of the occasion. The shot glasses piled up between trips to the back room for line after line of coke, and at closing time we moved to a house party. Then the dreaded walk home accompanied by the chirping of birds.

Thats how it always went, wheeling through bars, selling, cadging, or giving away coke, drinking like a sailor and swearing like a pirate. And then somehow slinking into work as a reporter. Maybe it took a line or two off the bottom of the desk drawer to achieve battle readiness in the morning, but hey, I was there, wasnt I?

On the day I got firedit would be some time before I worked againI was on the last vapors of a young career that demonstrated real aptitude. Even as I was getting busy with the coke at night, I was happy to hold the cops and government officials to account in my day job. Getting loaded, acting the fool, seemed like a part of the job description, at least the way I did it. Editors dealt with my idiosyncrasiescovering the city council in a bowling shirt and red visor sunglassesbecause I was well sourced in what was essentially a small town and wrote a great deal of copy. I saw my bifurcated existence as the best of both worlds, no worries. But now that mad run seemed to be over. I sat with my hands on the arms of the chair that suddenly seemed wired with very strong current.

There was no time to panic, but the panic came anyway. Holy shit. They are on to me.

The editor prodded me gently for an answer. Treatment or professional unallotment? For an addict the choice between sanity and chaos is sometimes a riddle, but my mind was suddenly epically clear.

Im not done yet.

Things moved quickly after that. After a stop at my desk, I went down the elevator and out into a brutally clear morning. Magically, my friend Paul was walking down the street in front of my office building, looking ravaged in a leather coat and sunglasses. He hadnt even beaten the birds home. I told him I had just been fired, which was clinically true but not the whole story. A folk singer of significant talent and many virulent songs about the wages of working for The Man, Paul understood immediately. He had some pills of iffy provenanceneither he nor I knew much about pillsmaybe they were muscle relaxers. I ate them.

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