Camilletti Fabio A. - Leopardis nymphs: grace, melancholy, and the uncanny
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- Book:Leopardis nymphs: grace, melancholy, and the uncanny
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- Year:2017
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First published 2013
Published by the
Modern Humanities Research Association and Routledge
2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN
711 Third Avenue, New York, NY 10017, USA
LEGENDA is an imprint of the Modern Humanities Research Association and Routledge
Routledge is an imprint of the Taylor & Francis Group, an informa business
Modern Humanities Research Association and Taylor & Francis 2013
ISBN 978-1-907975-91-2 (hbk)
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, including photocopying, recordings, fax or otherwise, without the prior written permission of the copyright owner and the publisher.
Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe.
LEGENDA , founded in 1995 by the European Humanities Research Centre of the University of Oxford, is now a joint imprint of the Modern Humanities Research Association and Routledge. Titles range from medieval texts to contemporary cinema and form a widely comparative view of the modern humanities, including works on Arabic, Catalan, English, French, German, Greek, Italian, Portuguese, Russian, Spanish, and Yiddish literature. An Editorial Board of distinguished academic specialists works in collaboration with leading scholarly bodies such as the Society for French Studies, the British Comparative Literature Association and the Association of Hispanists of Great Britain & Ireland.
The Modern Humanities Research Association ( MHRA ) encourages and promotes advanced study and research in the field of the modern humanities, especially modern European languages and literature, including English, and also cinema. It also aims to break down the barriers between scholars working in different disciplines and to maintain the unity of humanistic scholarship in the face of increasing specialization. The Association fulfils this purpose primarily through the publication of journals, bibliographies, monographs and other aids to research.
Routledge is a global publisher of academic books, journals and online resources in the humanities and social sciences. Founded in 1836, it has published many of the greatest thinkers and scholars of the last hundred years, including adorno, einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, Mcluhan, Marcuse and Sartre. Today Routledge is one of the worlds leading academic publishers in the Humanities and Social Sciences. It publishes thousands of books and journals each year, serving scholars, instructors, and professional communities worldwide.
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Editorial Committee
Professor Simon Gilson, University of Warwick (General Editor)
Dr Francesca Billiani, University of Manchester
Dr Manuele Gragnolati, Somerville College, Oxford
Dr Catherine Keen, University College London
Professor Martin McLaughlin, Magdalen College, Oxford
Founding Editors
Professor Zygmunt Baraski and Professor Anna Laura Lepschy
In the light of growing academic interest in Italy and the reorganization of many university courses in Italian along interdisciplinary lines, this book series, founded now continuing under the Legenda imprint, aims to bring together different scholarly perspectives on Italy and its culture. Italian Perspectives publishes books and collections of essays on any period of Italian literature, language, history, culture, politics, art, and media, as well as studies which take an interdisciplinary approach and are methodologically innovative.
RECENT TITLES IN THIS SERIES
12. Speaking Out and Silencing, ed. by Anna Cento Bull and Adalgisa Giorgio
13. From Florence to the Heavenly City: The Poetry of Citizenship in Dante, by Claire E. Honess
14. Orality and Literacy in Modern Italian Culture, ed. by Michael Caesar and Marina Spunta
15. Pastoral Drama in Early Modern Italy: The Making of a New Genre, by Lisa Sampson
16. Sweet Thunder: Music and Libretti in 1960s Italy, by Vivienne Suvini-Hand
17. Il teatro di Eduardo De Filippo, by Donatella Fischer
18. Imagining Terrorism, ed. by Pierpaolo Antonello and Alan OLeary
19. Boccaccio and the Book: Production and Reading in Italy 1340-1520, by Rhiannon Daniels
20. Ugo Foscolo and English Culture, by Sandra Parmegiani
21. The Printed Media in Fin-de-sicle Italy: Publishers, Writers, and Readers, ed. by Ann Hallamore Caesar, Gabriella Romani, and Jennifer Burns
22. Giraffes in the Garden of Italian Literature, by Deborah Amberson
23. Remembering Aldo Moro, ed. by Ruth Glynn and Giancarlo Lombardi
24. Disrupted Narratives: Illness, Silence and Identity, by Emma Bond
25. Dante and Epicurus: A Dualistic Vision of Secular and Spiritual Fulfilment, by George Corbett
26. Edoardo Sanguineti: Literature, Ideology and the Avant-Garde, ed. by Paolo Chirumbolo and John Picchione
27. The Tradition of the Actor-Author in Italian Theatre, ed. by Donatella Fischer
28. Leopardis Nymphs, by Fabio A. Camilletti
Managing Editor: Dr Graham Nelson, 41 Wellington Square, Oxford OX1 2JF , UK
www.legendabooks.com
A BRAHAM , N ICOLAS , and M ARIA T OROK , The Wolf Mans Magic Word: A Cryptonymy , transl. by Nicholas Rand (Minneapolis: University of Minnesota Press, 1986)
A BRAMS , M.H., The Correspondent Breeze: A Romantic Metaphor, in The Romantic Breeze: Essays on English Romanticism , by M.H. Abrams, (New York and London: Norton, 1984), pp. 2543
A GAMBEN , G IORGIO , Infanzia e storia: Distruzione dellesperienza e origine della storia (Turin: Einaudi, 2001)
Infancy and History: The Destruction of Experience , transl. by Liz Heron (London and New York: Verso, 1993)
Nymphs, transl. by Amanda Minervini, in Releasing the Image: From Literature to New Media , ed. by Jacques Khalip and Robert Mitchell (Stanford: Stanford University Press, 2011), pp. 6580
In Playland, in Infancy and History , pp. 6587
Potentialities: Collected Essays in Philosophy , ed. and transl. by Daniel Heller-Roazen (Stanford: Stanford University Press, 1999)
The Signature of All Things: On Method , transl. by Luca DIsanto and Kevin Attell (New York: Zone Books, 2009)
Stanzas: Word and Phantasm in Western Culture , transl. by Ronald L. Martinez (Minneapolis and London: University of Minnesota Press, 1993)
Warburg and the Nameless Science, in Potentialities: Collected Essays in Philosophy , pp. 89 103
A GAMBEN , G IORGIO , and M ONICA F ERRANDO , La ragazza indicibile: Mito e mistero di Kore (Milan: Electa, 2010)
A LIGHIERI , D ANTE , Purgatorio , ed. and transl. by Robert M. Durling (New York and Oxford: Oxford University Press, 2003)
A NZIEU , D IDIER , LAuto-analyse: Son rle dans la dcouverte de la psychanalyse par Freud Sa fonction en psychanalyse (Paris: Presses Universitaires de France, 1959)
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