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Knight Cher Krause - A Companion to Public Art

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A Companion to Public Art is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale.

  • Edited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves
  • Includes 19 essays in four sections: tradition, site, audience, and critical frameworks
  • Covers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media
  • Contains artists philosophy essays, which address larger questions about an artists body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan...
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    Table of Contents List of Illustrations Part 1-4 Part 1-6 Chapter 02 - photo 1
    Table of Contents
    List of Illustrations
    1. Part 1-4
    2. Part 1-6
    3. Chapter 02
    4. Chapter 03
    5. Chapter 04
    6. Part 2-10
    7. Chapter 06
    8. Chapter 07
    9. Chapter 09
    10. Chapter 10
    11. Chapter 15
    12. Part 4-4
    13. Part 4-5
    14. Chapter 17
    15. Chapter 18
    16. Chapter 21
    Guide
    Pages
    WILEY BLACKWELL COMPANIONS TO ART HISTORY

    These invigorating reference volumes chart the influence of key ideas, discourses, and theories on art, and the way that it is taught, thought of, and talked about throughout the Englishspeaking world. Each volume brings together a team of respected international scholars to debate the state of research within traditional subfields of art history as well as in more innovative, thematic configurations. Representing the best of the scholarship governing the field and pointing toward future trends and across disciplines, the Blackwell Companions to Art History series provides a magisterial, stateoftheart synthesis of art history.

    1. A Companion to Contemporary Art since 1945
      edited by Amelia Jones
    2. A Companion to Medieval Art
      edited by Conrad Rudolph
    3. A Companion to Asian Art and Architecture
      edited by Rebecca M. Brown and Deborah S. Hutton
    4. A Companion to Renaissance and Baroque Art
      edited by Babette Bohn and James M. Saslow
    5. A Companion to British Art: 1600 to the Present
      edited by Dana Arnold and David Peters Corbett
    6. A Companion to Modern African Art
      edited by Gitti Salami and Monica Blackmun Vison
    7. A Companion to Chinese Art
      edited by Martin J. Powers and Katherine R. Tsiang
    8. A Companion to American Art
      edited by John Davis, Jennifer A. Greenhill and Jason D. LaFountain
    9. A Companion to Digital Art
      edited by Christiane Paul
    10. A Companion to Dada and Surrealism
      edited by David Hopkins
    11. A Companion to Public Art
      edited by Cher Krause Knight and Harriet F. Senie
    12. A Companion to Islamic Art and Architecture, Volume 1 and 2
      edited by Finbarr Flood and Gulru Necipoglu
    A Companion to Public Art

    Edited by

    Cher Krause Knight and Harriet F. Senie

    This edition first published 2016 2016 John Wiley Sons Inc Registered - photo 2

    This edition first published 2016
    2016 John Wiley & Sons, Inc.

    Registered Office
    John Wiley & Sons, Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

    Editorial Offices
    350 Main Street, Malden, MA 021485020, USA
    9600 Garsington Road, Oxford, OX4 2DQ, UK
    The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, UK

    For details of our global editorial offices, for customer services, and for information about how to apply for permission to reuse the copyright material in this book please see our website at www.wiley.com/wileyblackwell.

    The right of Cher Krause Knight and Harriet F. Senie to be identified as the authors of the editorial material in this work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988.

    All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher.

    Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books.

    Designations used by companies to distinguish their products are often claimed as trademarks. All brand names and product names used in this book are trade names, service marks, trademarks or registered trademarks of their respective owners. The publisher is not associated with any product or vendor mentioned in this book.

    Limit of Liability/Disclaimer of Warranty: While the publisher and authors have used their best efforts in preparing this book, they make no representations or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. It is sold on the understanding that the publisher is not engaged in rendering professional services and neither the publisher nor the author shall be liable for damages arising herefrom. If professional advice or other expert assistance is required, the services of a competent professional should be sought.

    Library of Congress CataloginginPublication Data

    Names: Knight, Cher Krause, editor. | Senie, Harriet F., editor.
    Title: A companion to public art / Edited by Cher Krause Knight and Harriet F. Senie.
    Description: Hoboken : John Wiley & Sons Inc., 2016. | Includes bibliographical references and index.
    Identifiers: LCCN 2015042771 | ISBN 9781118475324 (cloth) | ISBN 9781118475348 (ePub) | ISBN 9781118475355 (Adobe PDF)
    Subjects: LCSH: Public art.
    Classification: LCC N8825 .C64 2016 | DDC 711/.57dc23
    LC record available at http://lccn.loc.gov/2015042771

    A catalogue record for this book is available from the British Library.

    Cover image: Tatzu Nishi, Discovering Columbus. Presented by Public Art Fund in Columbus Circle, New York City, September 20 December 2, 2012.
    Photo by Tom Powel Imaging, Courtesy of Public Art Fund, NY.

    For our daughters:

    Beatrix Marcel Knight I love you the whole world.
    and
    Laura Kim Senie like always!

    List of Illustrations
    Wodiczko+Bonder. Mmorial de l'Abolition de lEsclavage (Memorial to the Abolition of Slavery). 2012. Nantes, France.2728
    Alan Sonfist. Time Landscape. 1965present. LaGuardia and Houston Streets, New York City.35
    Memorial del Detenido Desaparecido y del Ejecutado Poltico. 1994. Santiago General Cemetery, Santiago, Chile.57
    Mosaic dedicated to Benjamn Adolfo Camus Silva. Memorial de Paine. 2008. Paine, Chile.67
    Robert Reid. Detail of The Five Senses. 1898. Ceiling mural, second floor, north corridor, Library of Congress.79
    Thomas Hart Benton. AmericaToday, panel b) titled City Activities with Dance Hall. 19301931.82
    (l) M. Sidibe, architect. Independence Monument. 1995. Bamako, Mali. (r) M. Soumare, architect, mural design by Ishmael Diabate. Monument to the Martyrs. 1996. Bamako, Mali.97
    SOCOMADE (La socit Coreomalienne de dcoration). Les Fresques Murales de Koulouba (The Fresco Wall at Koulouba). 2000. Bamako, Mali.99
    (l) SOCOMADE (La socit Coreomalienne de dcoration). Sogolon Kond. 2000. Bamako, Mali. (r) COVEC (China Overseas Engineering Group, Ltd.). La Tour dAfrique. 2000. Bamako, Mali.103
    eteam. Artificial Traffic Jam. 2004. Nevada.132
    eteam. 100m behind the future. 2012.133
    (l) Johannes Gelert. Haymarket [Police] Monument. 1889. Chicago.(r) Frederick Hibbard. Carter Henry Harrison. 1907. Chicago.144
    Mary Brogger. Haymarket Memorial. 2004. Chicago.150
    (l) Susan Clinard. Samuel Gompers. 2007. Chicago.(r) Tom White. James Connolly. 2008. Chicago.153
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