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Berry - Stranger, Baby

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Berry Stranger, Baby
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    Stranger, Baby
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Stranger, Baby: summary, description and annotation

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The loss of a mother must be something very strange, observed Sigmund Freud, a reflection that haunts this intense and powerful new book.

Emily Berrys Dear Boy was described as a blazing debut, winning the Forward Prize for Best First Collection in 2013.Stranger, Baby, its follow-up, is marked by the same sense of fantasy and play, estrangement and edgy humour for which she has become known. But these poems delve deeper again, in their off-kilter and often agonising encounter with childhood loss. Love, anger, tenderness, violence: all find expression in poems powered by griefs tidal undertow. This is a book of mourning, recrimination, exhilaration, and oceanic feeling, where familiarity meets strangeness and despair becomes a kind of celebration.

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The loss of a mother must be something very strange Sigmund Freud Contents - photo 1The loss of a mother must be something very strange Sigmund Freud

Contents


I stood at the dangerous shore. Sleeves rolled up to my shoulders. My fringe lifted in the wind in a long salute and I pushed it back. Live your wish, Live your wish, said the sea. I wanted to be like the shells on the beach, rubbed smooth and cracked open. And I held my arms out, tipped my head back, pictured my protective symbols.

I opened my eyes and saw the sign of the anchor burning. I had to go. I shouted some words but they were lost when the waves crashed. And ash rained from the sky. I was far out, in wet denim, and the shore was a jolt when I looked back.

If you are not happy, the sea is not happy It sulks in and out of the bay I lie on the bed or stand at the window watching the sea Why must we destroy what we do Watching the sea is like watching something in pieces continually striving to be whole Imagine trying to pick up a piece of the sea and show it to a person I tried to do that All that year I visited a man in a room I polished my feelings Sometimes I think if the devil came and offered to swap me into some other body without me knowing what Id be getting, Id say Sure And, sure, I believe in the devil I wanted to love the world I thought when all the anxiety slipped away, Id watch it go, and Id know precisely Every increment of its departure The way getting better can be an unfolding The covers pulled back, the light coming in * The mood of the sea is catching Your eyes wear out from all the glitches I sat there watching it and I can assure you it is so Its colour became the colour of my eyes and the salt made me cry oceans * I like curved things Apples, peaches, the crest of a wave We once agreed the apple was the only iconic fruit I like it when I am writing a poem and I know that I am feeling something To be poised and to invite contact Or to appear to invite contact Remember when we used to imagineOur correspondence would make us famous or thatOnce wed become famous our correspondence would too?Maybe it still willIll need to make a lot of cuts first When did everybody start wanting to be famous all the time Or has it always been this way This is the rain, the October rain I wrote that when it was still October It must have been raining This is sadness: men in waterproofs dragging the deep lake The warm American voice says: There is no lack or limitation, there is only error in thought My thoughts are wrong.

My thoughts are wrong The thought that my thoughts are wrong is wrong * I started to be able to see in the dark It hurt my eyes My, yes, salty, wet, ocean-coloured eyes Albeit that in the dark they were the colour of the dark, and on fire * When the rain came after the drought they said it was not good enough It would not change things It was the wrong rain The rain came out of my eyes and fell on the ground and dried up Who are you. Who are you. Who are you Stop, language is crawling all over me Sometimes if you stay still long enough you can make it go If a person standing still watched another person minutely moving would it seem after a while as if they were watching the sea? I remember just one thing my mother said to me: Never look at yourself in the mirror when youre crying I did not follow her advice

In a kitchen, on an island, stirring tomato sauce, I am far from home. I stir the thickening tomato sauce. Deadly kitchen, which is hot with the temperament of this country, and with the heat of cooking. Deadly sauce, which thickens with my sinking feeling.

Which cracks my ice caps. And now they let out a scream. I am thirteen years away from home. Later, twenty, and so on. I cant get back. Someone is holding me and crying.

Greek sunset. From now on I will eat only the foods of the region that require no preparation, that cannot break into me: white cheese, white bread. Colour all over my hands, I get down on the floor of a tiled, white room.

(a cut-out) She had it all cut off It was more suitable If only I could see my mother when it is dark, I can see only myself She wont come, they can remove even this cut it off.
ACT ONE [Alone onstage with a coffin. Poor little ____. I hope she will be okay, poor little ____ ME ONE : I went back to the burned house ME TWO : Day of the week: immaterial. I hope she will be okay, poor little ____ ME ONE : I went back to the burned house ME TWO : Day of the week: immaterial.

Time of year: immaterial ME ONE : Who was there: me and another girl, also me (you) [gesturing to ME TWO ] ME TWO : [angry] During leave-taking from mother: without ceremony, the children were far more distressed than if mother left with the proper rituals CHORUS : Give us this day our proper rituals! Give us some fucking ceremony! [Curtain]
ACT TWO [A kind of light that is not the right kind of light; screaming] ME ONE : Somebody said: I am a master of elision. I veiled my tended wound. I veiled my narrative. Somebody called it: some kind of gratuitous beauty. I veiled my photograph of her in sixties playsuit ME TWO : Somebody wrote: Thereafter, hidden away, in some locked cupboard of the mind, he carries the murderous dead thing within him, an unappeased Doppelgnger, not to be placated, crying out to be heard ME ONE : I GIVE BIRTH TO MURDEROUS DEAD THING let it go to swimming pools, meditation sessions, take it on train journeys during which I feel ABANDONED and ALONE CHORUS : I was so small! I was so capable! ME ONE : I run out into the street. I find someone.

I tell them everything. I have got it in me! I shout. Undigested! Whole! The dead body of a woman! I am conducting a murder investigation! Victim performed disappearing act leaving empty shell and devastation! ME TWO : Why didnt I ME ONE : Im sorry ME TWO : What for ME ONE : For myself [Sound of breaking strings] ME TWO + CHORUS (of baritones): SAVE HER [Curtains]

I believed death was a flat plain spectacular endlessly Can you distort my voice when I say this? My scared ghost peeling off me Distortion, she says, as if she has just made it up And then she is quoting a line from a poem Or is it a whole poem, I wish I could remember My voice opens and calls you in I dont know if you can hear me I said, I carry inside me the trace of a threat that I cannot discharge I said, I want to ask you things you cant ask a person who doesnt exist She said, Why cant you ask them If we cant have everything what is the closest amount to everything we can have? She said, Why cant you have everything Well, you know, when youre looking for a person, sometimes they appear And a light goes on and off in the opposite window, twice Yes, you say, that was a sign Strange love for the living, strange love for the dead Listen. I dont know who you are but you remind me of I wish you would put some kind of distortion on my voice, I tell her So people dont know its me They know what they know, she said I told a story about my shame It got cold when the air touched it Then it got hot, throbbed, wept, attracted fragments with which it eventually glittered Till I couldnt stop looking at it Exactly, she says And then she is quoting a line from a poem, I dont know which one In my dream she reached out to touch me as if to say, Its all right How I began to believe in something Are you there? The wind called to the trees And then it happened And they said, How do you feel? And I said, Like a fountain
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