Laura Browder - Rousing the nation: radical culture in Depression America
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Rousing the nation: radical culture in Depression America
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This interdiscplinary study blends textual analysis with social history to chart the intellectual and artistic ferment of Depression-era America. It explores the fiction, drama and film produced during the decade by socially conscious intellectuals who struggled to create a uniquely American art. Challenged by a public more exposed to comic strips and tabloids than to serious artistic creativity, these writers and cinematographers used the techniques of modernism and muckraking to fashion works that would be experimental without being insular and would inspire the public to social activism. Browder first considers authors James T. Farrell, Josephine Herbst and John Dos Passos, arguing that their work successfully sparked a discussion about what it meant to be American at a time when the countrys very future seemed in doubt. She then examines the Living Newspaper productions of the Federal Theatre Project, which brought politically and aesthetically provocative drama to 25 million Americans. In a final chapter, she examines social films of the period, focusing on Paramounts 1939 production of One-Third of a Nation.
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Rousing the Nation : Radical Culture in Depression America
author
:
Browder, Laura.
publisher
:
University of Massachusetts Press
isbn10 | asin
:
1558491252
print isbn13
:
9781558491250
ebook isbn13
:
9780585083216
language
:
English
subject
American literature--20th century--History and criticism, Radicalism in literature, Literature and society--United States--History--20th century, United States--Intellectual life--20th century, Motion pictures--United States--History, Modernism (Literatur
publication date
:
1998
lcc
:
PS228.R34B76 1998eb
ddc
:
810.9/355
subject
:
American literature--20th century--History and criticism, Radicalism in literature, Literature and society--United States--History--20th century, United States--Intellectual life--20th century, Motion pictures--United States--History, Modernism (Literatur
Page iii
Rousing The Nation
Radical Culture in Depression America
Laura Browder
UNIVERSITY OF MASSACHUSETTS PRESS Amherst
Page iv
Copyright 1998 by The University of Massachusetts Press All rights reserved Printed in the United States of America LC 97-33358 ISBN 1-55849-125-2 Designed by Milenda Nan Ok Lee Set in Adobe Garamond and Gill Sans Condensed Printed and bound by Braun-Brumfield, Inc.
Library of Congress Cataloging-in-Publication Data Browder, Laura, 1963 Rousing the nation: radical culture in Depression America / Laura Browder. p. cm. Includes bibliographical references and index. ISBN 1-55849-125-2 (cloth: alk. paper) 1. American literature20th centuryHistory and criticism. 2. Radicalism in literature. 3. Literature and societyUnited StatesHistory20th century. 4. United StatesIntellectual life20th century. 5. Motion pictures United StatesHistory. 6. Modernism (Literature)United States. 7. Depressions1929United States. 8. Social problems in literature. 9. Depressions in literature. I. Title. PS228.R34B76 1998 810.9' 355dc2197-33358 CIP
British Library Cataloguing in Publication data are available.
This book is published with the support and cooperation of the University of Massachusetts Boston.
Page v
Contents
Acknowledgments
vii
Introduction From Uncle Tom's Cabin to Gone with the Wind: Writing for a Nation in Crisis
1
One The Road: In Search of America
15
Two Dos Passos Issues a Challenge: Can Language Make a Revolution?
39
Three Boys Will Be Boys: Farrell Examines Working-Class Manhood
68
Four Family History and Political Identity in Herbst's Trexler Trilogy
89
Page vi
Five Finding a Collective Solution: The Living Newspaper Experiment
117
Six One- Third of a Nation: The Living Newspaper Comes to Hollywood
156
Conclusion The Search Abandoned
174
Notes
183
Works Consulted
199
Index
207
Illustrations follow page
88
Page vii
Acknowledgments
It is a great pleasure to thank the many people who helped bring this project to fruition.
From the beginning, John Burt, Joyce Antler, and Tom Doherty at Brandeis University, where this book began as a dissertation, helped me to move beyond a purely literary study into a broader work. Their support, insightful readings, and encouragement continue to fuel my work.
John and Joy Kasson provided a wonderfully stimulating five weeks at their 1995 NEH Summer Institute on the Thirties; I'd like to thank them and the other participants in the institute for leading me to think about Depression culture in a new way. Thanks to Leon Fink for his encouraging reading of sections of the manuscript.
At the Federal Theatre Project archives at George Mason University, Lorraine Brown shared a wealth of knowledge with me. I'd also like to thank the staffs at Brandeis and Boston College; at the Library of Congress, Manuscript divisions and Motion Picture division; at the National Archives; at the John Hay Library at Brown University; and at Virginia Commonwealth University interlibrary loan, especially Jeannie Scott.
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