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Paula Rabinowitz - Labor and Desire: Womens Revolutionary Fiction in Depression America (Gender and American Culture)

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    Labor and Desire: Womens Revolutionary Fiction in Depression America (Gender and American Culture)
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This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges the conventional wisdom that feminism as a discourse disappeared during the decade. She focuses on the ways in which sexuality and maternity reconstruct the classic proletarian novel to speak about both the working-class woman and the radical female intellectual.Two well-known novels bracket this study: Agnes Smedleys Daughters of Earth (1929) and Mary McCarthys The Company She Keeps (1942). In all, Rabinowitz surveys more than forty novels of the period, many largely forgotten. Discussing these novels in the contexts of literary radicalism and of womens literary tradition, she reads them as both cultural history and cultural theory. Through a consideration of the novels as a genre, Rabinowitz is able to theorize about the interrelationship of class and gender in American culture.Rabinowitz shows that these novels, generally dismissed as marginal by scholars of the literary and political cultures of the 1930s, are in fact integral to the study of American fiction produced during the decade. Relying on recent feminist scholarship, she reformulates the history of literary radicalism to demonstrate the significance of these women writers and to provide a deeper understanding of their work for twentieth-century American cultural studies in general.

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title Labor Desire Womens Revolutionary Fiction in Depression America - photo 1

title:Labor & Desire : Women's Revolutionary Fiction in Depression America Gender & American Culture
author:Rabinowitz, Paula.
publisher:University of North Carolina Press
isbn10 | asin:0807819948
print isbn13:9780807819944
ebook isbn13:9780807863954
language:English
subjectAmerican fiction--20th century--History and criticism, Feminism and literature--United States--History--20th century, Women and literature--United States--History--20th century, Revolutionary literature, American--History and criticism, American fiction--
publication date:1991
lcc:PS374.F45R33 1991eb
ddc:813.009
subject:American fiction--20th century--History and criticism, Feminism and literature--United States--History--20th century, Women and literature--United States--History--20th century, Revolutionary literature, American--History and criticism, American fiction--
Page i
Labor and Desire
Page ii
Gender &
American Culture
Coeditors
Linda K. Kerber
Nell Irvin Painter
Editorial Advisory Board
Nancy Cott
Cathy N. Davidson
Thadious Davis
Jane DeHart
Sara Evans
Mary Kelley
Annette Kolodny
Wendy Martin
Janice Radway
Barbara Sicherman
Page iii
Labor & Desire
Women's Revolutionary Fiction in Depression America
Paula Rabinowitz
The University of North Carolina Press
Chapel Hill & London
Page iv
1991 The University of North Carolina Press
All rights reserved
Manufactured in the United States of America
The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources.
95 94 93 92 91 5 4 3 2 1
Library of Congress Cataloging-in-Publication Data
Rabinowitz, Paula.
Labor and desire : women's revolutionary fiction in depression America / by Paula Rabinowitz.
p. cm.(Gender & American culture)
Includes bibliographical references (p. ) and index.
ISBN 0-8078-1994-8 (cloth : alk. paper).ISBN 0-8078-4332-6 (pbk.: alk. paper)
1. American fiction-20th centuryHistory and criticism. 2. Feminism and
literatureUnited StatesHistory20th century. 3. Women and literature
United StatesHistory20th century. 4. Revolutionary literature, American
History and criticism. 5. American fictionWomen authorsHistory and
criticism. 6. Women intellectuals in literature. 7. Working class in literature.
8. Depressions in literature. 9. Radicalism in literature. 10. Desire in literature.
I. Title. II. Series. PS374.F45R33 1991
91-50259
CIP

"Last Night," by Martha Millet, is used by permission of the author.
Portions of the Prologue and Chapter 3 were first published as "Ending Difference/Different Endings: Class, Closure, and Collectivity in Women's Proletarian Fiction," in Genders 8 (Summer 1990).
Portions of Chapters 2 and 3 were published as "Maternity as History: Gender and the Transformation of Genre in Meridel LeSueur's The Girl," in Contemporary Literature 29 (Winter 1988).
Page v
To Jacob and Raphael
Page vii
Contents
Preface
ix
Prologue
On the Breadlines and the Headlines
1
One
Labor and Desire:
A Gendered History of Literary Radicalism
17
Two
The Contradictions of Gender and Genre
63
Three
The Great Mother:
Female Working-Class Subjectivity
97
Four
Grotesque Creatures:
The Female Intellectual as Subject
137
Epilogue
Bread and Roses Too:
Notes toward a Materialist-Feminist Literary History
173
Notes
183
Bibliography
201
Index
217

Page ix
Preface
As a child of suburbia growing up in the 1950s, I did not fully realize how the 1930s represented an important, though unspoken, episode in the lives of my parents, grandparents, and ultimately myself. I was made to understand that my middle-class life was a direct result of the poverty that had controlled my parents' childhoods, and that I was to be grateful for FDR and the NRA, for CCNY and a range of alphabetic institutions. Still, not much was actually said about the past. School proved little help; American history classes never managed to take us past the first world war. It was not until I entered college and became involved with the New Left that the idea of an old Left, of another era of radical ferment, could be explored in any depth. This study owes its beginnings to two unrelated sources: an offhand comment Fredric Jameson made, in a lecture at the 1982 Midwest Modern Language Association meeting, that we should "reinvent" the 1930s, and the revelation by my grandmother of a shame-filled memory she had from the Depression. To earn money to buy a chicken for Sabbath suppers, she told me, she would on Fridays sit in the butcher's shop and, for a nickel a chicken, perform the service of plucking feathers for those customers who could afford this small luxury. Her embarrassment about this was profound; it declared to the whole community that her husband could not provide for his family and, more significantly, that she was an incompetent Jewish mother because poverty had led her to work in public. The image of my grandmother's hands, covered with blood and feathers, has haunted me since she secretly related the scene to me before her death.
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